A retrospective of Japanese printmaker Shigeki Tomura opens on First Thursday, March 7 from 6 – 8pm. It is on view through March 30, 2019. Davidson Galleries. 313 Occidental Ave. S. in Seattle’s Pioneer Square. 206-624-7684 or go to www.davidsongalleries.com.
Bainbridge Island artist Anthea Groves has a show of new work at Pegasus Coffee House now on view through March 31, 2019. For non-local purchase inquires/online, go to pegasusbainbridge.com. 131 Parfitt Way S.W. on Bainbridge Island, WA. 206-317-6914. For more information on the artist, go to http://www.bainbridgereview.com/news/a-simple-life-and-the-circle-of-art/.
“Play with Material – Laboratory” is the title of a show of mosaic collage paintings and garden hose sculpture by local artist Naoko Morisawa now on view through March 15, 2019. At the Edmonds Community College Art Gallery located on the 3rd floor of Lynnwood Hall at 20000 68th Ave. W. in Lynnwood, WA. Go to www.edcc.edu/gallery for more information. For details on the artist, go to www.naokomorisawa.com.
Originally from Japan, Mieko Mintz is known for her unique wearable designs using hand-blocked and stitched textiles from India to make contemporary pieces from her studio in New York City. KOBO at Higo presents new spring arrivals of her one-of-a-kind garments made of vintage sari material and handstiched kantha. Open daily at 604 South Jackson St. 206-381-3000 or h[email protected]
Northwest artist Saya Moriyasu is busy these days and her work can be seen all over the region. “2019 Museum of Northwest Art Luminaries” is a group show for Northwest artists that the museum has honored in the past. In includes the work of Moriyasu who was a recipient of the Alfredo Arreguin Award for Mid-Career Artists” as well as work by Denzil Hurley, George Rodriquez and SuttonBeresCuller. On view through March 29, 2019. 121 First Ave. in La Connor, WA. 360-466-4446. She will also have a solo exhibit entitled “Quiet” from March 8 – April 13, 2019. Sharing the space is Amanda Knowles with new print-based works. G. Gibson Gallery at 104 W. Roy St. in Seattle’s Queen Anne neighborhood. 206-587-4033. She also has two new pieces on view in the region. “MAYA” is a bronze sculpture that went up last year at the corner of Yesler and Broadway at the Batik Apartments across from the Yesler Community Center. Also her “Portraits of Ladies and Man Servers” is an installation made of porcelain on view at AC Hotel in the lobby through May 28, 2021. 208 – 106th Pl. NE in Bellevue,WA.
Madrona Wine Merchants and Fred Birchman present a two person show of work by community artists Amy Nikaitani and Michelle Kumata. Nikaitani will show sumi paintings, ink drawings and watercolors. Kumata presents work from her “Nihonmachi Portraits” series. The show will be on view from March – April, 2019. There will be an opening reception for the artists on Sun., March 10 from 3 – 5pm. 127 – 34th Ave. Go to https://madronawinemerchants.com/blog/. For artists interested in showing at this space, contact Fred at [email protected]
“Observing Nature” is a group show in the main gallery that looks at the different ways that nature can be appreciated for inspiration. Includes work in a variety of media by gallery artists Melissa Cole, Tu Duy, Bui Cong Khanh, Hai Duc Le & Thanh Ngor Le, HiH Lights and Hoang Thanh Vinh Phong. In the north gallery are hand-cut paperworks by Lauren Iida. Through March 30, 2019. ArtXchange Gallery at 512 First Ave. S, 206-839-0327 or [email protected].
The Friends of Asian Art Association presents a double art event (re-scheduled from February’s snow storm) set for Sunday, April 28, 2019 from 2 – 4pm. Dr. Shiang Yu Lee will give a talk in which she explores the mysteries of the hidden meanings in the Chinese language. Inspired by the Da Vinci Code to dig into the structure and compositions of Chinese words, moving beyond their obvious meanings. Also on view will be paintings by Dr. Agnes Lee that capture the meanings and feelings in Chinese calligraphy expressing them using the meticulous repetition of Chinese characters. An upcoming exhibit of her work will be held at Clarke and Clarke Arts & Artifacts Gallery on Mercer Island. Both Shiang Yu Lee and Agnes Lee’s double event will be held at Lake City Library at 12501 – 28th Ave. N.E. Pre-registration at http://friendsofasianart.org/.
The Northview Gallery at Portland Community College Sylvania Campus in Portland, Oregon presents “Large Format Works from the Eighties and Nineties” by Robert Dozono on view through March 16, 2019. Gallery hours are M – F from 8am – 4pm and Sat. from 11am – 4pm. 971-722-8085 or go to www.pcc.edu/about/galleries/sylvania/.
Oregon artist Miles Inada is in a group show entitled “From Ignorance to Wisdom” on view from through March 16, 2019. Schneider Museum of Art at 555 Indiana St. at Southern Oregon University in Ashland, Oregon. 541-552-6245 or try sma.sou.edu.
“Yahaw – Together We Lift The Sky” is a year-long indigenous community-based project culminating in the inaugural exhibition at Seattle Office of Arts & Culture’s ARTS at King Street Station which opens the spring of 2019. “Yahaw” will feature the work of 200+ Indigenous creative at over 20 sites across Seattle and beyond. Curated by Tracy Rector, Asia Tail and Satpreet Kahlon. Learn more at Yehawshow.com.
Hosekibako is JCCCW’s (Japanese Cultural and Community Center of Washington) thrift store and Japanese Resale Shop. It’s the perfect place to pick up Japanese arts & crafts at affordable prices. Items are 100% community donated and selection is constantly updated. Open Th., Fri. & Sat. from 10 am – 3pm. It is located in the East Building on the JCCCW campus. If interested in donating, call in advance at 206-568-7114 or email [email protected]. 1414 South Weller.
A JCCCW Exhibition entitled “Genji Mihara: An Issei Pioneer” is ongoing. Mihara was an Issei first-generation Japanese immigrant leader who helped to build Japanese culture and community in Seattle. Open M – F from 10am – 5pm. Japanese Cultural and Community Center of Washington is at 1414 S. Weller St. Free. For details, go jcccw.org.
A non-profit, the Portland Chinatown History Foundation has opened the new Portland Chinatown Museum to the public. A new version of “Beyond the Gate: A Tale of Portland’s Historic Chinatowns”, an enormously popular national exhibit held at Oregon Historical Society two years ago will be permanently installed in Dec., 2018 followed by a gala celebration. The museum hopes to stir up interest in preserving what’s left of the community as gentrification strips away vestiges of the original community. 127 NW 3rd Ave. 503-224-0008.
Asia Pacific Cultural Center has a show every month of a local Asian American artist every month in their gallery.4851 South Tacoma Way in Tacoma. 253-383-3900 or asiapacificculturalcenter.org.
Taiko player/percussionist/composer Stan Shikuma was one of 15 artists chosen for Jack Straw’s “Piano Drop” installation. In 1968, an upright piano was dropped on a farm in Duvall, WA. “Piano Drop” commemorates this historic occasion with a display of the piano’s remains, historical coverage and documents and recordings of new music composed and performed on the instrument. On view through March 15, 2019. Jack Straw New Media Gallery is at 4261 Roosevelt Way NE. 206-634-0919 or go to www.jackstraw.org.
Seattle Art Museum has the following – “Pure Amusements: Chinese Scholar Culture and Emulators”, an installation of Chinese works ranging from prints to sculpture and furnishings to ceramics. The focus is on objects created for, and enjoyed during the intentional practice of leisure. Ongoing. Opening at the John McCone Gallery on the 3rd floor on March 16, 2019 in the same location is “The Gentleman Warrior: Art of the Samurai” which features two complete sets of samurai armor, screen paintings and a print of the legendary battle between the Tara and Minamoto clans. Seattle Art Museum is located at 1300 First Ave. 206-654-3210 or try www.seattleartmuseum.org.
A new series of “Conversations with Curators” (for SAM members only) takes place on Wednesdays from Jan. 9 – June 19, 2019 at Seattle Art Museum downtown. Doors open at 6:30pm with talks beginning at 7pm. In the SAM auditorium. First in the series are the following –March 20 brings Deputy Director and Curator of European Painting & Sculpture Chiyo Ishikawa and Chief Conservator Nicholas Dorman who will look at three women artists and what they reveal in “There is Also, as in All Gangs, A Woman”.
“Maximalist in Motion” is a show of new work by Chelsea Ryoko Wong that catches the rhythms of the street in a New York neighborhood in gouache and watercolor on paper. March 7 – 30. ZINC Contemporary at 119 Prefontaine Place South. 206-617-5775 or go to zinccontemporary.com/.
Henry Art Gallery has a group show entitled “Between Bodies” through April 29, 2019. It includes sculpture, augmented reality, video, and sound-based works that delve into intimate exchanges and entwined relations between human and more-than-human bodies within contexts of ongoing ecological change. Candace Lin and Patrick Staff are among the participating artists. Located on the UW Seattle campus at 15th Ave. NE + NE 4lst Street. 206-543-2280 or try henryart.org.
Pacific Bonsai Museum shakes up this Japanese tradition with LAB (Living Art of Bonsai), an experimental collaborative for bonsai innovation This project is a re-sequencing in the order of influence between the bonsai artist, ceramicist and stand maker. The project kicks off in 2018 and continues through 2020. A video trailer from a film about this new process can be viewed at http://www.bonsaimirai.com. For more information, go to http://www.pacificbonsaimuseum.org. The Pacific Bonsai Museum is at 2515 S. 336th St. in Federal Way, WA. 206-612-0026 for information.
Portland Art Museum has the following –Sara Roby championed realism and works of art founded in the principles of form and design. A group show entitled “Modern American Realism: Highlights from the Smithsonian’s Sara Roby Foundation Collection” includes the work of Yasuo Kuniyoshi and many other great American artists and it remains on view through April 28, 2019. “The Map Is Not The Territory” on view until May 5, 2019 is a reconsideration of the art of the northwest region. This group show includes the work of Rob Rhee and Henry Tsang among others. It covers the Eastern edge of the Pacific including Oregon, Washington, Vancouver, BC and Alaska. Curated by Grace Kook-Anderson. “Three Masters of Abstraction – Hagiwara Hideo, Ida Shoichi And Takahashi Rikio” looks at some Japanese modern abstract artists. Through May 5, 2019. 1219 S.W. Park Ave. 503-226-2811 or try [email protected].
