“Unsettled/Resettled: Seattle’s Hunt Hotel” is a new exhibit that tells the story of the Hunt Hotel’s role in the resettling of the Japanese community in Seattle after WW II. Within the walls of the present-day historic buildings at 1414 S. Weller St. now known as the Japanese Cultural & Community Center of Washington, the site served as temporary housing for Seattle Japanese and Japanese Americans during resettlement. Most residents were returning from the Minidoka Incarceration Camp in Hunt, Idaho. In the wake of WWII, over thirty families began to rebuild their lives. Here, children were raised and loved ones were lost until gradually the rooms were vacated to give way to community organizations and classroom as families moved out and resettled. This exhibit will help raise awareness of the long-lasting consequences of Executive Order 9066. Organized by Elisa Law, there will be a traveling exhibit and book coming in March, 2016 as well. Free. Open M – F from 10 am – 5pm. For details, go to www.jcccw.org.
Koplin Del Rio, previously a gallery in Southern California, relocates to Seattle and will share space with Madrona neighborhood gallery, Prographica. Eleana Del Rio will join Co-Director Norman Lundin in curating exhibitions jointly and independently within its establishment of Prographica/KDR. The first exhibition in this new configuration is a group show by Koplin Del Rio entitled “Identity” and includes the work of of local UW art professor/artist Zhi Lin. Other artists shown include Sandow Birk, Melissa Cooke, Einar & Jamex de la Torre, Laurie Hogin, Kerry James Marshall and Robert Pruitt. March 5 – April 30, 2016. Prographica/KDR is at 3419 East Denny Way. (206) 322-3851. Prographica is at prographicagallery.com. Koplin Del Rio is at koplindelrio.com.
The work of Jaeeun Lee is included in a group show of installation art featuring video and sound entitled “I Wasn’t Just Saying What You Wanted To Hear” at The Alice through April 9. 6007 -12th Ave. S. Go to thealicegallery.com for details.
“Complete” is the title of David Lu’s first solo show which features ink washes on pleated paper. May 4 – 28 at CORE Gallery at 117 Prefontaine Place S. Open Wed. – Sat. 206-467-4444 or go to coregallery.org.
“Three Grains of Rice” is the title of a group show featuring the work of three local Korean American women artists at Asian Pacific Cultural Center through April 29, 2016. Includes watercolors by Jade Choe and paintings by Jennifer Kwon and Matilda Kim. 4851 South Tacoma Way in Tacoma. 253-383-3900.
One of the first museum exhibitions of work by noted Chinese artist Ai Weiwei in the Northwest is now on view through April 11, 2016 at the San Juan Islands Museum of Art. “Ai Weiwei: Fault Line” presents three pieces from his ongoing investigation into the 2008 Wenchuan earthquake, a magnitude 8.0 quake that killed over 60,000 people including 5,196 schoolchildren in Sichuan province, China. Seattle multi-media artist Etsuko Ichikawa will have a show of new work here beginning in July of 2016. 540 Spring St. Friday Harbor, WA. 360-370-5050.
The Cascadia Art Museum is a new museum in Edmonds dedicated to the legacy of the Northwest from the late 19th century to the mid-modernist period of the 1960’s. Their current show up till May 1 is “Looking back, Moving Forward – A Centennial Tribute To The Cornish College of The Arts with historic paintings, sculptures, photographs, costumes, videos and selected ephemera that document the significant impact the school has made both nationally and internationally. Coming in May are two shows – “Re-discovered Northwest Photographers, 1930 – 1960” and “The Art of John Matsudaira (1922-2007)”, one of the forgotten members of the “Northwest School”. 190 Sunset Ave. #E in Edmonds. Hours are Wed. – Sun. from 11am – 6pm and Artwalk Edmonds Third Thursdays from 5 – 8pm. 425-336-4809.
Yours truly, Alan Lau has a show of new work entitled “Beauty In The Decay” through April 30. The art in this show was supported in part by the Esther & Adolph Gottlieb Foundation. The artist will be at the First Thursday on April 7 from 5 – 8pm. Special events include multi-media performances interacting with the art by special guests, dancer/choreographer Haruko Crow Nishimura, composer/musician Steve Peters and Taiko player Stan Shikuma on Friday, March 18 from 6 – 8pm. Lau reads poetry with sound artist Susie Kozawa on Friday, April 22 from 6 – 8pm. In the North Gallery during the month of March, Gillchun Koh has a show. Lauren Iida has a show of her paper cuts during the month of April and she will also teach a workshop at the gallery at a date to be announced. ArtXchange Gallery at 512 1st Ave. S. 206-839-0377 or go to www.artxchange.org.
