Design by Kanami Yamashita

Visual Arts

Seattle artist Tara Tamaribuchi presents two installations from her Camouflage Net Project. The work made of camouflage netting and kimono fabric was inspired by the history of Japanese Americans who made camouflage nets for the U.S. army as prison labor during WWII while they, themselves were imprisoned in concentration camps. One installation will be at the Northwest African American Museum in Seattle  through August 28, 2019. It is part of a group exhibition with several Pratt Fine Arts Center scholarship recipients entitled “Edwin T. Pratt: A Living Legacy” in honor of the life and spirit of the late Seattle-area civil rights leader, Edwin T. Pratt. The installation has a sound element featuring the oral histories of Japanese American internment camp survivors who made the nets and that of Dennis Baumbauer who was taken from an orphanage and imprisoned at Manzanar for being half-Japanese. 2300 S. Massachusetts St. 206-518-6000 or go to naamnw.org. The second installation is at the Pantages Theater in the storefront windows on 9th and Commerce in Tacoma through July 15, 2019 and is presented by Spaceworks Tacoma and funded in part by Densho and ArtsFund. This piece has a video that blends photos of incarcerated Japanese Americans with photos of asylum seekers at the U.S. southern border and Japanese Americans making camouflage nets with imagery of contemporary prison labor. For details on the work, go to www.tamaratamaribuci.com.

Though known primarily for his ceramic sculpture, the late Seattle artist Akio Takamori also did paintings and prints as well and the flowing energy of this lively brushwork eventually found their way into his figurative ceramics. “Akio Takamori” To Be Human” pair his early sculptures with related prints. On view through June 8, 2019.  James Harris Gallery. Open Wed. – Sat. 604 Second Ave. 206-903-6220 or try jamesharrisgallery.com.

“The United States in My Eyes” is a group show curated by Roberta (Yi-Ping) Chen. It includes work by Siqi Chen, Peyman Fazeli, Maria Grindruk, Elena Kurushina, Rana Moradi and Roberta (Yi-Ping) Chen. Through works in various media & styles, including photography, drawing, digital media and installations, this exhibition reflects stories of the U.S. from the perspectives of artists who have left home to emigrate here. On view through May 23, 2019. Gallery hours are 9am – 3:30pm. M – F. Evening hours are 5 – 7pm on Tues. and Wed. Free. Located in the North end of the Artrium of Seattle Central Community College on the main campus building at 1701 Broadway. www.seattlecentral.edu/artgallery. 206-934-4379.

Hedreen Gallery – Lee Center for the Arts on the Seattle University campus off Capitol Hill has the following – “An Object Lesson” has work by Markel Uriu, a Seattle artist who combines organic materials to explore ideas of impermanence, maintenance and decay using the premise of “invasive species”. On view through Sun., May 19, 2019. Veteran Northwest artist Romsom Bustillo draws upon his island upbringing steeped in a colonial/native history and iconography. The final result in patterns and mark-making on paper are images that stay rooted in the memory. Opens May 21, 2019. Wed. – Fri. from 1 – 6pm. 901 12th Ave. 206-296-2244.

Works by George Tsutakawa are included in a show of artists whose works are on consignment in a show entitled “Semi-occasional Secondary Market Exhibition of Excellent Pictures” at Greg Kucera Gallery, Inc. Many of the artists represented are from the Northwest. Through June 1, 2019. 212 Third Ave. S. in Seattle. 206-624-4031 or try [email protected]

At KOBO at Higo in the CID, a new arrival of prints and sculptural figures of Bodhisattvas by Tomoko Suzuki have just arrived. Open daily at 604 South Jackson St. 206-381-3000 or [email protected]

Tacoma-based sculptor June Sekiguchi visited Laos a few years ago and it left a deep impression. So deep that she hopes to summon the powerful flow of the muddy Mekong River within the gallery walls providing visitors with a bridge to cross it as well. Set for the month of Oct., 2019. ArtXchange Gallery at 512 First Ave. S, 206-839-0327 or [email protected].

L.A.-based Ahree Lee is a multi-media artist working in video, photography, sound and interactive installations. She has a video installation entitled “Permutations”  currently on view in front of the Bill & Melinda Gates Foundation campus at 500 Fifth Ave. N. on view from 7am – 10pm. This is part of Storefront Media Gallery sponsored by 4Culture. 206-263-1588 for details.

The Friends of Asian Art Association presents another event scheduled for May 19, 2019 at 2:30pm. It is a presentation by David Paly on the topic of “The Roots Of Ikat Weaving In S.E. Asia” at Skyline Retirement Center at 725 Ninth Ave. on Capitol Hill. Paly is an avid collector and will share samples from his collection and discuss the roots of this special woven art form from Southeast Asia. Members, $15 and  Non-members, $20 if you pre-register at http://friendsofasianart.org/eventflyer4.html. Tickets at the door will be $5 more.

The Museum of Northwest Art presents “Continuum: Works from the Permanent Collection and the Lucy and Herb Pruzan Collection” is an edited visual history of Northwest art from the 1930’s to the present. Includes the work of Paul Horiuchi, Akio Takamori and many others. Opens April 6, 2019. 121 South 1st St. in La Connor, WA. 360-466-4446.

“Yahaw – Together We Lift The Sky” is a year-long indigenous community-based project culminating in the inaugural exhibition at Seattle Office of Arts & Culture’s ARTS at King Street Station.  “Yahaw” will feature the work of 200+ Indigenous creative artists at over 20 sites across Seattle and beyond. Curated by Tracy Rector, Asia Tail and Satpreet Kahlon. Learn more at Yehawshow.com. On view through August 3, 2019.

A  JCCCW Exhibition entitled “Genji Mihara: An Issei Pioneer” is  ongoing. Mihara was an Issei first-generation Japanese immigrant leader who helped to build Japanese culture and community in Seattle. Open M – F from 10am – 5pm. Japanese Cultural and Community Center of Washington is at 1414 S. Weller St. Free. For details, go jcccw.org.

“MY WAR: Wartime Photographs by Vietnam Vets” is a group show that runs through June 3, 2019. Showcasing photographs, poems and journal entries by twenty-five Vietnam veterans from around the U.S. At the San Juan Islands Museum of Art.  540 Spring St. in Friday Harbor, WA. 360-370-5050 or go to www.sjma.org.

Asia Pacific Cultural Center has a show every month of a local Asian American artist every month in their gallery.4851 South Tacoma Way in Tacoma. 253-383-3900  or asiapacificculturalcenter.org.

Seattle Art Museum has the following –Opening at the John McCone Gallery on the 3rd floor on March 16, 2019  is “The Gentleman Warrior: Art of the Samurai” which features two complete sets of samurai armor, screen paintings and a print of the legendary battle between the Tara and Minamoto clans.  Seattle Art Museum is located at 1300 First Ave. 206-654-3210 or try www.seattleartmuseum.org.

Henry Art Gallery has the following -“Recto/Verso” features art by New York-based artist Carrie Yamaoka from July 13 – Oct. 2019. It brings together work from the early 1990’s to the present highlighting recurring themes of (in)visibility and perception. Early work is text-based explorations using chemically altered photographs. Also ongoing work made with reflective mylar and resin. Recent work straddles the media of painting, drawing and sculpture. Yamaoka is a founding member of the queer art collective known as fierce pussy. Located on the UW Seattle campus at 15th Ave. NE + NE 4lst Street. 206-543-2280 or try henryart.org.

The Museum of History & Industry has announced that “Beyond Bollywood: Indian Americans Shape The Nation”, an exhibit created by the Smithsonian Asian Pacific American Center and the Smithsonian Institution Traveling Exhibition Service will be coming to the museum from Nov. 2019 – Jan. of 2020.

Pacific Bonsai Museum shakes up this Japanese tradition with LAB (Living Art of Bonsai), an experimental collaborative for bonsai innovation This project is a re-sequencing in the order of influence between the bonsai artist, ceramicist and stand maker. The project kicks off in 2018 and continues through 2020. A video trailer from a film about this new process can be viewed at http://www.bonsaimirai.com. Other shows include “Gnarly”, a tribute to “bonsai renegade” Dan Robinson who helped create the Northwest bonsai scene with his innovative designs. Also on view will be “Living Art of Bonsai: Principles of Design” which emphasizes key elements of the art form. Both shows on view May 11 – Sept. 29, 2019. For more information, go to http://www.pacificbonsaimuseum.org. The Pacific Bonsai Museum is at 2515 S. 336th St. in Federal Way, WA. 206-612-0026 for information.

Portland Art Museum has the following –  “Dramatic Impressions – Japanese Actor Prints” is a group show of woodblock prints of actors on the kabuki stage on view through Oct. 13, 2019. “APEX: Steven Young Lee” showcases this contemporary ceramic artist who takes inspiration from the museum’s Korean collection and reconsiders these objects with a contemporary twist. Lee is based in Helena, MT. On view  through August 11, 2019. 1219 S.W. Park Ave. 503-226-2811 or try [email protected].

Bellevue Arts Museum previously had a retrospective for the late N.W. jewelry artist Ron Ho. They follow it up with “Ron Ho: A Jeweler’s Tale” which looks more closely at his inspirations and how his Chinese roots and world cultures influenced and fed into his own work. With a reconstruction of his studio and the screening of a new documentary entitled “Ron Ho: Becoming Chinese, A Jeweler’s Tale”. May 10 – Sept. 15, 2019.510 Bellevue Way. 425-519-0770 or go to bellevuearts.org.

KOBO  at Higo at 604 South Jackson features many small arts & crafts/textile shows and activities inspired by Asia or work by Asian American artists. There is another branch of KOBO on Capitol Hill at 814 E. Roy St. 206-726-0704.

New and recent shows /activities at the The Wing   include the following – “Excluded, Inside the Lines” is on view through Feb. 23, 2020. It uncovers the history of redlining and the impact on minority communities. “A Dragon Lives Here”, part 4 of the ongoing Bruce Lee exhibition series is ongoing.  This concluding part hones in on Bruce Lee’s Seattle roots and how this region played a key role in shaping Lee and his groundbreaking career. “I Am Filipino” exhibit is ongoing.   Toddler Story Time set for Thursdays at 11am always has events centered around a kid’s book and an art activity afterwards.   A new addition to The Wing’s daily Historic Hotel Tour is “APT 507” which is the story of Au Shee, one Chinese immigrant woman who helped build Seattle’s Chinatown. Her living room is interactive with objects meant to be felt, opened  and experienced.   “Worlds Beyond Here: The Expanding Universe of APA Science Fiction” is a show that remains on view through Sept. 15, 2019. From onscreen actors to behind-the-scenes writers, creators, artists and animators, learn about the impact Asian Pacific Americans have had and continue to have in science fiction. A mix of literary and pop culture works helps viewers to see how science fiction reflects the times they were written in. It addresses issues related to identity, immigration and race, technology, morality and the human condition. Curated by Mikala Woodward. Includes work by Tamiko Thiel, Simon Kono, June Sekigiuchi, Stasia Burrington, relics from George Takei’s Sulu character on Star Trek, clips & stills from the film, Arrival” based on Bellevue writer Ted Chiang’s story and much more. A group show tentatively titled “Open Housing” shows how community members across the Central Area, Chinatown-ID and Southeast Seattle gather to explore how racial restrictions on where people could live shaped the Seattle we know today and set a vision for those neighborhoods for the next 50 years. Through Feb. 16, 2020 in the New Dialogues Initiative area. Carina del Rosario curates an exhibit entitled “Wide Angle/Close up: A Self Portrait of the Asian Pacific Islander American Community” from May 10, 2019 – April 19, 2020. Includes photography, video, and photo-based installations by photojournalists that document the community from the inside out. Set for the George Tsutakawa Gallery. “Chinatown in the 1970s” recreates Seattle’s Chinatown in the 1970’s and explores the values and customs that continue to shape the neighborhood today. July 20, 2019 – Jan. 5, 2020 in the KidPLACE Gallery. The Museum is located at 719  South King St. (206) 623-5124 or  visit www.wingluke.org. Closed Mondays. Tuesday – Sunday from 10am – 5pm. First Thursday of each month is free from 10am – 8pm. Third Saturday of each month is free from 10am – 8pm.

Poet Jane Wong, currently teaching at Western University enters a new realm with a debut exhibition centered on family entitled “After Preparing the Altar, the Ghosts Feast Feverishly” at Seattle’s Frye Art Museum. Wong explores the themes of hunger and waste and their meaning for immigrant families. Expect altars, sculpture poems and texts that evoke a New Jersey childhood in the Chinese restaurant her parents ran. If she can do with images what she does with words, this show will be sure to haunt. June 1 – Sept. 1, 2019. 704 Terry. 206-622-9250 or go to fryemuseum.org.

“Key to the Collection” is a group show that opened Dec. 22, 2018 and it lets TAM show off some of the treasured gifts from their collection including their legacy of Japanese woodblock prints and various other items. Familiar Faces & New Voices: Surveying Northwest Art”  stays on view through the summer of 2019. This group show is a chronological walk through of Northwest art history, illustrated with the works of noted artists from each time period as well as lesser-known but just as important figures. Different works will be displayed throughout the run of this show. Includes the work of Patti Warashina, Roger Shimomura, Joseph Park, Alan Lau (full disclosure, that’s me)  and many others. Tacoma Art Museum at 1701 Pacific Ave. 253-272-4258 or email [email protected] or go to www.TacomaArtMuseum.org.