KOBO at Higo at 604 South Jackson features many small arts & crafts/textile shows and activities inspired by Asia or work by Asian American artists. There is another branch of KOBO on Capitol Hill at 814 E. Roy St. 206-726-0704.
New and recent shows /activities at the The Wing include the following – “ “Lore Re-Imagined: Shadows of Our Ancestors” is curated by Chieko Phillips. It brings together three artists who make work that engages the cultural traditions of previous generations. Satpreet Kahlon uses the embroidery and textile techniques passed on by her mother and grandmother to create soft works with strong cultural subtexts. Alex Anderson uses his ceramic studies in China to probe the moral and physical decay behind seemingly flawless facades. Megumi Shauna Arai’s “Unnamed Lake” uses sashiko (Japanese hand-stiched embroidery) to reflect on the physical, mental and emotional applications of mending. Remains on view through April 14, 2019. “Wham! Bam! Pow! – Cartoons, Turbans & Confronting Hate” remains on view through Feb. 24, 2019. This is an exhibition of work by New York-based cartoonist Vishavjit Singh who wields art and humor to fight intolerance and challenge stereotypes. “A Dragon Lives Here”, part 4 of the ongoing Bruce Lee exhibition series has just opened. This concluding part hones in on Bruce Lee’s Seattle roots and how this region played a key role in shaping Lee and his groundbreaking career. Toddler Story Time set for Thursdays at 11am always has events centered around a kid’s book and an art activity afterwards. A new addition to The Wing’s daily Historic Hotel Tour is “APT 507” which is the story of Au Shee, one Chinese immigrant woman who helped build Seattle’s Chinatown. Her living room is interactive with objects meant to be felt, opened and experienced. NOW let’s look at future shows The Wing is planning this fall and into 2019. “Worlds Beyond Here: The Expanding Universe of APA Science Fiction” is a show that remains on view through Sept. 15, 2019. From onscreen actors to behind-the-scenes writers, creators, artists and animators, learn about the impact Asian Pacific Americans have had and continue to have in science fiction. A mix of literary and pop culture works helps viewers to see how science fiction reflects the times they were written in. It addresses issues related to identity, immigration and race, technology, morality and the human condition. Curated by Mikala Woodward. Includes work by Tamiko Thiel, Simon Kono, June Sekigiuchi, Stasia Burrington, relics from George Takei’s Sulu character on Star Trek, clips & stills from the film, Arrival” based on Bellevue writer Ted Chiang’s story and much more. A group show tentatively titled “Open Housing” shows how community members across the Central Area, Chinatown-ID and Southeast Seattle gather to explore how racial restrictions on where people could live shaped the Seattle we know today and set a vision for those neighborhoods for the next 50 years. March 8, 2019 – Feb. 16, 2020 in the New Dialogues Initiative area. Carina del Rosario curates an exhibit entitled “Wide Angle/Close up: A Self Portrait of the Asian Pacific Islander American Community” from May 10, 2019 – April 19, 2020. Includes photography, video, and photo-based installations by photojournalists that document the community from the inside out. Set for the George Tsutakawa Gallery. “Chinatown in the 1970s” recreates Seattle’s Chinatown in the 1970’s and explores the values and customs that continue to shape the neighborhood today. July 20, 2019 – Jan. 5, 2020 in the KidPLACE Gallery. The Museum is located at 719 South King St. (206) 623-5124 or visit www.wingluke.org. Closed Mondays. Tuesday – Sunday from 10am – 5pm. First Thursday of each month is free from 10am – 8pm. Third Saturday of each month is free from 10am – 8pm.
Seattle Asian Art Museum in Volunteer Park is now closed for what is projected to be a renovation and extension that will take several years.
“Key to the Collection” is a group show that opened Dec. 22, 2018 and it lets TAM show off some of the treasured gifts from their collection including their legacy of Japanese woodblock prints and various other items. “Places to call Home: Settlements in the West“ is a group show through Feb. 10, 2019 that includes representations of Western cities throughout their history and development featuring immigrant or immigrant-descended artists such as Kenjiro Nomura and Mian Situ. Familiar Faces & New Voices: Surveying Northwest Art” stays on view through the summer of 2019. This group show is a chronological walk through of Northwest art history, illustrated with the works of noted artists from each time period as well as lesser-known but just as important figures. Different works will be displayed throughout the run of this show. Includes the work of Patti Warashina, Roger Shimomura, Joseph Park, Alan Lau (full disclosure, that’s me) and many others. Tacoma Art Museum at 1701 Pacific Ave. 253-272-4258 or email [email protected] or go to www.TacomaArtMuseum.org.
“Land of Joy And Sorrow: Japanese Pioneers of the Yakima Valley” is an ongoing exhibit that traces the story of the Japanese families who settled in the Yakima valley. Yakima Valley Museum at 2105 Tieton Dr. in Yakima, WA. 509-248-0747.
Oregon Nikkei Legacy Center presents the following – “Oregon Nikkei: Reflections of an American Community – ongoing. Beginning this year, visitors can see artifacts of the collection up close as the stacks will be open to see as the staff does filing. 121 NW Second Ave. in Portland. 503-224-1458 or go to www.oregonnikkeir.org.
The Jordan Schnitzer Museum of Art located on the campus of the University of Oregon in Eugene has the following – “Graceful Fortitude: The Spirit of Korean Women” is on view through May 5, 2019. It includes art created by, for and/or about Korean women in all media from the twelfth to the twenty-first century. “Reflections of the Cosmic Web: Intricate Patterns in Daoist Art” remains on view through April 7, 2019. “Vibrance and Serenity: Art of Japanese No Traditional Theatre is on view through August, 2019. It covers the history and performance of No theatre using selected prints by Tsukioka Kogyo (1869 – 1927). 1430 Johnson Lane in Eugene, Oregon. 541-346-3027.
Nikkei National Museum presents the following – The museum has numerous online exhibits as well as offsite exhibits. Check their website for details. The Nikkei National Museum is at 6688 Southoaks Crescent in Burnaby. 604-777-7000 or go to nikkeiplace.org.
Chinese Cultural Centre Museum has the ongoing exhibit “Generation to Generation – History of Chinese Canadians in British Columbia.” 555 Columbia St. Vancouver, BC. 604-658-8880. Admission by donation.
“Blue Green Landscape” is a show of new paintings by Zheng Baizhong on view through April 15, 2019. At Poly Culture Art Center at 100-905 West Pender St. in downtown Vancouver, BC Canada.
Paul Wong’s “Mother’s Cupboard” is on view through March 22, 2019. It reveals his mother’s home-made herb chest with lots of herbal ingredients. This is all part of the artist’s “Occupying Chinatown” series. Dr. Sun Yat-Sen Classical Chinese Garden at 578 Carrall St. in Vancouver,BC. 604-662-3207 or go to vancouverchinesegarden.com.
Hong Kong artist Samson Young presents his work in a solo show entitled “It’s a heaven over there” in a new space for Centre A in the Vancouver International Centre for Contemporary Art” which is situated in a 1980’s era shopping mall in Vancouver’s ever gentrifying Chinatown. The show comes from the artist’s research on the first person born of Chinese descent in Canada. Opening Feb. 23, 2019. 268 Keefer St. 604-683-8326 or go to centrea.org.
“Xie Lei: Xie Lei” is new work inspired by a Monty Python skit entitled “How Not To Be Seen”. On view through March 23, 2019. Z Gallery Arts. 102-1688 W. 1st in Vancouver, BC. 604-742-2001 or zgalleryarts.com.
An ongoing exhibit entitled “Call for Justice: Fighting for Japanese Canadian Redress (1977-1988)” is on view at Nanaimo Museum at 100 Museum Way in Nanaimo, Canada. 250-753-1821 or go to nanaimomuseum.ca.
Art Gallery of Greater Victoria has two shows and a video installation related to Japan. “Fiona Tan: Ascent” has the international artist presenting a montage film and accompanying photo installation that studies the significance of Mt. Fuji in Japanese visual culture. Opening March 9 is “Quiet Nature: The Woodblock Prints of Walter J. Phillips. This exhibit considers the influence of Japanese printmakers on the artist and his important role in popularizing the Japanese woodcut tradition in Canada. “Landscapes of Edo: Ukiyo-e Prints from the AGGV Collection” showcases key works from the museum’s extensive collection of Japanese prints. 1040 Moss St. in Victoria, BC. 250-384-4171 or go to aggv.ca.
Co-curators Carolyn Brotler Palmer, Mikiko Hirayama and Janice Okada present “Translations: The Art And Life of Elizabeth Yeend Duer -Gyokusho” through April 6, 2019. This exhibit showcases the movement of ideas, aesthetics, politics and people between England, Japan, and Victoria, Canada by looking at the work of Anglo-Japanese artist Elizabeth Yeend Duer (1889 – 1950). Born a British citizen in Nagasaki to an English father and Japanese mother, Duer studied Nihonga (Japanese Style painting) with Atomi Gyokuchi, she took on the artistic identity of Gyokusho and immigrated to Victoria in 1940. Lucky to escape internment during WWII, she Japanized her new environment with Nihonga-style paintings of local indigenous wild flowers. At Legacy Downtown at 630 Yates St. in Victoria BC, Canada. Hours are 10am – 4pm, Wd. To Sat. Go to uvac.uvic.ca for details.
Asian Art Museum, San Francisco has the following. Coming soon to the Larkin St. steps in front of the museum is a giant white sculpture that turns a puppy into the size of an elephant. “Your Dog” is by Yoshitomo Nara. “Kimono Refashioned” is a major exhibition on the evolution of the Japanese kimono created by the Museum in collaboration with the Kyoto Costume Institute. It runs through May 5, 2019. 200 Larkin St. 415-581-3500.