During the month of April, “Logic of Chance”, a group show featuring the work of Romson Bustillo, Rachel Kirk and June Sekiguchi will be on view at Gallery One at 408 N. Pearl St. in Ellensburg,WA. Hours are M-F from 11am – 5pm, Sat. 11am – 4pm and Sun., 12 – 4pm. 509-925-2670 or go to www.gallery-one.org.
“MashUp: The Birth of Modern Culture” is the largest exhibition ever attempted at Vancouver Art Gallery and it will trace the evolution and development of art production known as “mashup”, collage or remix. Includes found images, objects, sound work from the turn of the twentieth century and examines how it has become a dominant force in our world today. With work by dozens of world artists working in a broad range of media including video, architecture, film sculpture, graphic design, industrial design, drawing, music, digital media, illustration and fashion design. Remains on view until June 12, 2016. 750 Hornby St. in Vancouver, B.C., Canada. Go to www.vanartgallery.bc.ca for details.
KOBO at Higo at 604 S. Jackson. 206-726-0704 or email [email protected]. A sister store is on Capitol Hill at 814 E. Roy as well.
Exhibition developer and community organizer Minh Nguyen will talk about Seattle’s urban space asking the question, “What would it take to change the behavioral trajectory of a city?” in “A City’s Disposition” on March 19 at 1pm. Free. Henry Art Gallery. 15th Ave. NE & NE 41st St. 206-543-2280 or go to henryart.org.
A group show on “Contemporary Chinese Printmaking” is on view through April 2. Includes the work of Zhang Lian, Zhang Guanghui, Mu Beini, Zheng Feng, Ly Haolin and Tan Mengmeng. “Contemporary Australian and Aboriginal Printmakers” is a group show done in collaboration with Cicada Press, a custom printing workshop in Sydney. On view from April 7 – 30. The show “Rikio Takahashi (1917-1999): Sosaku Hanga” is on view April 7 – 30 and features the work of this print artist known for his depictions of Kyoto’s classic Japanese gardens. Davidson Galleries at 313 Occidental Ave. S. 206-624-1324 or go to www.davidsongalleries.com.
The Ethnic Heritage Gallery has the following show. Now on view through April 15 is “What’s Left Behind” by Satpreet Kahlon. In this show, the artist addresses her personal history with the broader cultural understandings of sexual violence, especially as they are experienced by women of color. In the Seattle Municipal Tower on the Third floor at 700 Fifth Ave. Open Mon. – Fri. 206-684-7132 or go to seattle.gov/arts.
“Suitcase” is the title of a decade-old traveling exhibit of visual art that has grown along the way, bringing together contemporary artists from across the globe. April 7 – 30 at Gallery 110 at 110 Third Ave. S. 206-624-9336. Go to gallery 110.com. Open Wed. – Sat.
Gallery IMA celebrates its 10th anniversary with their “10th Anniversary Group Exhibition” April 7 – 30. 123 S. Jackson St. 206-625-0055 or go to galleryima.com. Tues. – Sat.
“Marigold Mesh” is the title of an immersive mixed-media installation of delicate pigmented wax, wire and paper by Kamla Kakaria on view from May 5 – 26. Gallery4Culture at 101 Prefontaine Pl. S. in Pioneer Square. Open Mon. – Fri. 206-296-7580.
In “Running Race Ragged” artist Yoona Lee uses mixed media and collage to discuss contemporary race relations. May 12 – June 5. Ghost Gallery at 504 E. Denny Way. 206-832-6063 or go to ghostgalleryart.com. Open daily.
Jueqian Fang (also known as Ripple, or one half of Mystical Orchid) has a solo show at Interstitial from April 9 – May 22. 6007 – 12th Ave. S. Go to Interstitialtheatre.com for details.
“Surviving and Thriving: AIDS, Politics, and Culture” is a traveling group show featuring a variety of artwork and memorabilia that address AIDS from both an intimate and a broader national perspective. On view through March 30 at the University of Puget Sound’s Collins Memorial Library at 1500 N. Warner St. in Tacoma. 253-879-3419 or go to ups.edu.