“A Thousand Words’ Worth: Washington Authors Tell Northwest Stories Through Historic Artifacts” is a group exhibition in which the Washington State Historical Society asked Northwest writers to pick out a few historic artifacts to tell stories with. The end result is like pulling books off a shelf and reading about the stories they tell. Washington authors Shawn Wong, Jamie Ford, John Okada and Frank Abe are included. On view through August  24, 2019. 1911 Pacific Ave. in Tacoma. 1-888-BE-THERE. For details, go to www.washingtonhistory.org/1000words.

“Land of Joy And Sorrow: Japanese Pioneers of the Yakima Valley” is an ongoing exhibit that traces the story of the Japanese families who settled in the Yakima valley. Yakima Valley Museum at 2105 Tieton Dr. in Yakima, WA. 509-248-0747.

Oregon Nikkei Legacy Center presents the following – “Oregon Nikkei: Reflections of an American Community – ongoing. “Allie Takahashi: Fabric & Skin” through July 3, 2019. This Oakland, California artist and tattooer combines collage, painting and installation with the visual language of Japanese woodblock prints to evoke the dynamics of intergenerational trauma and healing within the context of Japanese American experiences. From July 18 – Sept. 22, 2019 will be a museum exhibit that covers Portland Taiko’s 25 year history in the region entitled “Portland Taiko 25th Anniversary Exhibition”. Beginning this year, visitors can see artifacts of the collection up close as the stacks will be open to see as the staff does filing. 121 NW Second Ave. in  Portland. 503-224-1458 or go to www.oregonnikkeir.org.

The Portland Japanese Garden has the following – “Northern Lights: Ceramic Art of Hokkaido Revisited” introduces 21 of Hokkaido’s (Japan’s northern island) new and emerging artists in the ceramic field. On view  through May 27, 2019. Curated by Sachiko Matsuyama. Opening June 8, 2019 and on view through July 21, 2019 will be “Forest of Dreams: Ainu And Native American Woodcarving”. 611 SW Kingston Ave. in Portland, Oregon. 503-223-1321 or go to japanesegarden.org.

The Jordan Schnitzer Museum of Art located on the campus of the University of Oregon in Eugene has the following – “Graceful Fortitude: The Spirit of Korean Women” is on view through August 4, 2019. It includes art created by, for and/or about Korean women in all media from the twelfth to the twenty-first century. “Reflections of the Cosmic Web: Intricate Patterns in Daoist Art” remains on view through June 17, 2019. “Vibrance and Serenity: Art of Japanese No Traditional Theatre is on view through July 7, 2019. It covers the history and performance of No theatre using selected prints by Tsukioka Kogyo (1869 – 1927). Upcoming exhibits include the following –  “Evocative Shadows: Art of the Japanese Mezzotint” is on view from July 27, 2019 – August 30, 2020. This show celebrates the history of this genre which produces a broad tonal range of deep blacks through bright whites. “Kwang Young Chun: Aggregations” from August 24, 2019 – June 28, 2020. This South Korean artist combines hundreds of paper-wrapped parcels to create sculptural compositions that resemble crystal formations, asteroids of the surface of the moon.1430 Johnson Lane in Eugene, Oregon. 541-346-3027.

Vancouver Art Gallery has the following – On view through Sept. 2, 2019 is “Moving Still: Performative Photography in India” which explores the themes of migration, gender, religion and national identity through the lens of performative photography. Curated by Diana Freundi and Gayatri Sinha. 750 Hornby St. Vancouver BC Canada. 604-662-4719.

Nikkei National Museum presents the following – The museum  has numerous online exhibits as well as offsite exhibits. Ongoing on Level 2 is an ongoing exhibit entitled “Japanese Canadians Since 1877.” The main exhibition space  is currently under construction and re-open in the near future. Check their website for details. The Nikkei National Museum is at 6688 Southoaks Crescent in Burnaby. 604-777-7000 or go to nikkeiplace.org.

Chinese Cultural Centre Museum has the ongoing exhibit “Generation to Generation – History of Chinese Canadians in British Columbia.” 555 Columbia St. Vancouver, BC. 604-658-8880.  Admission by donation.

An ongoing exhibit entitled “Call for Justice: Fighting for Japanese Canadian Redress (1977-1988)” is on view at Nanaimo Museum at 100 Museum Way in Nanaimo, Canada. 250-753-1821 or go to nanaimomuseum.ca.

Art Gallery of Greater Victoria has two shows and a video installation related to Japan. “Fiona Tan: Ascent” has the international artist presenting a montage film and accompanying photo installation that studies the significance of Mt. Fuji in Japanese visual culture. Opening March 9 is “Quiet Nature: The Woodblock Prints of Walter J. Phillips. This exhibit considers the influence of Japanese printmakers on the artist and his important role in popularizing the Japanese woodcut tradition in Canada. “Landscapes of Edo: Ukiyo-e Prints from the AGGV Collection” showcases key works from the museum’s extensive collection of Japanese prints. Opening July 5 and on view through Sept. 15, 2019 is “Imagining Fusang: Exploring Chinese and Indigenous Encounters”, a group show where artists explore and speculate upon early encounters and interactions between indigenous peoples and Chinese communities that settled on Vancouver Island. Curated by Haema Sivanesan.1040 Moss St. in Victoria, BC. 250-384-4171 or go to aggv.ca.

“We Were Always Here: Japanese American Post-War Pioneers of Art” is a group show currently on view at Heather James Fine Art in San Francisco through July 15, 2019. It includes work by Ruth Asawa, Isamu Noguchi and Kay Sekimachi in dialogue with Yayoi Kusama, Masami Teraoka who chose the U.S. as their home for some time. Also on view are paintings by Tadasky Kuwayama, George Miyasaki, Sadamasa Motonaga, Masako Takahashi, Kikuo Saito, Kumi Sugai, Teruko Yokoi and others. The show also includes sculpture by Nakatomi Hajime, Ueno Masao, George Nakashima, Honda Syoryu, Nakamura Tomonori and others. 49 Geary St on the 5th floor in #511. 415-872-9495.

Asian Art Museum, San Francisco has the following. Coming soon  to the Larkin St. steps in front of the museum is a giant white sculpture that turns a puppy into the size of an elephant. “Your Dog” is by Yoshitomo Nara. “Kimono Refashioned” is a major exhibition on the evolution of the Japanese kimono created by the Museum in collaboration with the Kyoto Costume Institute. It runs through May 5, 2019. “Changing And Unchanging Things: Noguchi And Hasegawa in Postwar Japan” on view Sept. 27, 2019 – Dec. 18, 2019. This looks at a pivotal moment for both artists. Noguchi was returning to Japan after many years and Hasegawa had spent many years away in Europe. Together they discussed the many possibilities of combining Japanese tradition with outside influences they had had discovered on their travels. Noguchi would go on to design major permanent sculptural installations around the world and Hasegawa would become a strong influence on America’s zen-inspired “Beat Movement.” 200 Larkin St. 415-581-3500.

“Then They Came For Me” is a group show of black and white photography that documents the internment of Japanese Americans during WWII. It includes work by Ansel Adams, Dorothea Lange, Toyo Miyatake and many others as well as videos, drawings by Mine Okubo and documentary material of the era.  Originally organized by Alphawood Exhibitions of Chicago, the show has also shown at ICP in New York. A Bay Area version of this show presented by the Jonathan Logan Family Foundation in partnership with the National Japanese American Historical society and J-Sei will reconfigure the show pertaining to the West Coast and it will be on view through May 27, 2019 for free at the “Futures Without Violence” Building located in The Presidio at 100 Montgomery St. Hours are Wed. – Sun. from 10am – 6pm (last admittance by 5:30pm). There are Public Tours on Thursdays from 4 – 6pm. Other activities include the following – Free screenings of the documentary film on the internment entitled “And Then They Came for Us”  by Abby Ginzberg and Ken Schneider every Sat. & Sun. 415-923-9795 or go to [email protected].

Berkeley Art Museum has the following – “Boundless: Contemporary Tibetan Artists At Home and Abroad” on view until May 26, 2019 features work by internationally known contemporary Tibetan artists such as Tenzing Rigdol, Gonkar Gyatso and Tsherin Sherpa alongside more historical pieces. “Ink, Paper, Silk: One Hundred Years of Collecting Japanese Art” is on view through April 14, 2019. Includes work by Okamoto Shiki, the Kano School, Nagasawa Rosetsu, Sakae Hoitsu and Tsukioka Yoshitoshi. “Masako Miki/ MATRIX 273” includes work by this Japanese Bay Area artist who creates felt covered forms drawn from Japanese folk belief in Yokai (shape shifters). Through April 28, 2019. 2155 Center St. in Berkeley, CA. 510-642-0808 or go to [email protected].

The Museum of Craft And Design present “Wanxin Zhang – The Long Journey” on view through July 14, 2019. The artist spent his formative years in China under Mao’s regime. After moving to California in the early 1990’s he became inspired by the work of Voulkos, Arneson and De Staebler. This exhibition is a survey of his ceramic sculpture from 2006 to 2017 in which California Funk meets the Chinese historical monumental clay figure tradition. Presented in partnership with the Catherine Clark Gallery with an exhibition catalog.  2569 Third St. in San Francisco. 415-773-0303 or try [email protected]

LACMA or Los Angeles County Museum of Art  has “The Jeweled Isle: Art from Sri Lanka” through June 23, 2019. This is the first comprehensive survey of Sri Lankan art organized by an American museum. 5905 Wilshire Blvd. 323-857-6010.

The Japanese American National Museum has the following shows  – “Common Ground: The Heart of Community.” This overview exhibit of Japanese American history is ongoing. Opening May 25 and going on through Oct. 20, 2019 is “At First Light: The Dawning of Asian Pacific America”. This multi-media exhibition celebrates and explores the emergence of a politically defined Asian Pacific American consciousness and identity. It draws on the archives of Visual Communications and the museum itself. 100 N. Central Ave. in Los Angeles. 213-625-0414 or go to http://www.janm.org.

“Chiura Obata: An American Modern” is the first retrospective of this noted Bay area artist whose work reflected the glories of the American landscape from the Grand Canyon to Yosemite. His influence could also be felt at UC Berkeley where he had a distinguished teaching career. He also helped found art schools in internment camps during WWII.  Curated by ShiPu Wang with a catalogue. The exhibition travels to the following sites. June 23 – Sept. 29, 2019 at Crocker Art Museum in Sacramento.

The Freer/Sackler Gallery on the Smithsonian Mall shows you how religion and art mix in “Encountering the Buddha: Art and Practice Across Asia through Nov. 29, 2020. 202-633-1000 or go to FreerSackler.si.edu for details.

The Metropolitan Museum of Art has the following – “Seeing the Divine: Pahari Paintings of North India” through July 21, 2019.   Through Oct. 27, 2019 is a major sculpture exhibition from the 18th & 19th century era in the Pacific Islands entitled “Atea: Nature And Divinity In Polynesia.” “Celebrating the Year of the Pig” through July 28, 2019. “Essential Korea” through Sept. 22, 2019. “Streams and Mountains Without End: Landscape Traditions of China” through August 4, 2019. “The Tale of Genji – A Japanese Classic Illuminated” through June 16, 2019. ”Children to Immortals: Figural Representation in Chinese Art” through Feb. 23, 2020. 1000 Fifth Ave. New York, New York. Go to metmuseum.org for details.

The Rubin Museum of Art has the following shows – “Faith And Empire: Art And Politics in Tibetan Buddhism” gets a full survey including offerings from the museum’s own collection and objects from the Musee Guimet in Paris, the Cleveland Museum of Art and other institutions. On view through July 15, 2019.  “The Power of Intention- Reinventing the (Prayer) Wheel” brings together select examples of traditional and contemporary art to illuminate the relationship between our intentions, commitments and actions. On view through Oct. 14, 2019. “The Wheel of Intentions” is an interactive installation on view through Jan. 6, 2020. 150 W. 17th St.  New York, New York. 212-620-5000×344 or go to rubinmuseum.org.

The Japan Society has the following – “Radicalism in the Wilderness: Japanese Artists in the Global 1960’s” is a look at the radical experiments of artists from 1960s Japan little known in the U.S. such as Yutaka Matsuzawa, The Play and GUN art collectives. On view through June 9, 2019. 333 East 47th St.  212-263-1258.

The Museum of Chinese in America has the following –“With a Single Step: Stories in The Making of America” chronicles the history of the museum through Dec. 31, 2020. From May 2 – Sept. 15, 2019 is “The Moon Represents My Heart: Music And Belonging” which explores the tradition of music in Chinese communities. 215 Centre St. New York, NY. 855-955-MOCA or go to mocanyc.org.

The Asia Society Museum in New York presents the following – “M. F.  Husain: Art And the Nation” focuses on the artist’s mural-sized painting created for Indira Gandhi’s Congress Party rally in 1975. On view through August 4, 2019. “Reza Arameshi: 12 Noon, Monday 5 August, 1963” is a show in which the artist Reza Aramesh examines the power balance between the captor and and captive and the aestheticization of violence in media coverage of wartime atrocities. On view through June 9, 2019. “Masterpieces from the Asia Society Museum Collection” is a group show on view through August, 2019.To find out more, go to AsiaSociety.org/NY. 725 Park Ave. New York City, New York. 212-327-9721 or go to www.asiasociety.org for more details.

The Noguchi Museum has the following – “Rotating Objects” by Gabriel Orozco in which the artist takes Japanese objects and embellishes them in his own style on view through August, 2019. “Changing And Unchanging Things” Noguchi & Hasegawa in Postwar Japan” featuring this historic meeting in post WWII Japan between two artists influenced by Japanese tradition and Western modernism  and how to create a new fusion of both. May 1 – July 14, 2019. 9 – 01 33rd Rd, Long Island City, NY. 718-204-7088.