“Then They Came For Me” is a group show of black and white photography that documents the internment of Japanese Americans during WWII. It includes work by Ansel Adams, Dorothea Lange, Toyo Miyatake and many others as well as videos, drawings by Mine Okubo and documentary material of the era. Originally organized by Alphawood Exhibitions of Chicago, the show has also shown at ICP in New York. A Bay Area version of this show presented by the Jonathan Logan Family Foundation in partnership with the National Japanese American Historical society and J-Sei will reconfigure the show pertaining to the West Coast and it will be on view through May 27, 2019 for free at the “Futures Without Violence” Building located in The Presidio at 100 Montgomery St. Hours are Wed. – Sun. from 10am – 6pm (last admittance by 5:30pm). There are Public Tours on Thursdays from 4 – 6pm. Other activities include the following – Free screenings of the documentary film on the internment entitled “And Then They Came for Us” by Abby Ginzberg and Ken Schneider every Sat. & Sun. Performance workshops for “Ikkai:Once” take place on March 24, 2019 from 2 – 4pm. It is a dance exploring the expression of culture-based stories and events related to the incarceration of Japanese Americans during WWII while at the same time questioning our current state of democracy. KAMBARA + DANCERS has partnered with Japanese American visual artist Dana Kawano to support this work design. 415-923-9795 or go to [email protected]
LACMA or Los Angeles County Museum of Art has “The Jeweled Isle: Art from Sri Lanka” through June 23, 2019. This is the first comprehensive survey of Sri Lankan art organized by an American museum. 5905 Wilshire Blvd. 323-857-6010.
Ai Weiwei has new shows opening in Los Angeles. His first solo institutional show in the area is at Marciano Art Foundation’s Theater Gallery through March 3, 2019. The main piece here is entitled “Life Cycle” and looks like an inflated raft crammed with human figures with animal heads of the Chinese zodiac meticulously crafted in bamboo using Chinese kite-making techniques by craftspeople. It reflects his concern with the global refugee crisis. 4357 Wilshire Blv. 424-204-7555 or try www.marcianoartfoundation.org.
The Japanese American National Museum has the following shows – “Kaiju vs heroes: Mark Nagata’s Journey through the World of Japanese Toys” feature artist Mark Nagata’s monster’s and superheroes doing battle in an exhibit sure to captivate little and big kids everywhere. On view through March 24, 2019. Limited edition facsimiles of characters in this show fashioned in the sofubi (soft vinyl) method in Japan will be on sale in the gift shop. “Common Ground: The Heart of Community.” This overview exhibit of Japanese American history is ongoing.100 N. Central Ave. in Los Angeles. 213-625-0414 or go to http://www.janm.org.
“Chiura Obata: An American Modern” is the first retrospective of this noted Bay area artist whose work reflected the glories of the American landscape from the Grand Canyon to Yosemite. His influence could also be felt at UC Berkeley where he had a distinguished teaching career. He also helped found art schools in internment camps during WWII. Curated by ShiPu Wang with a catalogue. The exhibition travels to the following sites. Jan. 18 – March 10, 2019 at Okayama Prefecture Museum of Art in Okayama, Japan (the artist’s hometown), June 23 – Sept. 29, 2019 at Crocker Art Museum in Sacramento.
The Freer/Sackler Gallery on the Smithsonian Mall shows you how religion and art mix in “Encountering the Buddha: Art and Practice Across Asia through Nov. 29, 2020. 202-633-1000 or go to FreerSackler.si.edu for details.
The Metropolitan Museum of Art has the following – “Seeing the Divine: Pahari Paintings of North India” through July 21, 2019. Coming Nov. 19, 2018 – Oct. 27, 2019 is a major sculpture exhibition from the 18th & 19th century era in the Pacific Islands entitled “Atea: Nature And Divinity In Polynesia.” “Celebrating the Year of the Pig” and “The Tale of Genji – A Japanese Classic Illuminated” both open on Feb. 4, 2019.1000 Fifth Ave. New York, New York. Go to metmuseum.org for details.
The Rubin Museum of Art has the following shows – “Tibetan Buddhist Art” gets a full survey including offerings from the museum’s own collection and objects from the Musee Guimet in Paris, the Cleveland Museum of Art and other institutions. Feb. 1, 2019 – July 15, 2019. “The Power of Intention- Reinventing the (Prayer) Wheel” brings together select examples of traditional and contemporary art to illuminate the relationship between our intentions, commitments and actions. On view March 1 – Oct. 14th. 150 W. 17th St. New York, New York. 212-620-5000×344 or go to rubinmuseum.org.
The Japan Society has the following – “Radicalism in the Wilderness: Japanese Artists in the Global 1960’s” is a look at the radical experiments of artists from 1960s Japan little known in the U.S. such as Yutaka Matsuzawa, The Play and GUN art collectives. On view March 8 – June 9, 2019. 333 East 47th St. 212-263-1258.
The Museum of Chinese in America has the following – “Radical Machines: Chinese in the Information Age” looks at the technologically crucial Chinese typewriter and the role it played in modernization and communication. Through March 24, 2019. “Interior Lives: Photographs of Chinese Americans in the 1980’s by Bud Glick” documents the street life of New York’s Chinatown during a time of major changes. Through March 24, 2019. 215 Centre St. New York, NY. 855-955-MOCA or go to mocanyc.org.
The Asia Society Museum in New York presents the following – “In Focus: A Complete Map of the World – The Eighteenth Century Convergence of China and Europe” takes Ma Junliang’s complete map of the world as the starting point to consider interactions between China and Europe during the eighteenth century. Now on view through May 5, 2019. “M. F. Husain: Art And the Nation” focuses on the artist’s mural-sized painting created for Indira Gandhi’s Congress Party rally in 1975. On view from March 5 – August 4, 2019. “Reza Arameshi: 12 Noon, Monday 5 August, 1963” is a show in which the artist Reza Aramesh examines the power balance between the captor and and captive and the aestheticization of violence in media coverage of wartime atrocities. On view from March 5 – June 9, 2019. “Masterpieces from the Asia Society Museum Collection” is a group show on view from March 5, 2019 – August, 2019.To find out more, go to AsiaSociety.org/NY. 725 Park Ave. New York City, New York. 212-327-9721 or go to www.asiasociety.org for more details.
The Noguchi Museum has the following – “Akari Unfolded – a Collection by Ymer & Malta” and Akari – Sculptures by Other Means”. Both shows up through April 14, 2019. 9 – 01 33rd Rd, Long Island City, NY. 718-204-7088.
China Institute Gallery presents “Art of the Mountain: Through the Chinese Photographer’s Lens” on view through August 28, 2019. Located at 100 Washington St. (visitor entrance is at 40 Rector St . on the 2nd floor) in New York. 212-744-8181 or go to www.chinainstitute.org.
Masayuki Koorida – An extensive survey & the artist’s first major exhibition in the U.S. with large scale works in marble and granite as well as smaller, playful works in stainless steel & acrylic as well as drawings. Remains on view through March 17, 2019. Tallur L. N. is an Indian sculptor who combines Indian craft traditions and novel sculptural techniques to infuse ancient iconography with contemporary meanings. “Multiplicity” is a show that has around thirty works in a variety of mediums, from carved stone and wood to cast bronze and concrete to found objects. May 5, 2019 – Jan. 5, 2020. Grounds for Sculpture at 80 Sculptors Way in Hamilton, New Jersey.609-586-0616 or [email protected] for sculpture.org.
Pakistani-born artist Huma Bhabha’s rugged style of figurative sculpture working with a variety of material from clay and Styrofoam often evokes science-fictional imagery like the aliens currently on the roof of the Met. This large retrospective allows us to see the range of her interests in all phases of her career from masks to photographs and drawings. March 20 – May 27, 2019. Institute of Contemporary Art, 25 Harbor Shore Dr. in Boston, MA. 617-478-3100
Museum of Fine Arts Boston has the following – “Conservation in Action – Japanese Buddhist Sculpture in a New Light” on view through June 30, 2020. 9300 Avenue of the Arts. 465 Huntington Ave. Go to mfa.org or call 617-267-9300.
The Peabody Essex Museum presents “Empresses of China’s Forbidden City”, the first major international exhibition to explore the role of empresses in China’s Qing Dynasty (1644-1912). Includes many works never seen before in the U.S. Through Feb. 10, 2019. 161 Essex St. in Salem, MA. 978-745-9500 or go to pem.org. This show moves on to the Freer/Sackler Gallery at the Smithsonian Mall in Washington D.C. March 30 – June 23, 2019.
Photographer/video artist Rinko Kawaguchi has a video installation on view at Smith College of Art through March 20, 2019 entitled “Seeing Shadow”. It captures the sweeping motion of a flock of starlings moving in the sky above the water at Brighton Beach. A show of prints by the late Seattle artist Munio Makuuchi is set from August – December, 2019. Art historian Margo Machida will write the catalog essay. 20 Elm St at Bedford Terrace in Northhampton, MA. 413-585-2760 or go to [email protected].
The Philadelphia Museum of Art’s Chinese Galleries have undergone a $2 million renovation. The new galleries opened to the public on Feb. 3, 2019. They feature a variety of works from treasures created for the afterlife to costumes of the imperial court. There will be a family festival celebrating the Lunar New Year at that time. 2500 Benjamin Franklin Parkway. 215-684-7860 or go to philamuseum.org.
The Minneapolis Institute of Art has the following. “Love Affairs: The Tale of Genji in Japanese Art” through March 10. 2019. “Without Boundaries: Fiber Sculpture & Paintings by Women Artists” featuring work by Yayoi Kusama through July 21, 2019. “Emblems of a Prosperous Life: Women’s Robes of Late Imperial China (1700s-1800s) through June 30, 2018. Minneapolis Institute of Art. 2400 Third Ave. S. Call toll free at 888-642-2787.
“Being Japanese Canadian: reflections on a broken world” is a group show that focuses on the internment camp experience during WWII for Japanese Canadians. Includes the work of Lillian Michiko Blakey, David L. Hayashida, Emma Nishimura, Steven Nunoda, Laura Shintai, Norman Takeukchi. Marjene Matsunaga Turnbull and Yvonne Wakabayashi. On view through August 5, 2019. On March 7, at 11am curators of the exhibition, Bryce Kadara and Katherine Yamashita will talk about the exhibition. “Gods in Any House: Chinese New Year with Ancestor Portraits and Deity Prints” is also on view though Sept. 29, 2019. Royal Ontario Museum at 100 Queens Park in Toronto, Ontario, Canada. Go to rom.on.ca for details.
Hito Steyerl looks at the relationship between networked technologies, image distribution and societal control. In this new commission for Serpentine Galleries, she works with technology to create a neural network that generates novel imagery and connections. Serpentine Galleries in London from March – May 2019. Kensington Gardens. 020-7402-6075.