Pacific Galleries Auction House at 241 South Lander has their “Asian Collection Auction” on April 2 and their “Northwest & Modern Art Auction” on May 7. Bidding can also be done online.
“Hello! Exploring the Supercute World of Hello Kitty” is a show that should prove to be a family favorite. On loan from the Japanese American National Museum, the show lands in Seattle at the EMP Museum at Seattle Center through May 15, 2016. The show looks on the history of the Japanese icon and her influence on popular culture. Includes an extensive product survey, with rare and unique items from the Sanrio archives, alongside a selection of innovative contemporary artworks inspired by Hello Kitty and her world. 5th Ave. N. (206) 770-2700. $25 general admission ($20 for EMP members), $10 or youth 5 – 17. Free for kids 4 and under.
Seattle Art Museum downtown is “Conversations With Curators” series is back. The series takes place Wednesday evenings between November and goes on through June, 2016. There is a 6pm Happy Hour in the South Hall and the lectures start at 7pm in the Plestcheeff Auditorium. Some highlights include the following. March 16 is “A Special Evening With SAM’s Newest Curator” which introduces Foong Ping (see related article in this issue), the Foster Foundation Curator of Chinese Art. Tickets are $7 per talk. Available to museum members only but members may purchase tickets for their guests at $10 per lecture. Get tickets online at visitsam.org/tickets or by phone or in person at either SAM or the Asian Art Museum. 1300 First Ave. (206) 654-3210 or go to www.seattleartmuseum.org.
“Sites of Meaning: Caring for Asia’s Cultural Heritage” is the title of the Gardner Center for Asian Art & Ideas new Winter Saturday University Series which runs from Jan. 30 – March 19 & then again on April 9 from 9:30 – 11am. David Geary looks at “Multiple Lives of a Sacred Site in Bodh Gaya, India”, on March 19, Shiraz Allibhai speaks about “Let the Beauty We Love, Be What We Do: Restoring Gardens in Cairo, Kabul, Lahore, an Delhi”, and finally on April 9, Neville Agnew will talk about “Dimensions of Conservation at the Mogao Grottoes, Dunhuang”. Individual tickets sold at the door on a fist-come, first-served basis, Held in partnership with the Dunhuang Foundation and the UW Jackson School of International Studies and Elliott Bay Book Company. Tickets available in person at the Seattle Art Museum or the Asian Art Museum. You can also purchase online at visitsam.org/tickets or by calling 206-654-3210. 206-442-8480 or go to [email protected].
Internationally known metal smith/jewelry artist Sayumi Yokouchi comes to Pratt Fine Arts Center this spring to teach a class entitled “MA-TERIAL: The Poetics Of Hidden Space from May 27 – 29. 1902 South Main St. in Seattle. 206-328-2200 or go to www.pratt.org for information on classes.
T “Project 562” is a series by Matika Wilbur that looks to document the lives of Native Americans today. Through June 11. The Hibulb Cultural Center and Natural History Preserve at 6410 23rd Ave. NE in Tulalip. 360-716-2600 or go to hibulbculturalcenter.org.
The Yakima Valley Museum has the current exhibit, “Land of Joy and Sorrow – Japanese Pioneers of the Yakima Valley” up until 2018. It tells the history of Japanese families who created a community there before the war. Only 10% of families returned to re-settle there after the war. 2105 Teton Dr. (509) 248-0741. In related news, a softball from this collection that saw play at Heart Mountain internment camp and owned by George Hirahara has been given to the Smithsonian and was on display in the incarceration section of the exhibit, “The Price of Freedom – Americans at War”. (As reported in the North American Post.) In other news, Hirahara’s Oregon photographs of the Japanese American post-WWII experience in the Pacific Northwest are now available online at Densho. To see his documentation of Nikkei Oregon life in “New Partner Collection: Frank C. Hirahara Photographs From The Oregon Nikkei Endowment”, go to http://www.densho.org/new-partner-collection-frank-c-hirahara-photographs-from-the-oregon-nikkei-endowment/. Also a profile of the Washington State University Hirahara Collection of photos from Heart Mountain is now featured on the Japanese American History Not For Sale Facebook Page by going to https://www.facebook.com/japaneseamericanhistorynotforsale.