China Institute Gallery presents “Art of the Mountain: Through the Chinese Photographer’s Lens” on view through August 28, 2019. Located at 100 Washington St. (visitor entrance is at 40 Rector St . on the 2nd floor) in New York. 212-744-8181 or go to www.chinainstitute.org.

Tallur L. N. is an Indian sculptor who combines Indian craft traditions and novel sculptural techniques to infuse ancient iconography with contemporary meanings. “Multiplicity”  is a show that has around thirty works in a variety of mediums, from carved stone and wood to cast bronze and concrete to found objects. May 5, 2019 – Jan. 5, 2020. Grounds for Sculpture at 80 Sculptors Way  in Hamilton, New Jersey.609-586-0616 or [email protected] for sculpture.org.

“Forward Press: 21st Century Printmaking” is a group show of printmakers who break rules in printmaking to immerse and overwhelm the viewer with large scale installations. Curated by Susan Goldman, the artists use 3D, printed fabric, inkjet printing, laser-cut technology, video and whatever works to get their art across. The work of Sangi Yoo entitled “Dazzle Dazzle” does just that with incised forms and shadow play to evoke the suburbia of her Korean childhood and her current home in Texas. On view at American University Museum at the Katzen Arts Center, 4400 Massachusetts Ave. NW in Washington D.C. through August 11, 2019. Free. Go to American.edu/museum for details.

Pakistani-born artist Huma Bhabha’s rugged style of figurative sculpture working with a variety of material from clay  and Styrofoam often evokes science-fictional imagery like the aliens currently on the roof of the Met. This large retrospective allows us to see the range of her interests in all phases of her career from masks to photographs and drawings. Through May 27, 2019. Institute of Contemporary Art,  25 Harbor Shore Dr. in Boston, MA. 617-478-3100

Museum of Fine Arts Boston has the following – “Conservation in Action – Japanese Buddhist Sculpture in a New Light” on view through June 30, 2020. 9300 Avenue of the Arts. 465 Huntington Ave. Go to mfa.org or call 617-267-9300.

The Peabody Essex Museum has the following – “Wild Designs” is a group show that features artists and innovators who look to nature and living systems for new ideas and creative solutions to human problems. On view through August 4, 2019. “Japanomania! Japanese Aart Goes Global” through Jan. 3, 2021.  “Mega City: India’s Culture of the Streets” on view through June 28, 2020. “Double Happiness: Celebration in Chinese Art” through Jan. 3, 2020. Opening June 22, 2019 and remaining on view through Jan. 19, 2020 is Kimsooja’s “Archive of Mind.” This is a participatory installation with visitor assistance that builds over the course of the exhibit. Museum visitors are encouraged to sit at the space and form a fall of clay with their own hands. Thousands of clay spheres will be generated through small individual gestures that reveal the emotional traces of their makers and cumulatively generate a complex array of texture, scale and tone.  Opening June 1, 2019 and remaining on view through May 17, 2020 is “A Lasting Memento: John Thomson’s Photographs Along the River Min”. Scotsman John Thomson is considered to be one of the first photographers to document East and South Asia. This exhibit takes us back to an earlier time. It features more than 40 landscapes, city views and portrait studies. The show is complemented by a selection of photographs by contemporary artist Luo Dan who was inspired by Thomson to undertake his own journey in Southwestern China in 2010. 161 Essex St. in Salem, Massachusetts. 816745-4876 or go to pem.org.

“Empresses of China’s Forbidden City”, the first major international exhibition to explore the role of empresses in  China’s Qing Dynasty (1644-1912). Includes many works never seen before in the U.S. Freer/Sackler Gallery at the Smithsonian Mall in Washington D.C. Through June 23, 2019.

A show of prints by the late Seattle artist Munio Makuuchi is set from August – December, 2019. Art historian Margo Machida will write the catalog essay. 20 Elm St at Bedford Terrace in Northhampton, MA. 413-585-2760 or go to [email protected].

The Minneapolis Institute of Art has the following – “Without Boundaries: Fiber Sculpture & Paintings by Women Artists” featuring work by Yayoi Kusama through July 21, 2019. “Emblems of a Prosperous Life: Women’s Robes of Late Imperial China (1700s-1800s) through June 30, 2019. Minneapolis  Institute of Art. 2400 Third Ave. S. Call toll free at 888-642-2787.

“American Muse” is the title of a show of new work by Seattle native Roger Shimomura. On view  through May 25, 2019. Sherry Leedy Contemporary Art. 2004 Baltimore Avenue in Kansas City, MO. 816-221-2626 or go to SherryLeedy.com.

“Being Japanese Canadian: reflections on a broken world” is a group show that focuses on the internment camp experience during WWII for Japanese Canadians. Includes the work of Lillian Michiko Blakey, David L. Hayashida, Emma Nishimura, Steven Nunoda, Laura Shintai, Norman Takeukchi. Marjene Matsunaga Turnbull and Yvonne Wakabayashi. On view through August 5, 2019. “Gods in Any House: Chinese New Year with Ancestor Portraits and Deity Prints” is also on view though Sept. 29, 2019.  Royal Ontario Museum at 100 Queens Park in Toronto, Ontario, Canada. Go to rom.on.ca for details.

Hito Steyerl looks at the relationship between networked technologies, image distribution and societal control. In this new commission for Serpentine Galleries, she works with technology to create a neural network that generates novel imagery and connections. Serpentine Galleries in London from through May 2019. Kensington Gardens. 020-7402-6075.

Indonesian-born, Amsterdam-based filmmaker Fiona Tan mixes found and original footage in her work to blue categories. Here, she uses color advertising footage from Agfa to explore notions of authenticity and normalcy in West Germany. May 4 – August 11, 2019.  Museum Ludwig in Cologne, Germany. Heinrich-Boll-Platz, 50067 Koln, Germany. +49 221-221-26165 or [email protected].

“Peekaboo” is the playful title of a show that details the career of artist Tomoo Gokita comprised of figurative and abstract pieces, an installation and a series devoted to wrestling and music. Through June 24, 2019. Tokyo Opera City Art Gallery has the following shows. 3-20-2 Nishi-Shinjuku, Shinjuku-ku, Tokyo,Japan. +81- (0) 3-5353-0756.

Fukuzawa Ichiro was one of many Japanese artists who traveled extensively abroad in the early twentieth century with a seven year stint in Paris where he was influenced by Max Ernst and other Surrealists. In his painting and writing, he was a vigorous supporter of avant garde movements on his return. Almost ninety works in this retrospective attest to his transcultural range full of social critique and humor. National  Museum of Modern Art, Tokyo. Through May 26, 2019. 1-1 Kitanomaru-koen, Chiyoda-ku, Tokyo, Japan. +81 3-5777-8600.

The Mori Art Museum has their 15th Anniversary Exhibition entitled “Roppongi Crossing 2019: Connexions – Japanese Contemporary Art Here And Now!” on view through May 26, 2019. Also on view is “MAM Collection 009: Ken + Julia Yonetani” also on view through May 25, 2019. Coming up is the highly anticipated exhibition for Berlin-based installation artist Shiota Chiharu entitled “Shiota Chiharu: The Soul Trembles” which is on view June 20 – Oct. 27, 2019. A show tentatively entitled “The Future And Arts” is set for Nov. 19, 2019 – March 29, 2020. T106-6108, Tokyo, Minato City, Roppongi, 6 Chome – 10-1 Japan. +81  3-5777-8600.

“teamLab*Borderless” houses works by this hi-tech art group in the Mori Building Digital Art Museum. With computer-graphic projections of animals, plants and objects from nature to  light sculptures and a forest of lamps. On view indefinitely. Aomi Station, Odaiba, Tokyo, Japan. 03-6406-3949.

The Museum of Contemporary Art in Los Angeles has hired Mia Locks as a Senior Curator. Locks previously worked as organizer of the 2017 Whitney Biennial with Christopher Y. Lew. Locks will join two other senior level curatorial staff members in an effort to have a team approach and invite more collaboration inside and outside the museum. Locks was a 2018 fellow at the NonProfit Center for Curatorial Leadership. She worked as an assistant curator at MoMA PS1 where she helped organize “Greater New York in 2018” as well as exhibitions on Im Heung-soon, Martha Bass and Samara Golden. This hire is kind of a homecoming for Locks as back in 2011 she helped organize the three-part exhibition “ONE Nation Gay & Lesbian Archives” in Los Angeles as part of the Getty’s first Pacific Standard Time Initiative.

The artist Maia Ruth Lee based in Brooklyn has been chosen to have her work represented in the prestigious Whitney Biennial. Born in South Korea, she grew up in Nepal where her missionary parents translated the New Testament into the Sherpa language  which was a years-long project. Her work deals with ideas of displacement and will include installation work derived from that theme.

Amateur archaeologists in India are uncovering rock carvings made by stone-age people dating from  10,000 to 40,000 years old. They depict animals of power and human fertility figures cut into the exposed stone of flat hilltops along the Konkan coastal plateau a days ride from Mumbai.

Performing Arts

Washington State Historical Society marks a difficult community anniversary with a “Day of Remembrance.” On May 17 & 18, 1942, after President Roosevelt signed Executive Order 9066, over 700 people of Japanese ancestry in the South Puget Sound area were directed to report to Union Station for the forced removal from their communities to federally-constructed concentration camps. Join the museum for the fourth annual “Day of Remembrance” on Thurs., May 16 starting at 3pm with free programming and activities to commemorate these events, the lives it impacted, and its legacy. The event is free and all ages are welcome. Visitors can learn to make origami cranes (3 – 7pm) to carry during the commemorative walk to Union Station later in the evening. In the museum auditorium, visitors can experience history through the Living Voices performance of “Within the Silence” (5 – 6pm), written by Ken Mochizuki, sharing the story of a teenage girl sent to a U.S. concentration camp as a result of Executive Order 9066. Following the performance, visitors are invited to participate in a facilitated discussion (6pm – 6:45pm) and give input about an upcoming permanent exhibition to be incorporated into the museum’s Great Hall of Washington History. At 7pm, gather in the museum’s outdoor amphitheater at 7pm to participate in a procession to Union Station. More information at Washington History.org/events. 1911 Pacific Ave. in Tacoma.

Gerlich Theater/The Meany Center For The Performing Arts – Looking forward to the 2018/2019 season, look out for the following = The Alexander String Quartet with Joyce Yang on piano explore the music of Mozart together on Wed., May 22 at 7:30pm. You can order online at meanycenter.org or call 206-543-4880 or visit the ticket office at 41st Street between University Way  NE & Brooklyn Ave. NE. Tickets available via FAX too at 206-685-4141.

The Horse In Motion is an innovative Seattle experimental theatre group whose mission “is to engage our audience in new experiences that expand and reshape how we interact with art, our community and the world.” They are known for making each space a total environment into which the audience can feel immersion into the theme of the play. From May 17 – June 3, 2019 they will present “The Arsonists” by Max Frisch as directed by Bobbin Ramsey. Amber Tanaka is in the cast. This fiery absurdist political parable that is guaranteed to put everyone in the hot seat will be staged at Gallery Endo in Pioneer Square where the great Seattle fire raged over a century ago. It poses uncomfortable questions about the clashes of capitalism, morality and political discourse. For tickets and information, go to www.thehorseinmotion.org.

The UW School of Music presents IMPFEST XI, the Eleventh Improvised Music Project Festival with guest artists Lucia Pulido on voice and cuatro  (May 24) and Stomu Takeishi on jazz bass (May 25). Meany Studio Theatre. May 24 & 25. 206-543-4880 or go to www.music.washington.edu.

Future Seattle Opera productions include the following – “Rigoletto – The Cost of Corruption” August 10, 11, 14, 17, 18, 23,24, 25 & 28, 2019. Yongzhao Yu makes his Seattle Opera debut as the Duke of Mantua. “Charlie Parker’s Yardbird – The Man Behind A Legend” with music by Daniel Schnyder and libretto by Bridgette A. Wimberly. Plays Feb. 22, 23, 26, 29 AND March 1, 4, 6 & 7, 2020. Kelly Kuo will make his Seattle Opera debut as conductor for the orchestra for this production.

Conductor Ludovic Morlot ends his 2018/2019 tenure with the Seattle Symphony with a varied and stimulating series of concerts. Some highlights include the following – Avi Avital is a mandolin virtuoso who leads a group with Jessica Choe on piano through a fresh interpretation of Vivaldi and Telemann on Friday, May 3 at noon & 8pm and Sat., May 4 at 8pm.  A Family Concert Series program entitled “Carnival Of The Animals” takes place on Sat. May 4 at 11am , 2018 with Pablo Rus Broseta conducting and Hannah Song on violin, Kristy Park on cello, Jessica Choe on piano and Elizabeth Morgan on piano. A Brahms Concerto Festival 1 takes place on Thursday, May 9 at 7:30pm featuring Zee Zee on piano. In the fall, Seattle Symphony begins a new season under new conductor Thomas Dausgaard. Some highlights include the following – Dynamic classical pianist Lang  Lang returns from a previous injury to perform a program of Sibelius, Beethoven and Mozart on Wed., Oct. 9 at 7:30pm. Masaaki Suzuki conducts Seattle Symphony in a concert of the “Mozart Requiem” on Oct. 17, 19 & 20, 2019. The program also includes Takemitsu’s “Requiem for String Orchestra”. Beatrice Rana is the concert pianist on a performance of “Schumann Piano Concerto” on Oct. 24 & 26, 2019. Byron Schenkman & Friends presents international competition winner and Seattle native Rachell Ellen Wong in concert with Byron Schenkman in a program of “Brahms, Dvorak and Still” on Oct. 27. 2019. Lawrence Loh conducts Seattle Symphony in a program entitled “The Movie Music of John Williams” on Nov. 8, 9 & 10, 2019 as part of the “Pops Series”.  Moving on to 2020, the annual “Celebrate Asia” concert has Tianyi Lu conducting and Gaurav Mazumdav on sitar and Conrad Tao on piano in a program of compositions by Huang Ruo, Reen Esmail, Conrao Tao and Gershwin. Eun Sun Kim conducts the orchestra with Elisa Barston on violin in Tchaikovsky’s “Symphony No. 8” on March 12 & 14 with a special “Tchaikovsy Untuxed” concert on March 13. Pianist Aimi Kobayashi participates in “Bach Fest 1” on May 21 with conductor Ryan Bancroft and fellow pianist Alexandra Dovgan. All concerts at Benaroya Hall in downtown Seattle. 200 University St. Go to seattlesymphony.org for details or call 206-215-4747.