Indonesian-born, Amsterdam-based filmmaker Fiona Tan mixes found and original footage in her work to blue categories. Here, she uses color advertising footage from Agfa to explore notions of authenticity and normalcy in West Germany. May 4 – August 11, 2019. Museum Ludwig in Cologne, Germany. Heinrich-Boll-Platz, 50067 Koln, Germany. +49 221-221-26165 or [email protected].
Tokyo Opera city Art Gallery has the following shows. “Naoki Ishikawa: Capturing the Map of Light on This Planet” is a survey of this Japanese photographer’s work on view through March 24, 2018. 3-20-2 Nishi-Shinjuku, Shinjuku-ku, Tokyo,Japan. +81- (0) 3-5353-0756.
Fukuzawa Ichiro was one of many Japanese artists who traveled extensively abroad in the early twentieth century with a seven year stint in Paris where he was influenced by Max Ernst and other Surrealists. In his painting and writing, he was a vigorous supporter of avant garde movements on his return. Almost ninety works in this retrospective attest to his transcultural range full of social critique and humor. National Museum of Modern Art, Tokyo. March 12 – May 26, 2019. 1-1 Kitanomaru-koen, Chiyoda-ku, Tokyo, Japan. +81 3-5777-8600.
Kichizaemon Raku is the 15th head of the respected Raku family of tea bowl craftsmen. He found a kindred spirit and inspiration in the work of the eccentric abstract painter Wols. His work is featured alongside some of the work by Wols that inspired him. The result are artworks as tea bowls rather than artistic tea bowls. “Raku Kichizaemon x Wols” on view through March 31, 2019 at the Sagawa Art Museum. Go to www.sagawa-art-museum.or.jp for details.
“Shiro e no dokei” (Longing For White) showcases the work of one of Japan’s major quilt artists, Mutsuko Yawatagaki at the Izumo Museum of Quilt Art. One is surprised to learn the popularity of quilting in Japan stems from Japanese seeing it done on the American TV series, “Little House on The Prairie” back in the 70’s. Housed in a 200-year-old traditional residence, each quilt is presented as part of an installation and complemented by imaginative flower arrangements. The artist works only from fabric salvaged from antique kimonos and obi. 330 Fukutomi, Hikawa-cho, Izumo, Shimane Prefecture. Through Feb. 26, 2019. 0853-72-7146.
“teamLab*Borderless” houses works by this hi-tech art group in the Mori Building Digital Art Museum. With computer-graphic projections of animals, plants and objects from nature to light sculptures and a forest of lamps. On view indefinitely. Aomi Station, Odaiba, Tokyo, Japan. 03-6406-3949.
Monyee Chan is a Seattle-based Chinese American artist. She has designed this year’s annual Northwest Folklife Festival poster. The festival takes place May 24 – 27, 2019 at Seattle Center and the focus this year is on young people, young voices and young identities. Chan also designed the program illustration for the Wing and its annual 2019 auction.
Phen Huang, owner of Seattle’s Foster/White Gallery is profiled by Matthew Kangas in the February – March 2019 issue of “PREVIEW – Guide To Galleries + Musuems.
A new Hong Kong opera house recently opened in the West Kowloon Cultural District at Hong Kong’s Kowloon waterfront. Vancouver BC-based Revery Architecture (a firm started by the late Chinese Canadian architect Bing Thom who did the original design) completed this project known as Xi Qu Center. The building includes a Grand Theatre, a smaller Tea House Theatre, professional studios, a seminar hall and a large open atrium for common space and exhibitions. The design was inspired by traditional Chinese lanterns and blends traditional and contemporary elements to “reflect the evolving nature of the art form.” Excerpts from dailyhive.com.
Japanese architect Junya Ishigami will design the Serpentine Pavillion, a temporary structure put up each summer in London’s Hyde Park. The architect said the design would “resemble a hill made out of rock while simultaneously appearing so light it could blow away in the breeze like a billowing piece of fabric.” The pavilion will be on view June 20 – Oct. 6, 2019. Ishigami won Main Prize in the Venice Biennale of Architecture for an installation entitled “Architecture as Air”.
Lois Yoshida teaches a class entitled “Introduction to Asian Calligraphy” March 9 & 10, 2019 from 10am – 4pm. Frye Art Museum. 704 Terry Ave. in Seattle. 206-622-9250
Khanh Doan makes her debut at Seattle Repertory Theatre in the role of Emmy Helmer in their production of Lucas Hnah’s “A Doll’s House, Part 2” as directed by Braden Abraham. This play imagines circumstances that force lead character Nora who left her family to return 15 years later. Cast also includes Michael Winters, Pamela Reed and Laura Kenny. Carey Wong is Scenic Designer. March 15 – April 28, 2019. Opening night is March 20. On the Leo K. Stage. Seattle Rep is at Seattle Center on the corner of Second Ave. and Mercer St. 206-443-2222 or go to SeattleRep.org.
Mi Kang makes her ArtsWest debut playing the role of Jenny in the play, “JOHN” by Annie Baker as directed by Erin Murray. Also stars Marianne Owen, Suzy Hunt and Sean Lally. The shadow of infidelity hangs over a young couple struggling to rebuild their relationship while at a weekend bed & breakfast. Ghosts haunt the living. March 14 – April 7, 2019. Th. – Sat. at 7:30pm and Sundays at 3pm. 4711 California Ave, SW. 206-938-0339.
Ronny Chieng is a Chinese-Malaysian-Australian comedian and actor. He is currently a senior correspondent on The Daily Show on Comeday Central. He comes to town on behalf of his “Tone Issues Tour” on Sat., March 30, 2019 at the Neptune located at 1303 NE 45th St. in the University District. Presented by STG. 800-982-2787 or go to stgpresents.org.
The Meany Center For The Performing Arts – Looking forward to the 2018/2019 season, look out for the following. Time for Three is a ground breaking string trio that transcends tradition as well by mixing elements of pop and rock into their classical foundation. They perform on April 18, 2019. Yekwon Sunwoo won the Gold Medal at the 2017 Van Cliburn International Piano Competition. He makes his Seattle debut in a program of Schumann, Liszt, Beethoven and Schubert. One performance only on Sat., May 4, 2019 at 7:30pm. All tickets now available as part of a Meany Center subscription package and remaining single tickets go on sale on August 1, 2018. You can order online at meanycenter.org or call 206-543-4880 or visit the ticket office at 41st Street between University Way NE & Brooklyn Ave. NE. tickets available via FAX too at 206-685-4141.
Seattle Opera helped to commission a new contemporary opera entitled “The (R)evolution of Steve Jobs”, Apple founder. Adam Lau plays the role of Kobun Chino Otogawa. Plays McCaw Hall from Feb. 23 – March 9. Tickets vary from $25 – $335. 321 Mercer St. in Seattle Center. 206-389-7676 or try [email protected]. Future Seattle Opera productions include the following – “Rigoletto – The Cost of Corruption” August 10, 11, 14, 17, 18, 23,24, 25 & 28, 2019. Yongzhao Yu makes his Seattle Opera debut as the Duke of Mantua. “Charlie Parker’s Yardbird – The Man Behind A Legend” with music by Daniel Schnyder and libretto by Bridgette A. Wimberly. Plays Feb. 22, 23, 26, 29 AND March 1, 4, 6 & 7, 2020. Kelly Kuo will make his Seattle Opera debut as conductor for the orchestra for this production.
UW Music instructor and trumpet player Cuong Vu leads the Studio Jazz Ensemble and UW Modern Band in innovative big band arrangements and original compositions on Mon., March 11, 2019 at the Katharyn Alvord Gerlich Theater at 7:30pm. $10. 4001 University Way NE.
The UW Wind Ensemble with Seattle Symphony guest clarinetist Ben Lulich present a program of new music which includes a composition by Tian Zhou and others. Tuesday, March 12 at 7:30pm at the Katharyn Alvord Gerlich Theater. $10 tickets. 4001 University Way NE.
Conductor Ludovic Morlot ends his 2018/2019 tenure with the Seattle Symphony with a varied and stimulating series of concerts. Some highlights include the following – Avi Avital is a mandolin virtuoso who leads a group with Jessica Choe on piano through a fresh interpretation of Vivaldi and Telemann on Friday, May 3 at noon & 8pm and Sat., May 4 at 8pm. A Family Concert Series program entitled “Carnival Of The Animals” takes place on Sat. May 4 at 11am , 2018 with Pablo Rus Broseta conducting and Hannah Song on violin, Kristy Park on cello, Jessica Choe on piano and Elizabeth Morgan on piano. A Brahms Concerto Festival 1 takes place on Thursday, May 9 at 7:30pm featuring Zee Zee on piano. All concerts at Benaroya Hall in downtown Seattle. Go to seattlesymphony.org for details.
Seattle Pro Musica specializes in the performance and promotion of modern and ancient choral music under the direction of artistic director Karen Thomas. They present a concert entitled “Pacific Voices – Choral Music by Asian and Asian American Composers” on Sat., March 9, 2019 at 7:30pm at Seattle First Baptist Church at 1111 Harvard Ave. in Seattle and again on Sunday, March 10, 2019 at 7:30pm at Trinity Lutheran Church at 6215 196th St. WW in Lynnwood, WA. Composers performed are Hyo-Won Woo, Sungji Hong, Chen Yi, Zhou Long, Budi Susanto Yohanes, Victor Paranjoti and A. R. Rahman of “Slumdog Millionaire” fame. Advance tickets available through Brown Paper Tickets or you could get them online at seattlepromusica.org.
“Beyond Ideas” is the title of ArtsWest’s 2018-2019 season. Some highlights include Julia Cho’s “Office Hour” May 2 – May 26, 2019 and Justin Huertas’s musical, “The Last World Octopus Wrestling Champion” June 20 – July 28, 2019. Learn more details about the entire new season at artswest.org. ArtsWest is located in West Seattle at 4711 California Ave. SW.
“In The Heart of America” is Naomi Wallace’s Obie-winning play about love and war. Characters include a Palestinian woman, her marine brother and American lover and the ghost of a Vietnamese mother whose infant daughter was killed at My Lai. Directed by Amanda Friou and stars Asialani Holman as the Vietnamese mother. Plays March 6 – 17 at the Jones Playhouse on 4045 University Way NE. $10 & $20. 206-543-4880 or try artsuw.org. Tickets can also be purchased in person at ARTSUW Ticket Office located at 1313 NE 41st St.
Seattle Modern Orchestra presents “Chapel Series Concert II – A Celebration of Robert Aitken”. This award-winning flautist/ composer/conductor will play his own music and Toru Takemitsu’s “Bryce”. In addition he conducts the orchestra in works by Xenakis and Cherney. March 9 at 8pm. At the Chapel Performance Space at 4649 Sunnyside Ave. N. in the Good Shepherd Building. 206-547-0204.
Zakir Hussain makes his annual visit to Seattle with his always compelling “Masters of Percussion” ensemble featuring some world-class musicians. Set for April 2, 2019 at the Moore Theatre. Presented by STG Presents. 206-812-1114. Hussain is also the cover story for the January/February 2019 issue of Songlines magazine.
UW theatre graduate Mikko Juan spent the fall touring Eastern Washington in Seattle Children’s Theatre production of Ramon Esquivel’s “Between and Below”. Now he returns to Seattle in the lead role in “Urinetown: The Musical”, a joint production of 5th Avenue Theatre and ACT as directed by Bill Berry. Set for The Falls Theatre from April 6 – May 26, 2019 at ACT downtown. 700 Union St.
The “Monterey Jazz Festival On Tour” with vocalist Ceceile McLorin Salvant headlining makes a stop in Seattle on April 7, 2019 at the Moore with a top roster of diverse, international talent including Yasushi Nakamura on bass. 206-467-5510.
Canadian playwright Ins Choi’s award-winning family comedy “Kim’s Convenience” (CBS television adaption was recently added to Netflix) comes to Taproot Theatre’s 2019 season titled “Family Ties”. On Stage May 15 – June 22, 2019 as co-directed by Scott Nolte and David Hsieh. A Korean Canadian family learns to live with their own faults, get along and forge ahead in this heartwarming comedy about the foibles and blessings of family. Go to taproottheatre.org for tickets. 204 N. 85th St, in Seattle’s Greenwood neighborhood. 206-781-9705.
Indian composer Reena Esmail presents compositions merging Western techniques with traditional Hindustani instrumentation and musical themes. She brings a newly commissioned piano trio composition with Piano Ki Avaaz – Joshua Roman, David Fung and Kristin Lee. May 21, 2019 at 7:30pm.1119 Eighth Ave. Doors open at 6:30pm.
Closing Café Nordo’s 10th Season of supper-club musicals is “7th & Jackson” written by the multi-talented Sara Porkalob and set for July, 2019. Three Seattle friends haunt the speakeasys listening to jazz before WW II and share a dream to open a night club of their own. When the bombing of Pearl Harbor and rising WWII tensions tear apart homes, the friends separate but never lose sight of their dreams. Café Nordo is at 109 South Main. Go to www.cafenordo.com to find out more about their new season and how you can get tickets.
Edmonds Center for the Arts has the following set for 2019. Sitar virtuoso Anoushka Shankar performs on April 24, 2019 at 7:30pm. 410 Fourth Ave. N. 425-275-9595.
Broadway Center for the Performing Arts in Tacoma presents the following events at various venues. Their info # is 253-591-5894. Broadway Center presents sitar virtuoso Anoushka Shankar on Sun., April 28, 2019 at 7:30pm. Also at the Pantages Theatre.
Macha Theatre Works announces their 2018-2019 season of fearless female theatre. The final production is the World Premiere of “Sheathed”, written by local playwright Maggie Lee and directed by Macha Artistic Director Amy Poisson. A tale of an unlikely friendship texted by the bonds of honor and the terrible price of forgiveness. Movement Choreographer Alyza Delpan-Monley and Fight Choreographer May Nguyen Lee complete the production team. “Sheathed” runs from March 8 – 23, 2019 at Theatre Off Jackson at 409 – 7th Ave. S. For tickets and information, go to www.machatheatreworks.com/tickets or call 608-909-1252 or email [email protected].
Degenerate Art Ensemble’s latest performance of dance, theater, live music and cinematic video entitled “Skeleton Flower” premieres its first full production at Seattle’s Erickson Theater (across from Seattle Central Community College) from March 13 – 16, 2019. Also released at the same time will be the audio cd and a virtual reality film made with VR filmmaker Mischa Jakupcak and Zoo Break Productions. Shows at 7pm with a 9:30pm show added on Friday and Saturday. The story is autobiographic and draws on the dancer’s experience as a survivor of personal and ancestral trauma and how art becomes the healer. 1524 Harvard Ave. For more details, go to http://www.degenerateartensemble.com.
“Devi” is a new adaptation by Northwest South Asian theatre company Pratidhwani conceived with over 40 actors and dancers in partnership with ACT Theatre’s ACTLab set for April to May, 2019 in The Allen Theatre at ACT. Go to www.acttheatre.org or call 206-292-7676 for details.
Some of the upcoming concerts Earshot Jazz is planning for 2019 include the Japanese pianist/composer/multi-instrumentalist Satoko Fujii & her Trio and New York-based guitarist/composer Miles Okazaki and his group “Trickster”. Okazaki grew up in Port Townsend. Miles Okazaki Trickster which features Matt Mitchell, Anthony Tidd & Sean Rickman will perform on April 13, 2019. Satoko Fujii Trio with Natsuki Tamura and Alister Spence will perform on May 7, 2019. For more information on future concerts, go to earshot.org for details.
Lauren Yee’s “Cambodian Rock Band” with songs by Dengue Fever as directed by Chay Yew will be performed March 6 – Oct. 27, 2019 at the Thomas Theatre as part of the Oregon Shakespeare Festival. This musical play tells the story of a young woman trying to piece together her family history thirty years after her father fled Cambodia. 15 South Pioneer St. in Ashland, Oregon. 1-800-219-8161.
Tasveer and The Gardner Center present the South Asian women’s ensemble known as Yoni Ki Baat presenting their latest take on Eve Ensler’s “Vagina Monologues” on April 12 (7 – 9pm), April 13 (7 – 9pm) and April 14, 2019 (2 – 4pm) at Seattle Art Museum’s auditorium. Part of their 13th annual Aaina Festival. 1300 First Ave. 206-654-3210.
Portland-based Chamber Music Northwest has announced that its new artistic directors will be the husband/wife team of Gloria Chien and Soovin Kim. The two will succeed David Shifrin after his final Summer Festival in 2020. Both are recognized performers and experienced music presenters.
On the Boards has announced twelve artists/companies selected for the 2019 NW New Works Festival set for June 12 – 16, 2019. Among the names are Dakota Camacho, a rapper/hip hop dancer/performance artist, choreographer/dancer Imana Gunawan, flautist/taiko player Leanna Keith and dancer/choreographer Naomi Macalalad Bragin. Congratulations to all!
Film & Media
In Tang Dynasty China, a demon cat appears, causing a series of strange events. The Chinese poet Bai Leitan and Japanese monk Kukai join forces to investigate a strange death following the trail left by the cat. Director Chen Kaige’s (“Farewell My Concubine”) latest is a lavish production years in the making. “Legend of the Demon Cat” (in Mandarin and Japanese with English subtitles). Screens through March 6, 2019. At the SIFF Egyptian, 801 E. Pine St. 206-324-9996.
GKIDS and Fanthom Events bring Kitaro Kosaka’s “Okko’s Inn” to the U.S. Kosaka is the famed anime Studio Madhouse director and worked on numerous classic Studio Ghibli films. The story revolves around an orphaned young girl who goes to live in the countryside with her grandmother who runs an inn with an onsen near a waterfall. She eventually becomes the inn’s next caretaker and comes to know the inn’s friendly spirits that only she can see. A string of new guests will put the inn’s motto “to welcome all and reject none” to the test. The English dubbed version screens on Mon., April 22 at 7pm. The Japanese version screens on Tues., April 23 at 7pm. Go to www.FanthomEvents.com or www.Okkosinn.com for local participating theatres and their box offices.
SIFF Uptown hosts a Saturday Morning Cartoon program with coffee & donuts and a post film discussion, All ages welcome. Some films to look forward to in this series include the following – “Window Horses: The poetic Persian Epiphany of Rosie Ming” is a story that tells what happens when a young Canadian poet of Iranian/Chinese ancestry leaves her sheltered Vancouver BC home to perform at a poetry festival in Iran. It’s her first trip abroad and what will she discover. Screens March 30, 2019. Voices provided by Sandra Oh, Ellen Page and and Shohreh Aghdashloo. 511 Queen Anne N.
The Chinese government’s censoring of films appears to have a global reach as well. Chinese director Zhang Yimou had his film “One Second” which takes place during Mao Zedong’s Cultural Revolution suddenly withdrawn at the last minute from competition in the Berlin Film Festival. Similiarly, a segment for the anthology film “Berlin, I Love You” directed by Chinese dissident artist Ai Weiwei was deleted from the final version due to concerns about offending the Chinese government. The film is part of the “Cities of Love” Series in which multiple directors are commissioned to create shorts set in a particular city. Since the next series is due to shoot in Shanghai, the Ai Weiwei segment in the Berlin Series may have made investors skittish. Excerpted from Slate.com.
The Written & Spoken Arts
Robert L. Tsai, author and a leading expert on constitutional law will engage in conversation with Megan Ming Francis about his new book entitled “Practical Equality: Forging Justice In A Divided Nation” (Norton) on Thurs., March 7 at 6pm in the University Book Store at 4326 University Way NE. 206-634-3400.
Seattle Public Library’s “2019 Seattle Reads” event which takes place in April has selected the graphic memoir by Thi Bui entitled “The Best We Could Do” which details the experience of Vietnamese immigrants settling in a new land. Thi Bui will be in Seattle April 13 – 16, 2019. She visits the Central Libray on April 13 at 7:30pm, the Northgate Community Center on April 14 at 1:30pm, the Centilla Cultural Center on April 14 at 7pm, the Greenwood Branch of Seattle Public Library on April 15 at 7pm, Asian Counseling and Referral Service on April 16 at 6:30pm and Reading Groups with the Vietnamese Friendship Association on April 10 at 6:30pm at the Columbia Branch of Seattle Public Libray and Northwest African American Museum on April 7 at 6pm. There will be book group discussions about the book all over the city at Seattle Public Library branches as well. For more details, go to www.spl.org/seattlereads.
Open Books has the following events –
A group reading with poets Geneve Chao, Wendy Chin-Tanner, Sarah Mangold & Jane Wong is set for March 17, 2019 at 4:30pm. Open Books is a poetry only bookstore located in Seattle’s Wallingford neighborhood at 2414 N. 45th St. 206-633-0811.