“Beyond Ideas” is the title of ArtsWest’s current season. Some highlights include Julia Cho’s “Office Hour” starring Naho Shioya and Christian Quinto which tackles issues of gun violence, class and ethnicity in the class room.  May 2 – May 26, 2019. Justin Huertas’s musical, “The Last World Octopus Wrestling Champion” premieres June 20 – July 28, 2019. ArtsWest has also announced their new 2019/2020 season entitled “Agents of Change” which looks at revolutions and the people who participate in them. The prolific and talented playwright/director/actress Sara Porkalob returns with a new play and a world premiere for the new season. “Alex and Alix” looks at the unseen forces that shape the way we remember love and a moving meditation on memory, trauma and healing. Two women in love  and one name. Set for April 30 – May 24, 2020. Learn more details about the entire new season at artswest.org. ArtsWest is located in West Seattle at 4711 California Ave. SW.

UW theatre graduate Mikko Juan spent the fall touring Eastern Washington in Seattle Children’s Theatre production of Ramon Esquivel’s “Between and Below”. Now he returns to Seattle in the lead role in “Urinetown: The Musical”, a joint production of 5th Avenue Theatre and ACT as directed by Bill Berry. Arika Matoba, Kurt Beattie and others also star. Musical Director is R. J. Tancioco. Set for The Falls Theatre through May 26, 2019 at ACT downtown. 700 Union St.

Canadian playwright Ins Choi’s award-winning family comedy “Kim’s Convenience” (CBS television adaption was recently added to Netflix) comes to Taproot Theatre’s 2019 season titled “Family Ties”. On Stage May 15 – June 22, 2019 as co-directed by Scott Nolte and David Hsieh. A Korean Canadian family learns to live with their own faults, get along and forge ahead in this heartwarming comedy about the foibles and blessings of family. Go to taproottheatre.org for tickets. 204 N. 85th St, in Seattle’s Greenwood neighborhood. 206-781-9705.

The Forum at Town Hall presents Anna Fifield in a talk entitled “Understanding Kim Jong Un.” To understand North Korea and its significance in our modern political landscape, Fifield contends that we must understand the man who leads it. On Sunday, June 16 at 7:30pm. 1119 8th Ave. 206-652-4255.

Seattle Contemporary Dance Company, Whim W’him’s new season will include “Choreographic Shindig V”, this 5th annual series kicks off the company’s new Season X. It includes the choreography of New York-based choreographer Yoshito Sakuraba as well as the work of Kyra Jean Green and Joshua Manculich.  Sept. 13 – 15 & 18 – 21 at 8pm. Erickson Theatre Off Broadway. 707-350-9446 or go to whimwhim.org/season.

Café Nordo presents “14/48: NORDO – Food Theater Thunderdome” which presents the mad-camp intensity of “The World’s Quickest Theatre Experience.” On the Sunday night of each week, four playwrights are paired with four chefs, given a random ingredient and a common theme to be interpreted by a randomly selected director and a randomly drawn cast. The will have four days to write, rehearse, prepare recipes and serve audiences the fruits of their labors on Thurs., Fri., Sat, and Sun. Four plays served up and interwoven with a four-course meal. Among the writer’s group will be Roger Tang and Maggie Lee. And included in the actor’s group are Mariko Kita, Anasofia Gallegos, Mimi Santos and others. May 16,17,18,  23, 24, & 25. At 109 South Main St in Pioneer Square. Go to cafenordo.com or try tickets.vendini.com. 206-209-2002. Closing Café Nordo’s 10th Season of supper-club musicals is “7th & Jackson” written by the multi-talented Sara Porkalob and set for July, 2019. Three Seattle friends haunt the speakeasys listening to jazz before WW II and share a dream to open a night club of their own. When the bombing of Pearl Harbor and rising WWII tensions tear apart homes, the friends separate but never lose sight of their dreams. Café Nordo is at 109 South Main. Go to www.cafenordo.com to find out more about their new season and how you can get tickets.

UW’s Ethnomusicology Visiting Artist Concert this year features Heri Purwanto – Javanese Gamelan Music & Dance as performed by Puwanto and students. Tuesday, June 4 at 7:30pm. Gerlich Theater/Meany Center for the Performing Arts. On the west edge of the UW Seattle campus just off Red  Square. 206-543-4880 or [email protected]

Seattle Center and its Armory building continue to be the focus of cultural celebrations all year around with most of the events being free and family friendly. May 18 brings “A Glimpse of China” showcasing Chinese cultural traditions with live performances, arts activities and food. June 1 and 2 brings the annual Pagdiriwang Philippine Festival. With workshops, exhibits, performances and demonstrations all celebrating Filipino culture and the 120th anniversary of Philippine independence.

The Seattle International Dance Festival brings the best in dance from around the world and across the region. It takes place June 7 – 22, 2019 at various venues in the Puget Sound area. Includes many dance companies such as ARC Dance Co. led by Marie Chong, Alex Ung/The Guild Dance Co., Ka-Nei-See and many others. 888-377-4510 or try [email protected]

Lauren Yee’s “Cambodian Rock Band” with songs by Dengue Fever as directed by Chay Yew will be performed March 6 – Oct. 27, 2019 at the Thomas Theatre as part of the Oregon Shakespeare Festival. This musical play tells the story of a young woman trying to piece together her family history thirty years after her father  fled Cambodia. 15 South Pioneer St. in Ashland, Oregon. 1-800-219-8161.

ARC Dance Company as directed by choreographer Marie Chong celebrates their 20th anniversary with concerts planned in August of 2019. But first if you’ve ever had the urge to see how a dance company prepares and works on a concert, you’re in luck. In preparation for the August concerts, ARC presents a “Sneak Peek Rehearsal” on Sat., July 20 and Sat., July 27 both at 5pm for visitors to get a look on what they are working on. At the ARC Dance space located at 9250 – 14th Ave. N.W. Go to http://arcdance.org/contact/ for details. “ARC at 20: A Twentieth Anniversary Retrospective Performance” takes place on August 10 & 11 at Bagley Wright Theatre in Seattle Center. Includes choreography by Wen Wei Wang, Edward Liang, Wade Madsen, Marie Chong (ARC founder/director) and many others. A two  day retrospective festival of the best and boldest work the company has to offer. 155 Mercer St. Go to arcdance.org for details and to Brownpapertickets.com to order online.

On the Boards has announced twelve artists/companies selected for the 2019 NW New Works Festival set for June 12 – 16, 2019. Among the names are Dakota Camacho, a rapper/hip hop dancer/performance artist, choreographer/dancer Imana Gunawan, flautist/taiko player Leanna Keith and dancer/choreographer Naomi Macalalad Bragin. Congratulations to all!

The Lexington Philharmonic in Kentucky is turning their finalist candidates for the music director position musical auditions into a wealth of new music concerts for the community. Of the six conductor finalists, there are several Asian Americans vying and one is from Seattle. Julia Tai is music director of Philharmonia NW and conductor/co-artistic director of Seattle Modern Orchestra. Akiko Fujimoto is presently associate conductor of the Minnesota Orchestra. Keitaro Harada is associate director of the Cincinnati Symphony and Cincinnati Pops. Concerts by all conductor candidates will fill the 2019/2020 season from September 2019 – May 2020. [email protected].

Coeurage Theatre Company is L.A.’s Pay What You Want theatre company. They opened their 10th anniversary season with “Samsara” by Laureen Yee and directed by Rebecca Wear. The play is about a young American couple who are having a baby via a surrogate in India. The husband reluctantly goes to India to meet Suraiya, their young and less than enthused surrogate. As the three await the upcoming birth, tensions rise.  At the Met Theatre in May, 2019. 1089 N. Oxford. 323-944-2165 or go to www.coeurage.org/buytickets.

iQIYI is an innovative online entertainment service in China. One of their most popular original shows is “The Rap of China”. Now they are launching an international contestant search. First stop is North America and the first city is Los Angeles. They will also hold searches in Oceania and Southeast Asia. The show is dedicated to promoting Chinese-language rap and seeks to bring together talented Chinese rap lovers from around the world and bring the genre to a wider international audience.

Playwright David Henry Hwang and composer Huang Rao have transformed Hwang’s play “M. Butterfly” into an opera. The World Premiere takes place at Santa Fe Opera. Directed by James Robinson. Cast includes David Bizic, Kangmin Justin Kim, Herya Hyesang Park, Kevin Burdette and Joshua Dennis. Musical Conductor is Xian Zhang. Performances on August  1, 5, 14, 19 & 26, 2019. 1-800-280-4654 or go to santafeopera.org.

Christopher Chen, Obie-winning author of “Caught” is back  on off Broadway at the Soho Rep in New York City with a modern adaptation of “A Passage to India” directed by Shaheen Ali.

Film & Media

Diwa Filipino Film Festival curated by Adrian Alarilla will screen as part of the annual Pagdiriwang Philippine Festival. It presents films by and about Filipinos all over the world. Themes covered include lives of the Moro (Muslims in Mindinao), LGBTQ culture, Filipino truck drivers across Europe and how family ties and spiritual connections are maintained across borders. June 1 & 2, 2019 from 12 – 6pm in the Seattle Center Armory Loft 1. Free. For details, go to https://diwafilmfest.wordpress.com.

Grand Illusion Cinema presents the following -Screening May 10 – 16, 2019 is “Shadow”, the latest wuxia epic from modern master Zhang Yimou (“House of Flying Daggers”). 1403 NE 50th in Seattle’s University District. 206-523-3935.

Northwest Film Forum has the following – “Asako I & II” is Ryusuke Hamaguchi’s  Palme d’Or-nominated romantic drama about a second chance at love. When Asako’s first love suddenly disappears, she gets a second chance when she meets his perfect double. But is love something that’s too good to be true? Screens June 8 & 9 at  4:30pm & 7:30pm. June 10 & 11 at 4pm. June 12 & 13 at 8pm. Northwest Film Forum at 1515 – 12th Ave.  206-329-2629.