Highly acclaimed fantasy novelist Traci Chee will be part of a panel of young adult authors on March 17, 2019 at 6pm at Third Place Books at 17171 Bothell Way NE #A101 in Lake Forest Park, WA. 206-366-3333.
Seattle fiction writer Richard Chiem will read from his new novel entitled “King of Joy” (Soft Skull) on April 2, 2019 at 7pm at the Ravenna Third Place Books in Seattle. 6504 – 20th Ave. NE. 206-525-2347. He will read again on April 9, 2019 at 7pm at King’s Books in Tacoma,WA. 218 St. Helens Ave. 253-272-8801.
Elliott Bay Book Company continues to sponsor readings in their Capitol Hill bookstore as well as co-producing events all over the city. Below you will find a partial listing of some of their events. Events are at the bookstore located at 1521 Tenth Ave. unless otherwise noted. On March 9 at 7pm, noted local poet and translator Don Mee Choi will talk about her latest translation of Korean feminist poet Kim Hyesoon’s “Autobiography of Death” (New Directions) and Bellingham poet Stefania Heim will read from a new collection of poetry entitled “Hour Book” at EB. Also on March 9, the Gardner Center’s Saturday University presents Joe Earle (former Director of Japan Society Gallery) who will talk about “The Japanese Basket 1845-1958” at 10 am at Seattle art Museum downtown. L.A.-based writer Nina Revoyr, award-winning author of “Southland” will launch her latest novel entitled “A Student of History” (Akashic) at Elliott Bay on March 14, 2019 at 7pm. The book is a contemporary look at Los Angeles and the extraordinarily wealthy through the eyes of Rick Nagano, a 21st century Nick Carraway. The publisher will also be reissuing a new edition of Revyor’s debut novel, “The Necessary Hunger”. The Hugo Lit Series presents a reading by fiction writer Vanessa Hua joining an all-star line-up on March 15 at 7:30pm at Hugo House. Hua is the author of the novel, “A River of Stars” about a pregnant Chinese woman on the run, laying low in the Bay Area. The Gardner Center’s Saturday University has Aarin Packard from the Pacific Bonsai Museum talking about “A Southern Chinese Tradition of Bonsai: The Lingnan School of Penjing” at 10 am on March 15 at the Seattle Art Museum downtown. March 16 at 7pm there will be a panel discussion on the topic of “Seconds, Anyone?: The Pain (and Pleasure) of Follow-up Books”. Two poets, an essayist and a fiction writer all from the Northwest share with the audience the pains and joys of writing that second or third book. Includes Jesse Donaldson, Kevin O’Rourke, Rebecca Wadlinger, and Ryo Yamaguchi. This discussion is at Hugo House at 1634 – 11th Ave. on Capitol Hill. Go to www.hugohouse.org for details. Grace Talusan will read from her memoir, “The Body Papers” (Restless) on Mon., March 18 at 7pm at EB. The book tells the story of her family’s move from the Philippines to the U.S. T. Kira Madden talks to Kimberly King about her memoir entitled “Long Live The Tribe of Fatherless Daughters” on March 24 at 3pm at EB. This is a coming-of-age story of a mixed race child with two parents struggling with addiction looking for her own identity. March 26 at 7pm, two talented poets take the stage at EB. Sally Wen Mao reads from “Oculus” (Graywolf) and Western University instructor Jane Wong reads from “Overpour”. Preet Bharara speaks about his career as a prosecutor at the Neptune Theatre. He is the author of “Doing Justice – A Prosecutor’s Thoughts on Crime, Punishment and the Rule of Law” (Knopf). Presented by the Seattle Theatre Group. Wed., March 27 at 7pm (doors open at 6pm). 1303 NE 45th in the University District. On March 30, 2019, the Gardner Center’s Saturday University presents a talk by Princeton University emeritus Jerome Silbergeld who will address the topic of “What Kind of Collection is a Chinese Garden” at 10 am at Seattle Art Museum. On April 6, 2019, the Gardner Center presents Saturday University with the University of Toronto’s Shiho Satsuka talking about “The Charisma of Wild Mushrooms: Matsutake and the Forest Revitalization Movements in Japan” at 10am at Seattle Art Museum. On April 20, 2019, the Gardner Center’s Saturday University presents the University of Indiana’s Pedreo Machado talking about “Eucalyptus and Empire” at 10 am at Seattle Art Museum. On April 27, 2019, the Gardner Center’s Saturday University has the University of Michigan’s Erik Mueggler speaking about “The Golden Mountain Gate: Text and Experience in the Botanical Exploration of Southwest China” at 10 am at Seattle Art Museum.
Science author Michio Kaku addresses the topic, “Our Future Beyond Earth” on Wed., April 10 at 7:30pm. Seattle First Baptist Church at 1111 Harvard Ave. Presented by Town Hall Seattle. 206-652-4255 or [email protected]
Hugo House, that venerated Northwest center for writers and poets re-opens in brand-new digs with expanded space but in the same location. Catch their readings and celebrate their new space. Bay Area writer Vanessa Hua, author of the novel “A River of Stars” and a short story collection, “Deceit And Other Possibilities” comes to Seattle to read as part of the Hugo Literary Series with an all-star line-up of Benjamin Percy, Keetje Kuipers and Sassy Black on Sunday, March 15, 2019 at 7:30pm.She will also be teaching a class at Hugo House entitled “How to Fund Your Writing Habit” starting on March 16, 2019. “Poems of Legacy, Poems of Transformation” is the title of a conversation/reading poet Monica Youn will be having with Shankar Narayan on March 26 at 7pm. Free. “I think I’m Ready to See Frank Ocean: A Reading with Shayla Lawson and Jane Wong” takes place on April 18, 2019 at 7pm. Free. 2019 dates for “Word Works: Writers on Writing” will feature craft talks by Andre Dubus III on March 9, 2019, Min Jin Lee on May 2, 2019 and Steve Almond on May 21, 2019. Lee, who wrote the novel “Pachinko”, a powerful family saga of Koreans living in Japan will speak to the way in which our faith in the world and in our writing can open our work to new horizons. Also with the opening of the new Hugo House, the writing center rolls out a new series of classes/workshops with a varied number of subjects taught by a talented group of writers like Nisi Shawl, Sonora Jha, R. O. Kwon, Anne Liu Kellor, Michelle Penaloza, Richard Chiem, Diana Xin, Anglela Garbes, Lora Shinn, Aimee Bhausar and Shankar Narayan. 1634 – 11th Ave. 206-453-1937. Go to hugohouse.org to find out more.
Seattle Arts & Lectures returns with their always stimulating series of writers, poets and a new journalism series. As part of the Poetry Series, acclaimed poet Kimiko Hahn will come April 25, 2019 for a program entitled “Poems For The Planet” which will include her and a group of friends. It’s a celebration of both Earth Day & National Poetry Month with eco-poetics as a mode of creative resistance. Visit or call for more information at 206-621-22.
“My Brother’s Husband: Vol. 1 & 2” (both volumes on Pantheon) by Japan’s Gengoroh Tagame (translated by Anne Ishii) is the winner of the inaugural GLLI Translated Young Adult Book Prize as administered by the Global Literatures in Libraries Initiative. This is the first prize to recognize publishers, translators and authors of books in English translation for young adult readers. The story centers around the gay Canadian husband of the late brother of a Japanese man and the reception he receives when he visits the family in Japan. Also on the shortlist were the following titles – “The Secret of the Blue Glass” (Pushkin) by Tomoko Inui (translated by Ginny Tapley), “Rasha” (Penguin Random House India) by Mohammed Zatar Igbal (translated by Arunava Sinha) and “Bronze And Sunflower” (Candlewick) by Caowen Xuan (translated by Helen Wang).
The 2019 Pen America Literary Awards were announced. “In A Day’s Work” by Bernice Yeung won the PEN/John Kenneth Galbraith Award For Nonfiction. Two winners for the PEN/Robert J. Dau Short Story Prize for Emerging Writers included Ping Mei Lan for “Cicadas And The Dead Chairman” and Tamiko Beyer for “Last Days, Part 1”.
Penguin Classics have inducted four Asian American authors to their series and each title will be supplemented with introductions and forewords by some of the most influential Asian Americans writing today. Titles will be on sale starting May 21, 2019. They include – “The Hanging On Union Square” by H. T. Tsiang with an introduction by Hua Hsu and Edited with an afterword/notes by Floyd Cheung. “East Goes West” by Younghill Kang with a foreword by Alexander Chee and afterword/notes by Sunyoung Lee, “No-No Boy” by John Okada with an introduction by Karen Tei Yamashita and “America Is In The Heart” by Carlos Bulosan with a foreword by Elaine Castillo and an introduction by E. San Juan, Jr.
The winners for The Association For Asian American Studies 2019 Book Awards have been announced. “The Love Robot” (The Operating System) by Margaret Rhee for Creative Writing (Poetry), “Letters to Memory” (Coffee House Press) by Karen Tei Yamashita for Creative Writing (Prose), “Porous Borders: Multiracial Migrations and the Law in the U.S.-Mexico Borderlands” (University of North Carolina Press) by Julian Lim for History, “Writing Human Rights: The Political Imaginaries of Writers of Color” (University of Minnesota Press) by Crystal Parikh for Humanities & Cultural Studies (Literature), “Chinatown Opera Theater in North America” (University of Illinois Press) by Nancy Yunhwa Rao for Humanities & Cultural Studies (Media & Performance Studies) and “Migrant Returns: Manila, Development, and Transnational Connectivity” (Duke University Press) by Eric J. Pido for Social Science. Winners will be honored at the AAAS Awards Reception at Madison Concourse Hotel in Madison, Wisconsin on Sat., April 27, 2019.
Below is a partial list of new books by or about Asian Americans and new titles on Asia. If you are interested in reviewing any of them, please let us know –
“Bright” (Two Lines Press) by Duanwad Pimwana as translated by Mui Poopoksakal received an Honorable Mention for the Global Humanities Translation Prize. An authentic look at a working-class community in Thailand and the first-ever novel by a Thai woman writer to appear in English.
“Hour of Excavation” by Hiroki Tsukuda is an exhibition catalog published by Galerie Gisela Capitain. His work has a collage-like architectural intensity born of childhood memories.
“You Are Never Alone” (Owl Kids) by Elin Kelsey and art by Soyeon Kim. This collaborative team tackles the overwhelming topics of global warming and environmental distress in a gentle and positive way for kids.