The annual Seattle International Film Festival is set from May 16 – June 9, 2019. Here is a brief run-down of the films from Asia and Pacific Islands as well as films with Asian Americans. “A Thousand Girls Like Me” by Sahra Mosawi-Mani is a documentary portrait of a young Afghani woman raped and impregnated repeatedly by her father. She is determined to see him brought to justice no matter the obstacles. Screens May 21 at 6:30pm at Lincoln Square, June 3 at SIFF Uptown at 6pm and June 7 at AMC Pacific Place at 11am. “American Factory” by Steven Bognar & Julia Reichert is a Sundance award-winner from the U.S. that examines the clash between America and China when a Chinese billionaire repurposes a defunct GM plant and hires 2,000 U.S. blue collar workers. May 20 at 6:30pm at SIFF Uptown and May 21 at 4:30pm at AMC Pacific Place. “Baby” is a film from China by Liu Jie starring Yang Mi who goes to extreme lengths to save a baby born with a health defect from being discarded by her family. May 22 at 6:30pm at Lincoln Square and May 30 at SIFF Uptown at 3:45pm. “Blinded by the Light” from the U.K. and directed by Gurinder Chadha (“Bend It Like Beckham”) tells the story of a Pakistani teen living in Thatcher-era England whose world is blown open when he discovers the music of Bruce Springsteen. May 23 at 6:30pm at SIFF Egyptian, May 24 at SIFF Uptown at 3:45pm. The director and star of the film will attend both screenings. “Cities of Last Things” by Ho Wi Ding of Taiwan is a sci-fi tinged noir tale of a tortured police detective seeking retribution. May 28 at SIFF Egyptian at 7pm, June 7 at SIFF Uptown at 5:30pm and June 8 at Siff Uptown at 9pm. “Distinction” by Jevons Au of Hong Kong looks at two troubled secondary-school students who must work together when they take part in a musical at a school for students with special needs. June 2 at 8:30pm at Kirkland Performance Center, June 3 at SIFF Uptown at 9:30pm and June 4 at 4pm at SIFF Egyptian. “Driveways” by Korean American director Andrew Ahn (“Spa Night”) serves up a bittersweet drama of a sensitive Asian American boy who becomes friends with a reclusive white retiree next door. June 7 at SIFF Uptown at 7pm and June 8 at SIFF Uptown at 12:30pm. Director Ahn will attend the June 8 screening. “Eastern Memories From Finland” by Niklas Kullstrom & Maartti Kaartineu of Finland delves into a diary kept by a linguist when he visited Mongolia centuries ago. His words are a spoken backdrop to footage of today’s Mongolia retracing his footsteps. May 18 at AMC Pacific Place at 6:30pm, May 19 at Majestic Bay at 3:30pm and May 29 at 8:30pm at Shoreline Community College. The directors will attend the screenings at AMC Pacific Place and Majestic Bay. “#Female Pleasure” from Switzerland as directed by Barbara Miller is a documentary film that looks at five repression-battling women around the world from different religious backgrounds who find out all too soon that patriarchal fear of female sexual autonomy is universal. May 31 at 6:15pm at SIFF Uptown  and June 1 at 4pm at AMC Pacific Place. “For My Father’s Kingdom” from New Zealand is a documentary film by Vea Mafile’o & Jeremiah Tauamiti. It is a story of the director’s father who still sends money back to his church on his home island of Tonga. May 26 at 11:30am and May 27 at 6:30pm with both screenings at SIFF Uptown. “Gato 2: Rise of the King” by Yen Cheng-Kuo from Taiwan is a bloody gangster saga that pulls out all the stops. May 21 at 9:30pm and May 28 at 9:30pm. Both screenings at SIFF Egyptian. “Ghost Fleet” is an American film by Shannon Service and Jeffrey Waldron. It’s a newsworthy documentary about Thai human-rights activist Patima Tungpuchayakul as she tries to rescue enslaved fishermen forced to work the Southeast Asian seas. Screens at SIFF Uptown on June 2 at 6pm and again on June 3 at 4:30pm at AMC Pacific Place. The director and cast will be at the SIFF Uptown screening for a Q & A. “Go Back To China” is a film from China by Emily Ting. A spoiled Chinese woman living it up in the U.S. on her father’s dime gets a rude awakening when he cuts her off and makes her work in the family toy factory back in China. Screens on June 5 at 6pm at SIFF Uptown and again on June 6 at 4pm at SIFF Uptown. Director Emily Ting will appear at the June 5 screening for a Q & A. “Hala” by Minhal Baig is an American film about the coming-of-age drama of a Muslim American teenager who navigates her burgeoning sexual desires in relation to her faith and her Pakistani family. Screens June 1 at 6:30pm at AMC Pacific Place and June 2 at 2:30pm at SIFF Uptown. The director will be at both screenings. “House of Hummingbirds” is a film by South Korean director Bora Kim. It is the story of a 14 year old girl who struggles with social pressure, her sexuality and an indifferent family in the summer of 1994. A sympathetic teacher tries to help. On June 7 at SIFF Uptown at 8:30pm & on June 8 at SIFF Uptown at 11:30am. “House of My Fathers” is a Sri Lankan film by Suba Sivakumaran. It is a magical-realist fable inspired by the real-life conflict between the Sinhalese and Tamils. A man and woman form opposing communities meet to remove the curse that afflicts both sides. May 18 at 8:30pm at Lincoln Square, May 21 at 4pm at SIFF Uptown and again on June 6 at 9:30pm at AMC Pacific Place. “Le Chocolate de H” by Takashi Watanabe from Japan is a documentary film on an award-winning patissier who expands his chocolate-making horizons by incorporating traditional Japanese ingredients. Screens May 17 at 7pm at AMC Pacific Place, May 18 at SIFF Uptown at 3pm and finally on June 1 at 3:30pm at Kirkland Performance Center. The director and subject of the film will be at the AMC Pacific Place and SIFF Uptown screenings for a Q & A. “Long Time No Sea” is a film by Heather Tsui from Taiwan. This box-office smash in Taiwan is a tale of a Tao indigenous boy yearning to see his father again and a rookie teacher who helps train him for a dance competition. May 30 at 6:30pm at Lincoln Square, June 6 at 7pm at AMC Pacific Place and June 8 at 4pm at AMC Pacific Place. Two actors from the film will attend both Pacific Place screenings for a Q. & A. “Midnight Traveler” by Hassan Fazili from the U.S. is a unique documentary film shot with a family cellphone that covers this Afghan filmmaker and his family’s harrowing journey to seek asylum in Eastern Europe after receiving death threats from the Taliban. May 27 at 11am at AMC Pacific Place and May 29 at 6:30pm  at SIFF Uptown. “Ms. Purple USA” by Justin Chon (“Gook”) is the writer/director’s latest project about an L.A. Korea-town karaoke hostess re-uniting with her estranged brother to take care of a bedridden father. May 24 at 8pm at SIFF Uptown and again on May 25 at 4pm at AMC Pacific Place. “Nightmare Cinema” is an omnibus horror film which has five directors tackling the genre. Includes work by Ryuhei Kitamura as well as Joe Dante, Alejandro Brugues, Mick Garris and David Slade. Screens May 29 at 9:30pm and June 4 at 9:30pm both at SIFF Egyptian. From Hong Kong comes Derek Chiu’s “No. 1 Chung Ying Street”, a feature film that looks at two movements of resistance in the crown colony’s history. The pro-communist, anti-British riots of 1967 and the anti-China “Umbrella Revolution” of 2014. On May 25 at 6:30pm at AMC Pacific Place, May 26 at 1:30pm at AMC Pacific Place and May 27 at 3pm at Lincoln Square. The director will be at all 3 screenings. “One Child One Nation” is a documentary film from China by Nanfu Wang & Jialing Zhang. It explores the horrific effects of China’s one child policy such as botched sterilizations and situational sexism. May 27 at 7pm at AMC Pacific Place and May 28 at 4:30pm at SIFF Uptown. A SIFF Forum discussion on “Racial Equality: Seattle’s Film Cultures” takes place on June 4 at 6:30pm at SIFF Film Center. Join representatives from the Tasveer South Asian Film Festival, the Seattle Latino Film Festival, the Langston Hughes African American Film Festival and the Seattle Asian American Film Festival for a probing conversation about their experiences and supporting Seattle’s various filmmaking and film going communities. “Stray Dolls” is an American film by Sonejuhi Sinha about a South Asian immigrant woman who takes a job at a seedy hotel that pulls her into a world of crime that begins to spiral out of control. June 5 at 8:30pm at SIFF Uptown and June 7 at 1pm at SIFF Uptown. “Ten Years Thailand” is a Hong Kong film that has four Thai filmmakers look to the future and imagine their country a decade from now in visions surreal, satirical and dystopian. Work by Aditya Assarat, Wisit Sasanatieng, Chulayarnnon Siriphol and Apichatpong Weerasethaku. May 19 at 9pm at SIFF Uptown. May 29 at 9pm at SIFF Uptown. June 5 at 9:30pm at SIFF Egyptian. “The Legend of the Stardust Brothers” from Japan by Macoto Tezuka. This lost gem of 1980s cinema is a send-up of rock stardom that mashes up “Rocky Horror Show” with “A Hard Day’s Night”. This is a cult classic by the son of the godfather of manga. May 31 at 11:59pm at SIFF Egyptian, June 2 at 9pm at SIFF Egyptian and June 6 at 9:30pm at SIFF Uptown. “The Farewell” is an American film by Lulu Wang. It is the “Closing Night Gala” program of SIFF 2019. It is a star vehicle for Awkwafina who plays a woman returning to China to celebrate a birthday for her terminally ill grandma who doesn’t know she is dying. June 9 at 6pm at SIFF Egyptian with the director in attendance. The Festival’s closing night party follows afterwards at MOHAI. “The Sweet Requiem” is a film from India by Ritu Sarin and Tenzig Sonam. It is the story of a young Tibetan living in a refugee community in India whose memories of her family’s harrowing journey of exile are re-kindled when she must face a family friend whose actions led to her father’s death. May 19 at SIFF Uptown at 4pm and May 20 at SIFF Uptown at 7pm. “The Third Wife” is a film from Vietnam by Ash Mayfair. It tells the story of a 14 year old girl forced into a polygamous marriage in the 19th century to an older wealthy landlord in order to provide a male heir. May 17 at 6:30pm at Lincoln Square and May 18 at SIFF Uptown at 3:30pm. “This Is America” is a series of short films showing different faces of this country. Includes So Young Shelly Yo’s short, “Moonwalk With Me” in which a second generation Korean American woman struggles to keep her father grounded while still maintaining her own independence. May 31 at 11am at AMC Pacific Place. “Vai” from New Zealand is a sequel of sorts to SIFF 2018’s “Waru”. Features eight stories from nine female South Pacific filmmakers about seven different women with the same name. May 24 at 8:30pm, May 27 at 12:30pm and May 31 at 1pm all at SIFF Uptown. “Watch List (Maria)” by Ben Rekhi from the Philippines. It is a crime thriller about a widowed mother who enters Manila’s dark underworld to find out who murdered her husband. June 7 at 8:45 pm at AMC Pacific Place and June 8 at 3pm at SIFF Uptown.  “Widow of Silence” is a film from India by Praveen Morchhale. When her husband is arrested, a Muslim woman in Kashmir enters a legal limbo, battling a cruel bureaucracy while still trying to care for her daughter and mother-in-law. May 23 at 8:30pm at Lincoln Square, May 30 at AMC Pacific Place at 9:30pm and May 31 at AMC Pacific Place at 11am. British South Asian actor Himesh Patel stars in Danny Boyle’s (“Slumdog Millionaire”) UK film, “Yesterday”. It is a rock ‘n’ roll comedy about a struggling singer/songwriter who leaps to fame by being the only one in the world who still remembers Beatles’ songs. Will he cash in at the risk of losing his loyal girlfriend? This is the New American Cinema Closing Night Film on June 9 at 6pm at SIFF Uptown with a closing night party at MOHAI to follow. Go to siff.net for complete details about the festival.

Set for major studio release on May 17, 2019 is “The Sun is Also a Star”, an adaptation of Nicole Yoon’s bestselling young adult novel about a Jamaican teenager who falls in love with a Korean American man just as her family is about to be deported. Stars Charles Melton and Yara Shahidi in the lead roles. Directed by Ry Russo-Young.

Zhang Yimou’s latest film may never be seen in its uncensored entirety if Chinese government censors have their way. Entitled “One Second”, the film is set in a period of social upheavel in 1960s-era China. It’s both a historical drama of the Cultural Revolution and the director’s love letter to cinema. Set to preview at the Berlin Film Festival, Chinese authorities pulled it at the last minute citing a “technical problem.” With the 70th anniversary of the founding of the People’s Republic of China in October, some speculate that a film about a tumultuous period in Chinese history is something the government doesn’t want screened abroad. If Zhang’s film won any international awards or received recognition, it would draw unwanted attention to one of the darkest periods in the regime’s reign. The film is expected to screen in China in a revised version once the director makes all the cuts the government has requested.

The Written & Spoken Arts

Seattle writer Loreen Lilyn Lee was the Willow Books 2018 Grand Prize Winner. They published her memoir entitled “The Lava Never Sleeps: A Honolulu Memoir”. She  appears in conversation with Priscilla Long about her book on Thurs., May 16 at 7pm at Third Place Books in Seward Park. 5041 Wilson Ave. S. 206-474-2200.

The Jack Straw Cultural Center’s 2019 Writers Program Reading Series kicks off in May with readings by all the writers. On Friday, May 17, hear Josh Axelrad, Gabrielle Bates, Putsata Reang and Suzanne Warren. All readings start at 7pm and are hosted by program curator Kathleen Flenniken. $5 suggested donation. Visit jackstraw.org for details. More readings planned throughout the year. 4261 Roosevelt Way NE. 206-634-0919  or www.jackstraw.org.

Poet Alan Chong Lau (full disclosure, that’s me) and fiction writer Erica Bauermeister will do a joint reading with the theme “Awakening The Senses” on Wed., May 15 at 7pm. Part of the Words West Literary Series. At C & P Coffee Co. in West Seattle. 5612 California Ave.  S.W. For details, try [email protected].

UWALUM.COM/GOLECTUES present their Spring 2019 series of lectures from various departments on the Seattle campus. A sampling include the following –On May 21 at 6:30pm in Kane Hall 225, John Treat, Professor Emeritus from Yale University talks about “Yi In-jiks ‘The Widow’s Dream’ and the Origin of Modern Korean Literature in Japan”. All lectures are free. Register now at uwalum.com/golectures or call 206-543-0540.

The University Book Store in the University District has the following events –Young adult author Arvin Ahmadi appears in the U District store to talk about his new book entitled “Girl Gone Viral” (Penguin Random House) with Margaret Stohl on Tues., May 21 at 6pm. Free. A teenage girl coder tries to find her missing dad and a small data hack is just the beginning of her search on virtual reality.  In “I Will Teach You To Be Rich” (Workman), Ramit Sethi lays out a finance plan for young adults in a practical, funny and no B.S. style. He appears on Thurs., May 30, 2019 at 6pm at University Temple United Methodist Church’s The Sanctuary at 1415 NE 43rd. Tickets at $15.64 each admits two people and one copy of the book. Go to brownpapertickets.com.

Open Books, the poetry-only bookstore in Wallingford has the following events. Seattle poet Shankar Narayan joins Doyali Islam and Azura Tyabji in a reading  on June 1, 2019 at 7pm. 2424 N. 45th St. 206-633-0811 or try [email protected].

Writer/poet Alex Kuo returns with a new novel based on the Tiannamen Square protests of 1989 entitled “Mao’s Kisses” (Red Bat Books). He shares a book signing and reading with Joan Burbick and her novel “Stripland” (Red Bat Books). The book signing takes place on Mon. June 3 from 2:30pm – 3:30pm at Watermark Book Co. at 6121 Commercial in Anacortes, WA. The joint reading event is also on Mon., June 3, 2019 at 6:30pm at Pelican Bay Books at Sixth & Commercial also in Anacortes, WA. Music  by timE’Jazz. Introduction by Sue McKesson. Books available on June 3, 2019. More book signings & readings to follow.

The Poetry in Translation series curated in partnership with Claudia Castro Luna, Washington State Poet Laureate brings you a “Ramadan Feast” of words and song. On Wed., June 5, 2019 at 6:30pm. This evening showcases the literary traditions of Seattle’s immigrant and native communities by sharing these groups’ poetry and song in their original languages and in equivalent English translation. Live multilingual readings alongside video poem screenings.  No one will be turned away for lack of funds and students are free. 1515 – 12th Ave. at Northwest Film Forum on Capitol Hill. 206-329-2629 or try nwfilmforum.org.

Elliott Bay Book Company continues to sponsor readings in their Capitol Hill bookstore as well as co-producing events all over the city. Below you will find a partial listing of some of their events. Events are at the bookstore unless otherwise noted. On Thurs., May 16 at 6:30pm in the Arnold Board Room at Seattle Art Museum, the Gardner Center and EB co-present a talk by Justin Jesty on his book entitled “Art And Engagement in Early Post-War Japan” (Cornell University). 1300 First Ave. Go to www.seattleartmuseum for details. Back at Elliott Bay on Thurs., May 23 at 7pm, Taiwanese fiction writer Chia-Chia Lin will talk with Seattle writer & Hugo House instructor Alex Madison about her new novel “The Unpassing” (F S & G) about an immigrant family from Taiwan struggling to make a new home in Alaska. Pico Iyer visits Seattle Art Museum to talk about his new book entitled “Autumn Light: Season of Fire And Farewells” (Knopf). On Sat., May 25, 2019 at 3pm. This book is an account of his life lived in Japan and how it is affected by the death of his Japanese father-in-law. Free but advance tickets suggested. Co-presented by the Gardner Center and Elliott Bay. Go to www.seattleartmuseum.org. Seattle storyteller/scholar Anu Taranath talks about   her new book at Elliott Bay entitled “Beyond Guilt Trips: Mindful Travel in An Unequal World (Between the Lines) at the book store on May 29 at 7pm. On June 6,2019 at 7pm, writer Siddharth Dube will talk with Sonora Jha at Elliott Bay about his book entitled “An Infinite Sentence – A Personal History of Outlawed Love And Sex” (Simon & Schuster). It is a revelatory memoir about sex, oppression and the universal struggle for justice. Coming of age in the early days of the AIDS crisis, Dube was on the frontlines in this personal and political journey. June 9 at 3pm, come celebrate the paperback release of “Like A Mother – A Feminist Journey Through the Science and Culture of Pregnancy” (Harper) with popular Seattle author Angela Garbes at the bookstore. This first-time mother takes a compelling look at the physiology, biology and psychology of pregnancy dispelling myths along the way. On June 15 at 7pm, Thomas Hitoshi Pruiksma reads at Elliott Bay from his book of poetry entitled “The Safety of Edges” (Marrowstone Press). This Vashon Island poet sees the edge of anything as both a limit and a possibility, an encounter either safe or risky and an opportunity to test the space between darkness and light. June 20 at 7pm will be the much anticipated fiction debut of award-winning poet Ocean Vuong.  He’ll talk about the book with local writer/community activist Jess Boyd at Seattle Public Central Library. Entitled “On Earth We’re Briefly Gorgeous” (Penguin). The book is a letter from a son to a mother who cannot read. A paean to the conflicted yet undeniable love between a single mother and her son and an honest exploration of race, class and masculinity. Co-sponsored with the library, Elliott Bay and the Vietnamese Friendship Association. 1000 Fourth Ave. or go to www.spl.org.   June 23 at 6pm, Shalini Shankar will be at the store to talk about “Beeline” (Basic/Hachette). In it, this anthropologist uses spelling bees as a lens to examine the unique and diverse traits of Gen Z and why they are destined for success. On June 28 at 7pm, Seattle writer Loreen Lee will be at Elliott Bay to read from “The Lava Never Sleeps – A Honolulu Memoir” (Aquarius/Willow). In it, Lee lays bare her struggle growing up in a traditional Chinese family in Honolulu in the 1950s and 60s. This was the Grand Prize Winner of Willow Books Literature. 1521 Tenth Ave. on Capitol Hill. 206-624-6600 or go to www.elliottbaybook.com

Hugo House, that venerated Northwest center for writers and poets re-opens in brand-new digs with expanded space but in the same location. Catch their readings and celebrate their new space. Writers Arlene Naganawa and J.P. Kemick help students explore the urban environment as writers. August 5 – 9, 2019 for grades 6 – 8 as part of the Scribes Summer Writing Camps For Teens in one and two week sessions available between July 8 – August 16, 2019 at Hugo House. Email [email protected] or call 206-322-7030 if you are interested in this class. Also with the opening of the new Hugo House, the writing center rolls out a new series of classes/workshops with a varied number of subjects taught by a talented group of writers like Nisi Shawl, Sonora Jha, R. O. Kwon, Anne Liu Kellor, Michelle Penaloza, Richard Chiem, Diana Xin, Anglela Garbes, Lora Shinn, Aimee Bhausar and Shankar Narayan.   1634 – 11th Ave. 206-453-1937. Go to hugohouse.org to find out more.

Bellevue-based science fiction writer Ted Chiang is best known for the film “Arrival” based on his short story entitled “Story of Your Life” and his writing in that genre has won every major literary award in his category. Now a collection of his stories, both classic and new entitled “Exhalation”. He will read from that collection at this Literary Luncheon sponsored by Third Place Books in Ravenna at 1pm on Thurs., May 30.

For the last few years Seattle poet Alan Chong Lau (full disclosure, that’s me) has been collaborating with Tucson, AZ. photographer/poet John Levy.  Lau responds to images sent to him by Levy every month. Now that collaboration is available for viewing/reading in the online literary magazine edited by John Martone entitled Otata. If you go to https://otatablog.wordpress.com/author/johnpmartone/ you will see it. There will be three issues of this collaboration. The first two are now online available for viewing. One special issue is on Japan.

The March/April 2019 issue of “Edible Seattle” magazine has two interesting articles on Asian Americans. An article by Angela Sanders entitled “An Immigrant History of Pike Place Market” details the major part that early Japanese American farmers played in the market and the efforts by white farmers and the market administration to eliminate their presence. In the 1920s, Japanese farms produced three quarters of King County’s produce and half of its milk. By 1942, the Japanese presence in the market was all but eliminated with the implementation of the internment shortly after Pearl Harbor. However  their legacy continues in the market today with stalls owned by Hmong, Chinese and Vietnamese farmers. “Seeds of Peace” by Megan Hill looks at the Namaste Community Garden, a project of the International Rescue Committee to help refugees start their own garden projects. Many of these are Bhutanese refugees who are Nepalese who were forced into exile by Bhutan’s state-sanctioned ethnic cleansing. This garden marks the first time many of these refugee gardeners have grown food since leaving Bhutan.

Amelie Wen Zhao had planned to have her debut novel “Blood Heir” published in early 2019 but news of the young adult fantasy novel drew criticism that this book was insensitive to issues of race and the legacy of slavery. Overwhelmed by the controversy, the author withdrew her book from publication with an apology.  Some felt those championing diversity had bullied the author into silence while others felt the writer had caved in to pressure. The book is about a fictional empire where a group who have special powers are feared and forced into labor by the elite. A fugitive princess who wields magic challenges the system. The author wanted to look at issues of human trafficking and indentured servitude and place it within the young adult genre. After seeking feedback from scholars and sensitivity readers, Zhao revised the book and asked her publisher (Delacorte Books) to release it in the fall. The kind of reception it receives  will be decided by its readers. Excerpted from the N.Y. Times.

The Salt Lake Acting Company and Golden Spike 150 presented a ‘heightened’ reading of David Henry Hwang’s play, “The Dance And The Railroad” as directed by Billy Bustamante and Utah Poet Laureate Paisley Rekdal performed a multi-media presentation “West: A Translation”, a poem of the Transcontinental Railroad in Utah in early May, 2019.

Penguin Classics have inducted four Asian American authors to their series and each title will be supplemented with introductions and forewords by some of the most influential Asian Americans writing today. Titles will be on sale starting May 21, 2019. They include – “The Hanging On Union Square” by H. T. Tsiang with an introduction by Hua Hsu and Edited with an afterword/notes by Floyd Cheung. “East Goes West” by Younghill Kang with a foreword by Alexander Chee and afterword/notes by Sunyoung Lee, “No-No Boy” by John Okada with an introduction by Karen Tei Yamashita and “America Is In The Heart” by Carlos Bulosan with a foreword by Elaine Castillo and an introduction by E. San Juan, Jr.

“She Shreads – The Magazine Dedicated to Women Guitarists & Bassists” is the only print publication dedicated to covering that specific group. It is a music magazine with the following motto. “We strive to change the way women guitarists and bassists are depicted and presented in the music industry and popular culture by creating a platform where people can listen, see and experience what it means to be a woman who shreds.” #17, their latest issue has a cover story on the pioneer Filipino American rock sisters, June and Jean Millington (writer Jessica Hagedorn is readying a musical based on their lives for Two River Theatre in New Jersey). Other women featured in the current issue include guitar maker/luthier Leila Sidi of Tuna Tone Guitars and singer/songwriter Sas Ami. Go to https://sheshreadsmag.com/ for details.

Author Wayson Choy passed away recently. He was a pioneer Chinese Canadian writer. His first book, “The Jade Peony” told the story of a family in Vancouver B.C’s Chinatown during the 1930s and 40s from the perspective of three different children. Its success led the way for other Asian Canadian artists to follow. Choy who was gay served as a role model for LGBTQ artists to follow as well. He was also the author of “Paper Shadows: A Chinatown  Childhood”, “All That Matters”, a novel sequel to “The Jade Peony” and “Not Yet: A Memoir of Living And Almost Dying.”

Below is a partial list of new books by or about Asian Americans and new titles on Asia. If you are interested in reviewing any of them, please let us know –

“Frankly in Love” (Putnam) by David Yoon is a young adult novel about a second generation Korean American boy who falls in love for the first time only to realize he doesn’t meet his traditional parents’ expectations and wonders what he can do about it. A best friend lends a hand.

“The Ten Lives of Nishino” (Europa Editions) by Hiromi Kawakami as translated by Allison Markin Powell. Ten women tell their stories about distinct and common desires and the seductive charm of an unfathomable man who drifted so naturally into their lives.

For over forty years Bamboo Ridge has showcased Hawai’i’s literary and artistic talents in both issues of their magazine and in books of poetry and prose by local authors. The latest issue of Bamboo Ridge – Journal of Hawai’i Literature And Arts” is celebrating their 40th anniversary. Guest-edited by Gail N. Harada and Lisa Linn Kanae, this chunky edition features work by over 50 island writers and a profile of artist Noe Tanigawa.

“The Year of Blue Water” (Yale Series of Younger Poets) by  Yanyi with a foreword by Carl Phillips. This Chinese American poet is the 113th recipient of this series. It weaves experiences of immigration, racism, mental wellness and gender from a queer and trans perspective.

“Art And Engagement in Early Postwar Japan” (Cornell University Press) by  UW professor Justin Jesty uses archival work to re-examine the relationship between art and politics in a new era in Japanese history after WWII.

“Let’s Scare Bear” (Holiday House) by Yuko Katakawa is a children’s picture book based on “Scary Manju”, a Japanese Rakugo tale. When the rest of the animals try to scare Bear, they throw manju cakes at him not knowing that Bear secretly loves them. A fun and silly book that opens conversations about  bullying and teasing. With delightful artwork by Katakawa.

“If I Had Two Lives”(Europa Editions) by Abbigail N. Rosewood. An engrossing tale of a Vietnamese woman without a country and the double life of an immigrant who must return to the place she fled to confront her memories.

“Leaving Our Shadows Behind Us” (Bamboo Ridge Press) by Elmer Omar Bascos Pizo depicts the poet’s life experiences from an abusive childhood in the Philippines through the trials of an overseas Filipino worker in the Middle East and finally as a hard-working immigrant in 21st century Hawai’i.

“Indian (-ish) – Recipes And Antics From A Modern American Family” (HMH) by Priya Krishna with Ritu Krishna. A great starter book for anyone  who has wondered how to make basic Indian food in an American kitchen.

“Original Prin” (Biblioasis) by Randy Boyagoda is a comic novel that paints a portrait of a modern family and faith in today’s uncertain times. Skewers campus  corruption, infidelity, politics and religion along the way.

“Beyond Guilt Trips – Mindful Travel In An Unequal World” (Between the Lines) by Anu Taranath. This UW professor tells stories to help us realize who we are, providing tools for us to navigate discomfort and uncertainty as we travel. She helps us be mindful and present as we move through the world.

“Diary of a Murderer And Other Stories” (Mariner) by Young-ha Kim and translated by Kyrs Lee. A novel of a life lived along the margins in South Korea by discarded youth in today’s confusing society.

“The Best of Aloha Shorts” (Bamboo Ridge) edited by Sammie Choy, Craig Howes and Phyllis S.K. Look is co-produced by Bamboo Ridge and Hawai’i Public Radio and culled from the radio program that celebrates local literature featuring some of the Island’s finest writers, actors and musicians.

“Sushi Master – An Expert Guide To Sourcing, Making and Enjoying Sushi at Home” (Quarry) by Nick Sakagami. Introduces the basics of sushi to the beginner including tools, techniques, and etiquette so you can prepare it at home.

A new historical novel “Repentance” by Andrew Lam based on the Japanese American 442nd regimental combat team will be published on May 1, 2019. When a world famous surgeon gets a call from the US government about his father’s role in a WWII military campaign in France, he sets off on a quest for the truth and to search for secrets and sacrifice. Go to www.AndrewLamMD.com for details.

“Wanxin Zhang – The Long Journey” (Museum of Craft & Design) is an exhibition catalog for a show by this Chinese ceramic artist at the Museum of Craft & Design in San Francisco. It is his first solo show in San Francisco. His work carries the iconography of terracotta warriors to the contemporary funk of Robert Arneson and Peter Voulkos.