“Kingdom of the Blazing Phoenix” (The sequel to “Forest of a Thousand Lanterns” (Philomel) by Julie C. Dao. This Vietnamese American author concludes her fantasy story of an Asian princess who must dethrone an evil empress to save herself, her friends and the kingdom.
Hwang Sok-Yong is one of South Korea’s most well-known authors. In 1993 he took a trip to the North to promote exchange between the two Koreas. For that, he was sentenced to seven years in prison. He was pardoned in 1998 by a new president. His work has received Korea’s highest literary prizes. Now Scribe, a publisher in Australia has published three of his novels all translated by Sora Kim-Russell. “Familiar Things” (Scribe) tells the story of a family exiled to an island that serves as a landfill joined by a community of exiles, outlaws and people driven from the city by poverty. “At Dusk” (Scribe) looks at a successful architect from a poor neighborhood who achieves success only to be investigated for corruption. It looks at the world he left behind and what he gave up to move ahead. “Princess Bari” (Scribe) re-purposes a Korean myth about an abandoned princess traveling to the ends of the earth into a modern fable of a North Korean girl who escapes and tries to make a life in London. The author shows us a bewildering mix of cultures, religions and languages against the haunting backdrop of the modern world.
“Territory of Light” (Farrar Straus & Giroux) by Yuko Tsushima as translated by Geraldine Harcourt tells the story of a young woman left by her husband who struggles to start a new life in Tokyo with her two-year old daughter. In the months to come, she must confront what she lost and what she has become.
“Solo – A Modern Cookbook for a Party of One” (Knopf) by Anita Lo. This acclaimed chef shows you how to yourself by preparing delicious, accessible food to keep your singled life empowered and on track.
“My Cat Looks Like My Dad” (Owl Kids) by Thao Lam. This Canadian author/illustrator brings us a witty and uplifting picture book story that speaks to families of all varieties about how family is really what you make it.
“King of Joy” (Soft Skull) by Seattle writer Richard Chiem is his first novel after his acclaimed book of short stories. It is an imaginative meditation on emotional survival, isolation and the beauty and limitations of human connection.
“When I Found Grandma” (Groundwood) by Saumiya Balasubramaniam and illustrated by Qin Leng. This is a charming look at how a grandchild and grandparent navigate cross-cultural differences and find the bond of love.
“Privleged Minorities – Syrian Christianity, Gender, and Minority Rights in Postcolonial India” (UW) by Sonja Thomas. This is a study of Syrian Christian women and how this community illuminates larger questions of multiple oppressions, privilege and subordination, racialization and religion and secularism in India.
“The Story of Lee – Vol. 3” (NBM) by Sean Michael Wilson & Pirarelle. The conclusion of this graphic novel of a girl recently transplanted from her native Hong Kong to life in Edinburgh, Scotland.
“On Haiku” (New Directions) by Hiroaki Sato. In a series of essays, noted Japanese translator of that country’s poetry into English zeros in on the many styles and genres of haiku poetry generously supported by his translated examples.
“Long Live the Tribe of Fatherless Girls – A Memoir” (Bloomsbury) by T. Kira Madden tells her story as the only child of parents continually battling drug and alcohol abuse and her own search for identity as a queer biracial teenager in Boca Riton, Florida. Madden appears at Elliott Bay Book Company in conversation with Kimberly King on March 24 at 3pm.
“The Plotters” (Doubleday) by Un-Su Kim is a thriller that takes us behind the scenes of political intrigue in South Korea told through the eyes of a jaded for-hire assassin who moves through corridors of power and alleys filled with corruption. Translated by Sora Kim-Russell.
Noted fiction writer Yiyun Li returns with “Where Reasons End” (Random House) where the writer imagines a conversation between a mother and her child lost to suicide in a timeless world, the space between life and death.
“Arid Dreams – Stories” (Feminist Press) by Duanwad Pimwana as translated by Mui Poopoksakul (due out in April 2019) renders her home country in all its complexity as her characters brimming with desire and disenchantment come alive in these pages. One of the first books by a Thai woman to be published in English internationally.
“This Fish is Fowl – Essays of Being” (Nebraska) by Xu Xi. Part of the American Lives Series edited by Tobias Wolff. A range of essays from a writer whose origins stretch across Indonesian/Chinese/American/Hong Kong. Her pieces concern “Dreamers” in the U.S. and Hong Kong after the Occupy Movement and many other topics all dancing around the question of what it means to “belong” in this world.
“Racial Melancholia, Racial Dissociation – On the Social and Psychic Lives of Asian Americans” (Duke) by David L. Eng & Shinhee Han. A critic and psychotherapist use case histories to explore the social and psychic predicaments of Asian American young adults from Gen X to Gen Y.
“Ai Weiwei: Beijing Photographs, 193 – 2003” (MIT) is an autobiography in pictures of one of China’s most celebrated contemporary artists and its most outspoken domestic critic.
“Betraying Big Brother – The Feminist Awakening in China” (Verso) by Leta Hong Fincher looks at the feminist movement in China and how it could reconfigure that country and the world.
“An American Family – A Memoir of Hope and Sacrifice” (Random House) by Khizer Khan. A story of family and faith written with a poet’s sensibility, this Muslim American father tells his timeless immigrant story that led from from Pakistan to America.
“Dreamers – How Young Indians Are Changing the World” (Harvard) by Snigdha Poonan. More than half of India is under the age of twenty-five. The author traveled through the small towns of Northern India to investigate the phenomenon that is India’s Generation Y.
“Invocation of Beauty – The Life And Photography of Soichi Sunami” (Cascadia Museum of Art) by David F. Martin. This is the catalog for a recent exhibition on this early Seattle Camera Club member who went on to become the staff photographer at the Museum of Modern Art and a pioneer photographer of early American dance.
“The Village By The Sea” (NYR Books) by Anita Desai is a classic survival story of teenagers living in both village and city and how their bond pulls them through difficult times.
“Doing Justice – A Prosecutor’s Thoughts on Crime, Punishment and The Rule of Law” (Knopf) by Preet Bharara. After a long career as a prosecutor, the author lays out a path toward reaching truth and justice in our everyday lives using by example captivating tales of true crime.
“China Dream” (Counterpoint) by Mia Jian. This novel set for May 2019 release by this Chinese writer-in-exile is a satire that takes the reader through the horrors and absurdities of totalitarian power as it is epitomized today by the current Chinese government.
“River of Fire” (New Directions) by Qurratulain Hyder transcreated by the author from her Urdu original. Considered the imost important novel of twentieth-century Urdu fiction. This writer conjures up a country’s memory, forming a rich tapestry of history, human emotions and redefining Indian identity.
“The Little Book of Life Hacks: How To Make Your Life Happier, Healthier And More Beautiful” (St. Martin’s) by Yumi Sakugawa. This author, illustrator and comic book artist uses all those skills to craft a book that will guide your personal life from the inside out, step by step. Common sense tips profusely illustrated in a charming comic book style.
“Descendant of The Crane” (Albert Whitman) is inspired by a Chinese fantasy and is a novel of a princess whose father is murdered and the things she must do to bring the killer to justice.
“The Body Papers – A Memoir” (Restless) by Grace Talusan. Winner of the Restless Books Prize for New Immigrant Writing, this book powerfully explores the author’s experiences with sexual abuse, depression, cancer and life as a Filipino immigrant.
“My Old Faithful” (University of Massachusetts) by Yang Huang won the Juniper Prize for fiction. Ten interconnected short stories that move from China to the U.S. during a thirty-year period paint a nuanced portrait of family life affected by social and economical change.
“People Like Us – The New Wave of Candidates Knocking at Democracy’s Door” (The New Press) by Sayu Bhojwan looks at how immigrant Americans are changing the political landscape, promoting reform and providing a voice for our multi-racial country.
“The End of the Moment We Had” (Pushkin) by Toshiki Okada as translated by Sam Malissa. Two short stories look at characters bound by a generational hunger for human connection and reveals an unsettlingly honest voice in contemporary Japanese fiction.
“You’re Safe With me” (Lantana) by Chitra Soundar and illustrated by Poonam Mistry. A modern fable that reads like a folktale illustrating the importance of motherly love amongst animals in a forest.
“The Unpassing” (Farrar Straus & Giroux) by Chia-Chia Lin traces the tragic journey of a Taiwanese immigrant family struggling to make a new home in Alaska. Scheduled for a May 2019 release.
“Kaya’s Heart Song” (Lantana) by Diwa Tharan Sanders and illustrated by Nerina Canzi. This book is a lesson on mindfulness set in the jungles of Malaysia where a little girl discovers her own song.
“Friend of My Youth” (NYR Books) by Amit Chaudhuri looks at the city of Bombay and the nature of identity and the passage of time.
“Moth And Wasp, Soil And Ocean – Remembering Chinese Scientist Pu Zhelong’s Work for Sustainable Farming” (Tilbury House Publishers) by Sigrid Schmalzer and illustrated by Melanie Linden Chan. This book tells the story of a pioneering environmentalist in rural China who helped develop sustainable agriculture without pesticides.
Bellevue-based writer Ted Chiang is back with another stunning collection of stories entitled “Exhalation” (Knopf), each tackling some of humanity’s oldest questions. It covers a twenty year period with some rare classic work and new stories as well. His work has won every fantasy and Sci-fi award including the Hugo, the Nebula and Locus Awards.
In “Internment” (Little Brown), Samira Ahmed fights against Islamophobia and complicit silence in a futuristic novel when all Muslims are herded into internment camps.
“Monsters I Have Been” (Alice James) by Kenji C. Liu is a book of poems that uses existing texts and remixes them to investigate the relationship between toxic masculinity and the forms of violence it promotes in society.
“Time for Bed, Miyuki” (Princeton Archtectural Press) by Roxane Marie Galliez and illustrated by Seng Sounratanavanh is a picture book story about family, nature and love that serves as a welcome companion to your own children’s bed-time journey.
In “Soft Science” (alice James) by Franny Choi, the poet uses the myth of the cyborg to explore queer, Asian American femininity.
“The Pilipinx Radical Imagination Reader” (Philippine American Writers And Artists Inc.) edited by Melissa-Ann Nievera-Lozano and Anthony Abulencia Santa Ana. A Collection of a multiplicity of voices from the Philippine diaspora exploring visions we carry for our communities in this historical moment.