“The Chinese And the  Iron Road – Building The Transcontinental Railroad” (Stanford) edited by Gordon H. Chang  and Shelly Fisher Fishkin. This landmark volume of essays sheds new light on the Chinese railroad workers and their enduring importance. Although they made up 90 percent of the work force on the Western portion of the line, their work remains largely invisible and little understood. This book goes a long way to addressing that shortcoming.

“Ambedkar – India’s Crusader for Human Rights” (Campfire) by Kieron Moore and Illustrated by Sachin Nagar. Due out August 6, 2019. This is part of the Campfire Graphic Novels Heroes Series. It tells the story of a man who was an untiring crusader for human rights for the oppressed untouchables of India. That fight goes on to this day.

“Ghost Work – How to Stop Silicon Valley from Building a New Global  Underclass” (HMH) by Drs. Mary L. Gray and Siddharth Suri. The writers look at tech’s on-demand laborers in the U.S. and India who earn minimal wage by sorting and annotated x-rated content, decoding pizza orders, designing ad campaigns, and more to keep the web functioning. The authors argue that their labor should not be hidden by APIs but must be rewarded and recognized with higher wages and health coverage.

“Become America – Civic Sermons On Love, Responsibility, and Democracy” (Sasquatch) by Eric Liu. This book details in talks given by a popular advocate for active citizenship how to re-humanize our politics and get involved as citizens on a grass roots level.

“The Joy Luck Club” (Penguin) is a special 30th anniversary edition of the popular novel about relationships among women in a Chinese American family with a new preface by the author.

“Ink Knows No Borders – Poems of the Immigrant And Refugee Experience” (Triangle Square) edited by Patrice Vecchione and Alyssa Raymond. This collection for young adults brings together some of the most compelling and vibrant voices today reflecting the experience of teen immigrants and refugees. Includes poems by Samira Ahmed, Chen Chen, Jeff Tagami, Ada Limon, Bao Phi, Javier Zamora and many others.

P Is For Pterodactyl: The Worst Alphabet Book Ever” (Sourcebooks) by Raj Haldaar & Chris Carpenter and illustrated by Maria Tina Beddia. This picture book tackles words in the English language book that don’t always make logical sense, poking fun at the most mischievous words in English and demonstrating how to pronounce them.

“The Memory Police” (Pantheon) by Yoko Ogawa as translated by Stephen Snyder. Due out August 2019, this is a haunting Orwellian novel about the terrors of state surveillance by the acclaimed Japanese author of “The Housekeeper and the Professor”.

When Singaporean poet Alvin Pang was listed for a Seattle reading I got curious enough to request a review copy from the publisher. What I got was a baker’s dozen of poetry titles that seems to signify a thriving literary scene coming out of that small island. Most of the titles received came from Math Paper Press, an imprint of Books Actually which is a major small press publisher of literature from that city. “What Happened: Poems 19197 – 2017 (Math Paper) by Alvin Pang. This veteran Singapore poet’s career spans two decades and Pang is active internationally as a poet, writer, editor and translator. Pang takes the pulse of the city and its people in everyday situations. In this collection he finds  music in the noise that is that busy Southeast Asian metropolis. “Call And Response – A Migrant/Local Poetry Anthology” (Math Paper) edited by Joshua Ip, Rolinda Onates Espanola and Zakir Hossain Khokan, this collection reveals Singapore as a migrant nation with a collection of more than thirty “immigrant” poets paired with a creative response from an equal number of local writers. What emerges is a multitude of voices in the street brimming over with despair, hopes and dreams unfulfilled. “Footnotes on Fallings” (Math Paper) by Joshua Ip is a collection of 44 poems about suboptimal life choices that laugh at themselves and indulge in wordplay. “Occupational Hazards” (Math Paper) by Mayo Martin is peppered with unusual characters that are at times funny, absurd, tender and somber but always bristling with the restless energy of the curious. “First Meeting of Hands” (First Fruits Publishers) by Paul Tan. In this book the poet ruminates on the properties of humble seaweed as it jells into his mother’s homemade desert or feels the ghostly residue of a monsoon that marks the landscape and people of this island nation with the same lack of sympathy. “Like A Seed With Its Singular Purpose” (Math Paper) by Cyril Wong mines the contradictions and frustrations of a broader existence with poems that shimmer with language, art, religion, disaster, death, murder, adultery and of course, love. “The Woman Who Turned Into A Vending Machine” (Math Paper) by Natalie Wang consists of poems that deal with metamorphosis – metaphorical & physical, calculated and involuntary. The reader is invited into a world to explore how myth fits with the mundane and how we cope with our lives in changing environments. “Aria And Trumpet Flourish” (Math Paper) by Rodrigo Dela Pena, Jr. In this debut collection one sees a poet of masterful clarity and dexterous handling of forms but ultimately what we glimpse are real human observations of people and places of our ordinary everyday life held to the light for a fleeting moment. “An Epic of Durable Departures” (Math Paper) by Jason Wee is a testament to friendship as two aging artists use renga and haiku as forms to wrestle with the limits of art and the brief life we have to hang on to. “We Were Always Eating Expired Things” (Math Paper) by Cheryl Julia Lee. This collection of poems centered on our innate desire for connection be it physical or emotional. It notes the impossibility of such endeavors but celebrates our persistence in trying anyway.

With “The Candle And The Flame” (Scholastic) by Nafiza Azad, we enter another world and another time. Based on Islamic mythology and Arabic folklore, the author evokes a city on the silk road and a young woman who must be quick on her feet and alert to her senses as she navigates political intrigue and the dangers of a magical battlefield to survive. A young adult fantasy novel. The author born in Fuji is an Indo-Fijian Muslim Canadian.

“Autumn Light – Season of Fire And Farewells (Knopf) by Pico Iyer. A memoir  on Japan where the author has lived for years and how the death of his father-in-law triggers thoughts on love and dying.

“The Kinship of Secrets” (HMH) by Eugenia Kim. This novel looks at the relationship between sisters, one in the U.S. and the other in South Korea – and the war that kept them apart.

“Flowers of Mold” (Open Letter) by Ha Seong-Nan as translated from the Korean by Janet Hong. This book of short stories explores the lives of mis-fits – those ordinary individuals who have found themselves left behind by an increasingly urbanized and fragmented world.

“Girl Under A Red Moon – Growing Up During China’s CulturalRevolution” (Scholastic). A young adult novel by Da Chen about the daughter of a family who are shunned because they were former landowners. With choices between family and nation as well as safety and justice, this young woman must navigate her passage during a tumultuous cultural movement.

“The Third Pillar – How Markets And The State Leave The Community Behind” (Penguin Press) by Raghuram Rajan. This economic thinker analyzes capitalist democracies, why they succeeded in the past and why they are breaking down today and failing its citizenry.

“HI, Konnichiwa” (Kodansha) by Yayoi Kusama is a pocket-sized full color book of this internationally known artist’s drawings, paintings and eye-boggling colors and dots with a few minimal quotes from the artist’s philosophy/thoughts in between pages of her artwork.

“Ojiichan’s Gift” (Kids Can Press) by Chieri Uegaki and illustrated by Genevieve Simms. A picture book about a grandfather’s garden in Japan and how an American granddaughter learns to tend the garden on her summer visits until everything changes. A story of facing change and  the bond of love.

“The Beast Player” (Henry Holt) by Nahoto Uehashi as translated by Cathy Hirano is a young adult fantasy novel about a girl who has a special power to communicate with magical beasts and the kingdom at war that only she can save.

“Changing And Unchanging Things: Noguchi And Hasegawa in Post War Japan” (UC Press) edited by Dakin Hart and Mark Dean Johnson. When the artist Isamu Noguchi returns to Japan for the first time in 20 years, it is 1950. A key figure for Noguchi during this period was fellow artist Saburo Hasegawa who had lived abroad in Paris in the 1930’s and later influenced the American “Beats” about Japanese culture. Together the two artists explore traditional Japanese culture and how it can strike a balance between tradition and Western modernity. The exhibition catalog for a show upcoming at the Asian Art Museum in San Francisco.

“My Fate According to the Butterfly” (Scholastic) by Gail D. Villanueva. In this young adult novel, a girl in the Philippines must solve the bad omen of a black butterfly and somehow bring her sister and estranged father back together in time for her birthday.

“The White Book” (Hogarth) by Han Kang as translated from the Korean by Deborah Smith. A young writer on a writer’s residency in Europe grapples with the tragedy of her sister’s death and meditates on what the color white means to her culturally and personally.

“My City” (Prestel) by Joanne Liu. This picture book is filled with abstract shapes and joyful colors. It traces the journey of a boy discovering the sights of his city as he walks to a mailbox.

“Sacred Cesilum Ground And Isa’s Deluge” (Columbia University). Two novellas of Japan’s 3/11 disaster by Kimura Yusuke as translated by Doug Slaymaker. The author explores both human and animal life in Japan after the natural and nuclear disasters of March 11, 2011 and finds them both defiant and awake.

“Uneven Moments – Reflections on Japan’s Modern History” (Columbia) by Harry Harootunian. A book of essays on Japn’s intellectual and cultural history that opens a window on the precarious process of that country’s metamorphosis  into a modern society.

“The Lava Never Sleeps – A Honolulu Memoir” (Willow Books) by Loreen Lilyn Lee. This Seattle writer details her struggle growing up in a traditional chinese family in Hawai’i during the 50’s and 60’s and how the land and culture informed and defined what she became.

“Ruth Asawa – Life’s Work” (Pulitzer Foundation) edited by Tamara H. Schenkenberg with Essays by Aruna D’Souza, Helen Molesworth and Tamara H. Schenkenberg is the exhibition catalog for one of the first major exhibitions of the work of this major Bay Area artist and educator outside the West Coast since 2006.

“Arid Dreams – Stories” (Feminist Press) by Duanwad Pimwana as translated by Mui Poopoksakul (due out in April 2019) renders her home country in all its complexity as her characters brimming with desire and disenchantment come alive in these pages. One of the first books by a Thai woman to be published in English internationally.

“Doing Justice – A Prosecutor’s Thoughts on Crime, Punishment and The Rule of Law” (Knopf) by Preet Bharara. After a long career as a prosecutor, the author lays out a path toward reaching truth and justice in our everyday lives using by example captivating tales of true crime.

“China Dream” (Counterpoint) by Mia Jian. This novel set for May 2019 release by this Chinese writer-in-exile is a satire that takes the reader through the horrors and absurdities of totalitarian power as it is epitomized today by the current Chinese government.

“River of Fire” (New Directions) by Qurratulain Hyder transcreated by the author from her Urdu original. Considered the imost important novel of twentieth-century Urdu fiction. This writer conjures up a country’s memory, forming a rich tapestry of history, human emotions and redefining Indian identity.

“The Little Book of Life Hacks: How To Make Your Life Happier, Healthier And More Beautiful” (St. Martin’s) by Yumi Sakugawa. This author, illustrator and comic book artist uses all those skills to craft a book that will guide your personal life from the inside out, step by step. Common sense tips profusely illustrated in a charming comic book style.

“Descendant of The Crane” (Albert Whitman) is inspired by a Chinese fantasy and is a novel of a princess whose father is murdered and the things she must do to bring the killer to justice.

“The Body Papers – A Memoir” (Restless) by Grace Talusan. Winner of the Restless Books Prize for New Immigrant Writing, this book powerfully explores the author’s experiences with sexual abuse, depression, cancer and life as a Filipino immigrant.

“My Old Faithful” (University of Massachusetts) by Yang Huang won the Juniper Prize for fiction. Ten interconnected short stories that move from China to the U.S. during a thirty-year period paint a nuanced portrait of family life affected by social and economical change.

Seattle author Lori Tsugawa Whaley’s “The Courage of Samurai: Seven Sword Sharp Principles for Success” was an inspirational on-line bestseller derived from the principles of “bushido”, the Japanese warrior code of behavior in 2016. These principles helped the author recover from major injuries and pain. Now it will be re-released in a new edition with Tuttle Publishing in 2019 sporting a new title and cover.

“Zhi Lin – In Search of the Lost History of Chinese migrants and the Transcontinental Railroad” (Tacoma Art Museum) is part of the museum’s Northwest Perspective Series and served as the exhibition catalog. Lin’s art follows and documents the ghosts of Chinese railroad workers that laid the tracks to untie this country. With essays by Rock Hushka, Shawn Wong and Shelley Fisher Fishkin.

“The Shape of a Life – One mathematician’s Search For The Universe’s Human Geometry” (Yale) by Shing-Tung Yau and Steve Nadis. An accomplished mathematician chronicles his life as a youngster leading a Hong Kong gang to his introduction to learning and the thrill of humankind’s spirit of discovery.

“In A Day’s Work – The Fight to End Sexual Violence Against America’s Most Vulnerable Workers (The New Press) by Bernice Yeung. The author examines the case of sexual harassment against some of America’s most low-paid women who perform vital jobs that keep our economy intact yet are afforded little protection in the workplace.

“Sakura Obsession – The Incredible Story of The Plant Hunter Who Saved Japan’s Cherry Blossoms” (Knopf) by Naoko Abe. When a British man visits Japan, he falls in love with its cherry trees and brought back hundreds of cuttings with him to England. When the cherry trees in Japan declined, he brought back cuttings from England and re-ignited the growth of cherry trees in Japan and around the world.

“Writing Human Rights – The Political Imaginaries of Writers of Color” (Minnesota) by XCrystal Parikh. The author shows how the literature by writers of color have always been preoccupied with human rights and why.

“Chinatown Opera Theaer in North America” (Illinois) by Nancy Yunhwa Rao. The author documents a unique magical and theatrical genre in North American history and makes it come alive in a backstage of performers, performances and repertoire.