“Girls of Paper and Fire” (Little Brown) by Natasha Ngan is a richly textured fantasy novel about a lower caste girl who must serve a king but when love intervenes, how far will she go for justice?
In “Mitochondria Night” (Coffee House), poet Ed Bock Lee turns his analytical lens to trace paths through time, genealogy & geography and deals with issues of war, generational trauma and colonialism.
“Tales of Japan – Traditional Stories of Monsters and Magic” (Chronicle) with illustrations by Kotaro Chiba drawn from the works of folklorists Lafcadio Hearn and Yei Theodora Ozaki, these tales are by turns terrifying, exhilarating and poetic.
“Conversations in Maine: A New Edition” (University of Minnesota) by Grace Lee Boggs, JHames Boggs, Lyman Paine and Freddy Paine. After the Detroit Rebellion, two veteran activist couples get together to re-think the fundamentals of activism. An essential text for a new generation of radicals.
“You’re Snug With Me” (Lantana) by Chitra Soundar & Poonam Mistry is a lavishly illustrated picture book depicting the beauty of the polar region.
“The Gilded Wolves” (Wednesday Books) by Roshani Chokshi is a new young adult series about heist and adventure set in Paris, filled with opulent balls, succulent sights and a brazen group of teens.
“Dragon Dancer” (Lantana) by Joyce Chng and illustrated by Jeremy Pailler tells the story of a Chinese festival and what it symbolizes for Chinese communities as told through the eyes of a dragon dancer.
“Stone House on Jeju Island – Improvising Life Under A Healing Moon” (Seoul Selection) by Brenda Paik Sunoo. A Korean American woman challenges us to reimagine our definition of “home” as she moves from Southern California to an island off the tip of South Korea and re-examines her own life.
“The Paper-Flower Tree-A Tale From Thailand” (Enchanted Lion) by Jacqueline Ayer. What happens when an old peddler visits a small village with a tree of paper flowers? When he leaves a gift of one of the flowers to a little girl, will her life change?
“Oculus” (Graywold) by Sally Wen Mao is a book of poems that explore history and the future informed by science, history, the natural world and the character of actress Anna May Wong.
“Thirty Minutes Over Oregon – A Japanese Pilot’s WWII Story” (Clarion) by Marc Tyler Nobleman and Illustrated by Melissa Iwai. This picture book based on a true story recounts the incident of a Japanese pilot who bombs the continental U.S. during WWII and comes back 20 years later to apologize.
“The Love & Lies of Rukhsana Ali” (Scholastic) by Sabina Khan. Unable to come out to her conservative Muslim parents, an American teenager keeps a secret. When discovered, she is sent into exile back to Bangladesh. When and where does she find the courage to take control of her future?
“The I Wonder Bookstore” (Chronicle) by Shinsuke Yoshitake. In this charming illustration of the love of books, the author imagines a small bookstore which is a place of magical delight for bibliophiles.
“Toddler Hunting And Other Stories” (New Directions) by Taeko Kono as translated by Lucy North. Reflecting off mirrors of fantasy, reality, pain and pleasure, this Japanese writer doesn’t flinch as her detached gaze catches the beauty as well as the grotesque elements of the human condition.
“Riding A Donkey Backwards – Wise and Foolish Tales of Mulla Nasrudin” (Candlewick) as retold by Sean Taylor & the Khayaal Theatre and illustrated by Shirin Aol. Middle eastern tales of a famous trickster/storyteller beloved all over the Middle East.
“Learning To See” (Morrow) by Elise Hooper is a biography told in novel form about photographer Dorothea Lange, the woman who revealed the real America with her searing, uncompromising lens (including documentation of the internment of Japanese Americans during WWII).
“Gondra’s Treasure” (Clarion) by Linda Sue Park and illustrated by Jennifer Black Reinhardt is a cute picture book about a baby dragon who carries traits of both her parents yet carries her own true personality as well.
“Game of Stars” (Scholastic) by Sayantani Dasgupta. A fantasy novel about a teenage girl who journeys to the kingdom beyond to battle her father and discovers what it really means to be a hero.
“American Sutra: A Story of Faith And Freedom in the Second World War” (Harvard University) by Duncan Ryuken Williams tells a religious history of Buddhism in Japanese America during the WWII internment experience.
“Ghost Work – How to Stop Silicon Valley from Building a New Global Underclass” (HMH) by Mary L. Gray and Siddharth Suri. An anthropologist and a computer scientist team up to unveil how services delivered by tech companies can only function smoothly thanks to the judgement and experience of a vast, invisible human labor force. Often underpaid and overworked, the authors show how this work force can create opportunity rather than misery for those who do it.
“The Handsome Monk And Other Stories” (Columbia) by Tsering Kondrup as translated by Christopher Peacock. A collection of one of the most critically acclaimed authors in Tibet today. With a distinct voice rich in black humor and irony, he describes the lives of Tibetans living within contemporary China.
“Too Young To Escape – A Vietnamese Girl Waits to Be Reunited With Her Family” (Pajama Press) by Van Ho and Marsha Forchuk Skyrypuch. A young adult story of a girl left behind in Vietnam who waited to be reunited with her immigrant parents and the experiences she went through.
“The Karachi Kitchen – Classic and Contemporary Flavors of Pakistan” (Wise Ink) by Kausar Ahmed beings you a new world of flavor through the culinary arts of a multi-cultural region that sits at the intersection of South Asia.
“North Korean Art: Paradoxical Realism” (Seoul Selection) by BG Muhm is the catalog for “Imagined Borders”, an exhibition held at the 2018 Gwangju Biennale. A close-up look at the “Socialist Realism” of North Korean art.
“Farmer Falgu Goes Kite Flying” (Karadi Tales) by Chitra Soundar and Kanika Nair is a whimsical tale of a little girl who learns how to fly a kite on a windy day.
“The Bear and The Paving Stone” (Pushkin) by Toshiyuki Horie as translated by Geraint Howells. In three stories that probe the unavoidable connections of our past, the author creates a haunting world of dreams and memories where everyone ends up where they began.
“Here And Now And Then” (Mira) by Mike Chen. In this fantasy novel, a seasoned operative must live two lives in two different centuries and bridge this monumental divide to make things right in the universe.
“Bronze and Sunflower” (Candlewick Books) by Cao Wen Xuan as translated by Helen Wang. When a city girl becomes orphaned, the poorest family in the village takes her in and a traumatized boy and a lonely girl become the best of friends.
“Politics of Seeing – Dorothea Lange” (Prestel) is the catalog for a major retrospective of this major 20th century photographer who used her work as a political tool to effect change.
“My Grandma And Me” (Candlewick) by Mina Javaherbin as illustrated by Lindsey Yanbrey. A charming tale of a little girl’s memories of her Iranian grandmother.
“Anyone Will Tell You” (Sibling Rivalry) by Wendy Chin-Tanner. This Oregon-based poet and graphic novelist explores and subverts form as an expression of the relationships between gender & identity, parent and child, self & the other, humanity & the environment and earth & the cosmos.
“The Banished Immortal – A Life of Li Bai” (Pantheon) by Ha Jin. Novelist/poet Ha Jin looks back at the life of this major Daoist poet of the Tang Dynasty whose uncompromising attitude towards life produced some of the most enduring verses in the world.
“Farmer Falgu Goes to the Kumbh Mela” (Karadi Tales) by Chitra Soundar and Kanika Nair. A picture book that exposes kids to a Hindu festival as a village farmer goes to the city to see the event but somehow keeps missing the highlights until…. With vivid artwork enhancing the festive atmosphere.
“Hybrida” (Norton) by Tina Chang is an engrossing new collection of poems that confront the complexities of raising a mixed-race child in a post-Trayvon Martin era.
Akashic Books celebrates the career of Los Angeles-based writer Nina Revoyr (“Southland”, “Wing Shooters”) by releasing her latest novel “A Student of History” as well as reissuing her 1997 debut novel entitled “The Necessary Hunger”. “A Student of History” examines the toxic ruling-class legacy of prejudice and entitlement in the city of angels. “The Necessary Hunger” is a story about women’s basketball, class, racial identity and friendship. Go to AkashicBooks.com for details.
“Long River” (Tin Fish) is a book of poems by Chinese poet Yang Jian. In a country “hellbent” on industrial progress, the words of this poet is the voice of conscience. Translated by Ye Chun, Paul B. Roth & Gillian Parrish.
“John Okada – The Life & Rediscovered Work of The Author of No-No Boy” (UW Press) edited by Frank Abe, Greg Robinson, and Floyd Cheung. Through a mosaic of different perspectives, these essays put the flesh back on the bones of this iconic pioneer Asian American writer.
“Émigré” (Tin Fish) by Geneve Cho is a defiant reply to this administration’s anti-immigrant stance. In numerous languages, the poet preserves the voice of emigrant history.
The Office of Arts & Culture in partnership with Seattle Art Museum is seeking a multi-disciplinary art curator/curator team to develop/manage and coordinate temporary art programming for the re-opening of the Seattle Asian Art Museum in Volunteer Park. The hired person or persons will develop a series of free events, performance-based art (inside the museum or outside in the park) and temporary public art (in the park only) starting in Nov. 2019 and occurring intermittently for nine months following the reopening of the museum. Deadline for applications is March 14, 2019 at 10:59pm Pacific. Apply at CAFÉ. For details, contact public art project manager Maija McKnight at 206-684-7311 or [email protected]
“Take a Stand: Art Against Hate” is the proposed topic for a Raven Chronicles Press Anthology. Reading period for entries will close on April 1, 2019. Poetry, fiction and artwork are welcome. The Submittable.com link is the submission platform. If you cannot use this platform, then email the staff at [email protected]. [email protected]://www.ravenchronicles.org/submissions-wanted-take-a-stand-art-against-hate-a-raven-chronicles-anthology/.
Reema Rajbanshi nabbed the 2018 Red Hen Press Women’s Prose Prize for her collection entitled “Sugar, Smoke, Song” for which she will receive a $1,000 prize and book publication. The stories in this collection embody the experiences of Asian American women carrying histories both unseen and cyclically lived.
Friends of Asian Art Association is an all-volunteer organization that connects its members and the community to educations, cultural and social events tied to Asia and its diverse art forms and culture. Enjoy year-round activities and meet new friends who share similar interests by becoming a member. All are welcome to the activities but members get special discounts and perks. Go to [email protected] for details.