”My Footprints” (Capstone) by Minnesota poet Bao Phi explores how themes of struggle, perseverance and family encourage the healing powers of a child’s imagination. Powerfully illustrated by Basia Tran.

“People Like Us – The New Wave of Candidates Knocking at Democracy’s Door” (The New Press) by Sayu Bhojwan looks at how immigrant Americans are changing the political landscape, promoting reform and providing a voice for our multi-racial country.

“The New Silk Roads – The Present And Future of The World” (Knopf) by Peter Fran Kopan. An examination of how China’s commercial and political power is changing the way the world works.

“The End of the Moment We Had” (Pushkin) by Toshiki Okada as translated by Sam Malissa. Two short stories look at characters bound by a generational hunger for human connection and reveals an unsettlingly honest voice in contemporary Japanese fiction.

“Practical Equality – Forging Justice in a Divided Nation” (Norton) by Robert L. Tsai. Tsai, an expert on constitutional law, looks at great Supreme Court decisions and wrestles with the everyday political challenge of defending the principle of equality under less than ideal circumstances.

“You’re Safe With me” (Lantana) by Chitra Soundar and illustrated by Poonam Mistry. A modern fable that reads like a folktale  illustrating the importance of motherly love amongst animals in a forest.

“The Unpassing” (Farrar Straus & Giroux) by Chia-Chia Lin traces the tragic journey of a Taiwanese immigrant family struggling to make a new home in Alaska. Scheduled for a May 2019 release.

“Migrant Returns – Manila, Development, And Transnational Connectivity” (Duke) by Eric J. Pido. The author examines the complicated relationships among the Philippine economy, Manila’s urban development and Filipino migrants visiting or returning to their homeland.

“Kaya’s Heart Song” (Lantana) by Diwa Tharan Sanders and illustrated by Nerina Canzi. This book is a lesson on mindfulness set in the jungles of Malaysia where a little girl discovers her own song.

“Friend of My Youth” (NYR Books) by Amit Chaudhuri looks at the city of Bombay and the nature of identity and the passage of time.

“Moth And Wasp, Soil And Ocean – Remembering Chinese Scientist Pu Zhelong’s Work for Sustainable Farming” (Tilbury House Publishers) by Sigrid Schmalzer and illustrated by Melanie Linden Chan. This book tells the story of a pioneering environmentalist in rural China who helped develop sustainable agriculture without pesticides.

Bellevue-based writer Ted Chiang is back with another stunning collection of stories entitled “Exhalation” (Knopf), each tackling some of humanity’s oldest questions. It covers a twenty year period with some rare classic work and new stories as well. His work has won every fantasy and Sci-fi award including the Hugo, the Nebula and Locus Awards.

In “Internment” (Little Brown), Samira Ahmed fights against Islamophobia and complicit silence in a futuristic novel when all Muslims are herded into internment camps.

“Monsters I Have Been” (Alice James) by Kenji C. Liu is a book of poems that uses existing texts and remixes them to investigate the relationship between toxic masculinity and the forms of violence it promotes in society.

“Time for Bed, Miyuki” (Princeton Archtectural Press) by Roxane Marie Galliez and illustrated by Seng Sounratanavanh is a picture book story about family, nature and love that serves as a welcome companion to your own children’s bed-time journey.

In “Soft Science” (alice James) by Franny Choi, the poet uses the myth of the cyborg to explore queer, Asian American femininity.

“The Pilipinx Radical Imagination Reader” (Philippine American Writers And Artists Inc.) edited by Melissa-Ann Nievera-Lozano and Anthony Abulencia Santa Ana. A Collection of a multiplicity of voices from the Philippine diaspora exploring visions we carry for our communities in this historical moment.

“Girls of Paper and Fire” (Little Brown) by Natasha Ngan is a richly textured fantasy novel about a lower caste girl who must serve a king but when love intervenes, how far will she go for justice?

In “Mitochondria Night” (Coffee House), poet Ed Bock Lee turns his analytical lens to trace paths through time, genealogy & geography and deals with issues of war, generational trauma and colonialism.

“Tales of Japan – Traditional Stories of Monsters and Magic” (Chronicle) with illustrations by Kotaro Chiba drawn from the works of folklorists Lafcadio Hearn and Yei Theodora Ozaki, these tales are by turns terrifying, exhilarating and poetic.

Fran Manushkin based her character of a Chinese American girl on her great-niece but makes her even more challenging, mischievous and inquisitive. “Katie Woo – Katie Blows Her Top” (Capstone) details her efforts to replicate a live volcano with friends and how the experiments fail until the end. “Katie Woo – Daddy Can’t Dance” (Capstone). In this tale, Katie enlists her dad to participate in a Daddy-Daughter dance contest with funny results. Both books illustrated by Tammie Lyon.

“An Indefinite Sentence – A Personal History of Outlawed Love And Sex” (Atria) by Siddharth Dube. The author comes of age in the earliest days of AIDS. This memoir details the fight for rights for gay men and sex workers and how he pushed to decriminalize same-sex relations and sex work in India.

“Beijing Payback” (Ecco) by Daniel Nieh is a fast-paced revenge thriller. When his father is murdered, a son discovers his criminal past and returns to Beijing to enact revenge.

“Ruth Asawa” (David Zwirner) is a major catalog of an exhibition held at David Zwirner Gallery in New York with essays by Tiffany Bell and Robert Storr on this major American sculptor/educator based in the Bay Area. It covers her drawings, paintings and the noteworthy wire sculptural work as well as her career in children’s art education.

“The Twice-Born – Life and Death On The Ganges” (F S & G) by Aatish Taseer. The son of a Sikh journalist and an assassinated Pakistani politician, the author uses his return to the city of Benares as a way to grapple with the questions of identity and belonging.

“The Tenth Muse” (Ecco) by Catherine Cheng looks at the life of a female mathematician and a life caught up in stories of legacy, identity and the ways the mind can set us free.

“Enemy Child” (Margaret Ferguson Books/Holiday House) by Andrea Warren is the story of a boy imprisoned in a Japanese American internment camp during WWII and how it shaped his life. A boy who would later become the noted American politician and public servant, Norman Mineta.

“Sightlines” (Copper Canyon” is Southwest-based poet Arthur Sze’s 10th collection. In it, he turns his lens on contemporary reality in all its stunning complexity.

“Yugen” (Seven Stories  Press) by Mark Reibstein with art by Ed Young is a children’s book told in haiku and pictures about the mystery and beauty of the universe. It captures a boy’s sadness, mindfulness and wonder in evocative text and images.

“The Stolen Bicycle” (Text) by Wu Ming-Yi as translated by Darryl Sterk is an intimate portrait of a Taiwanese family, a history of a bicycle and a complex weaving of magical tales and places. When a novelist takes a journey to discover what became of a missing father and a stolen bicycle, worlds open up.

“The Nine Cloud Dream” (Penguin Classics) by Kim Man-Jung as translated by Heinz Insu Fenkl is translated for the first time in over forty years. This book is considered to be a masterpiece of Korean literature. It tells the story of a young monk considered a prodigy who goes astray and then embarks on a spiritual journey  across Tang Dynasty China.

“Nightingale” (Copper Canyon) by Paisley Rekdal is a poetry of transformation. By re-writing myths central to Ovid’s “Metamorphoses” she contemporizes the tropes of violence, dismemberment, silence and fragmentation.

‘Vietnamese Food Any Day”  (Ten Speed Press) by Andrea Nguyen. This popular cookbook author shows you how to use easy-to-find ingredients to create true Vietnamese flavors at home – fast.

“Coloratura” (Oklahoma) by Li Er as translated by Jeremy Tiang marks the first time this prominent Chinese writer has been available in English. It looks at a mysterious character  during the Chinese civil war whose story is told by three narrators and a chorus of witnesses. It this man a hero, a nationalist or communist, a spy, a poet or a scholar or perhaps all of the above?

“The Beautiful” (Putnam) by Renee Ahdieh puts a teenage girl from Paris in 1872 New Orleans. This fantasy novel exudes atmosphere and history in equal measure. When a murder occurs in the underworld, our heroine must be leery of romance and the threat of a murderer on her trail. Set for October, 2019 release.

“Japanese Cooking With Manga” (Tuttle) by The Gourmand Gohan Team is a manga-style cook book of Japanese recipes both traditional and experimental as concocted by  a trio of foodies in Spain.

“Sea Sirens – A Trot & Cap’n Bill Adventure” (Viking) written by Amy Chu and illustrated by Janet K. Lee. It is the first in a new graphic novel adventure series drawing inspiration from classic Vietnamese folktales and L. Frank Baum’s “The Sea Fairies”. When a girl and her cat fall into an underwater kingdom, they are caught up in a battle between mermaids and the serpent king.

“Night of Power” (Viking Canada) by Anar Ali looks at a wealthy South Indian family who lose everything when they are forced to flee Uganda under the Idi Amin regime. Resettled in Canada, the strain of trauma haunts them as they grapple with the weight of unrealized dreams and desires.

“Laura Dean Keeps Breaking Up With Me” (First Second) by Mariko Tamaki and Rosemary Valero O’Connell. A sweet and spirited graphic novel about young love and what happens when we ditch the toxic relationships we crave and embrace the healthy ones we need.

“Somewhere Only We Know” (FS&G) by Maurene Goo. The latest  young adult novel by this wildly popular author. What happens when a teenage cub reporter for a tabloid bumps into a female K-pop singer about to break big. A sparkling romance  about taking a chance on love.

“The Bells of Old Tokyo – Meditations On Time And A City” (Picador) by Anna Sherman scheduled for August 2019 release. The author in her search for the great bells that once kept the hours in the shogun’s city leads us on a tour of history and the voices of its people.

“Stargazing” (First Second) by Jen Wang scheduled for September 2019 release. This graphic novel details the unlikely friendship of two girls who are  two personality opposites and how it grows and what happens when tragedy strikes.

“Seattle Style – Fashion/Function” (UW) by Clara Berg with  a foreward by Luly Wang. Billed as the most significant work yet compiled on the dress and clothing history of the Seattle area. It is the exhibition catalog for an exhibition currently at MOHAI through October, 2019.

“Girl Gone Viral” (Viking) by Arvin Ahmadi. A teenage girl who is an expert coder must use all her wit and skill to trace the disappearance of her father on her tenth birthday.

“Camp Tiger” (Putnam) by Susan Choi with illustrations by John Rocco. Acclaimed adult novelist and Pulitzer-prize finalist Susan Choi makes her kids’ picture book debut with a story about a boy who meets a tiger when his family goes camping and how his life is changed. A tender, moving ode to  childhood and the pangs of growing up.

Shaun Tan, the bestselling author of “The Arrival” returns with “Cicada” (Arthur A. Levine), a satiric comment on work and the nameless office worker who toils 9 – 5pm without recognition or appreciation. With minimal text, the amazingly evocative artwork says it all.

“Great Job, Dad!” (Tundra) and “Great Job, Mom!” (Tundra) are both by Holman Wang. The author using props and models he photographed to create charming picture books that honor the multiple roles parents  play in the lives of their children.

“Song of the Crimson Flower” (Philomel) by Julie C. Dao set for November, 2019 release. This is a fantastical young adult tale of darkness and love and how some magical bonds are stronger than either.

“Secrets from My Vietnamese Kitchen – Simple Recipes from My Many Mothers” (Appetite-Penguin Random House Canada) by Kim Thuy. Translated from the French by Sheila Fischman with recipes translated by Marie Asselin. A warm introduction to a vibrant  cuisine by bestselling novelist and former restaurant owner Kim Thuy. It combines the author’s storytelling style with simple dishes culled from all the mother figures in her life.

“Wicked Fox” (Putnam) by Kat Cho set for June 2019 release. This is a fantasy-romance retelling of the Korean legend of the Gumiho. What happens when a nine-tailed fox in the guise of a girl who devours the energy of men to survive saves a boy who knows her secret?

“Building Tradition – Pan-Asian Seattle And Life in the Residential Hotels” (Chin Music) by Marie Rose Wong, PhD. A book about Seattle’s Chinatown-International District where the intermingling of Asian immigrants was a response to both discriminatory   policies and the brick-and-mortar architecture of single-room occupancy (SRO).

“The Downstairs Girl” (Putnam) by Stacey Lee. A Chinese American  teenager who works as a maid for one of the wealthiest men in Atlanta moonlights under a pseudonym as an advice columnist for the genteel Southern lady. But when she uses the power of the pen to address society’s ills, she is ambushed by the backlash from readers.

“The House Of The Pain Of Others – Chronicle of a Small Genocide” (Graywolf) by Julian Herbert as translated by Christina Sweeney. Early in the twentieth century, some three hundred Chinese immigrants were massacred in the newly founded city of Torreon, Mexico. It is considered the largest slaughter of Chinese people in the history of the Americas. The deed was followed by denial  or empty statements of regret. More than a century later, a Mexican writer digs deep into history to discover what happened and why.

“Patron Saints of Nothing” (Kokila) by Randy Ribay. A young adult coming-of-age story about grief, guilt and the power found in looking at all parts of ourselves. A Filipino American teenager returns to the Philippines  when he finds out his cousin was murdered as part of President Duerte’s “War on Drugs” but no one wants to talk about it.

Art News/Opportunities

The Canada Post has issued a new domestic stamp honoring The Vancouver Asahi baseball team. Formed in 1914 when racism was at its height, they won multiple amateur championships and were one of the most dominant and popular amateur teams. They were known for outwitting opponents with their style of play known as “brainball”, a unique combination of bunt hits and aggressive base running. The team was disbanded on the eve of WWII when over 20,000 people of Japanese ancestry (many of them Canadian citizens) were imprisoned.

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