“Chinese American: Exclusion/Inclusion” is on view through June 1 at Oregon Historical Society Museum in Portland. This traveling exhibit chronicle the complex history of Chinese in America Free. 1200 AW Park Ave. 503-222-1741 or visit www.ohs.org or go to www.chineseamerican.nyhistory.org.
“Charlene Liu: Stone, Cloth, Flushed Cloud” blends aspects of printmaking, painting, collage and papermaking in her unique mixed-media pieces derived from photographs of textiles recovered from her mother’s restaurant. On view through April 2 at Elizabeth Leach Gallery in Portland. 417 NW 9th. 503-224-0521
“(In)visible – The Spiritual World of Taiwan Through Contemporary Art” is view through April 3, 2016. Opening March 1 is “In the Footprint of the Crocodile Man – Contemporary Art of the Sepik River, Papua New Guinea. University of British Columbia Museum of Anthropology at 6393 NW Marine Drive. Vancouver, BC. Go to moa.ubc.ca for details.
Art Gallery of Greater Victoria has the following upcoming shows. “Nanga – Literati Painting of Old Japan” from April 9 – June 26, 2016. “Modernization in Meiji Japan (1868-1912) – Images of Changing Architecture, Transportation and War” from April 22 – August 28, 2016. “China’s Favourite Pottery for Tea, Yixing Ware” from July 1 – Oct. 18, 2016. 1040 Moss St. in Victoria, British Columbia, Canada. Call 1-250-384-4171.
Japanese Canadian artist Takao Tanabe is primarily known for his landscape painting but for two years he studied brush painting in Tokyo. The results of that residency can be seen in “Sumie: Ink Brush Paintings” now on view through May 8 at Nikkei National Museum & Cultural Center. 6688 Southoaks Crescent in Burnaby BC. 604-777-7000.
Seattle ceramic artist Akio Takamori and Lead Pencil Studio (Annie Han & Daniel Milhayo) were both recipients of the Contemporary Northwest Art Awards given by the Portland Art Museum which will give all winners a group show which has been re-scheduled to run through May 8 in 2016. The extension will allow some artists to do brand-new work site-specific to the PAM space. Takamori and Helen O’Toole , whose work is both in the show will give an talk on April 2 at 2pm. The Portland Art Museum is at 1219 SW Park Ave. Go to www.portlandartmuseum.org for details.
The Jordan Schnitzer Museum of Art located on the University of Oregon campus in Eugene has the following –Remaining on view until July 24, 2016 is “‘True’ Korean Landscapes & Virtuous Scholars” and “Benevolence & Loyalty: Filial Piety in Chinese Art” up until July 31, 2016. 1430 Johnson Lane. (541) 346-3027.
Seattle artist Lauren Iida now has a website where all her recent work can be seen at http://www.laureniida.com/currently-available.html. Currently her work can be seen in the Mayor’s Gallery at Seattle City Hall. In related news, the City of Seattle’s Office of Arts & Culture has purchased a cut paper/sumi ink portrait of her great grandmother Asa. Iida is teaching paper cutting through Gage Academy at Sanctuary Arts to homeless youth. She will be part of “Strange Coupling”, a juried collaborative art project between working professional artists and UW students. Her work can be seen in person at ArtXchange Gallery (www.artxhange.org) with a show throughout the month of April and the artist’s own website is www.laureniida.com. She also plans to teach a paper cut workshop at ArtXchange Gallery in April (more details later).
Photographer/artist/educator Carina del Rosario has the following projects and activities. “Epilogue” is a group show and artistic collaboration with IDEA Odyssey Cellective co-founders Minh Carrico and SuJ’n Chon. On view at Edmonds Community College Art Gallery in Lynwood Hall on the 3rd floor through March 14. Artists Reception on Sat., March 5 from 3 – 5pm. “ Seattle Art Museum’s New Republic Community Portraits” is presented in conjunction with the museum’s Kehinde Wiley exhibition and features 40 portraits by Zorn B. Taylor and Carina del Rosario. On display in SAM’s Community Gallery in the South Hall during the month of February. Taylor and del Rosario continue the project with “Public Portrait Sessions” at SAM through April. The Museum of Culture and the Environment at Central Washington University in Ellensburg, WA. presents a show entitled “Liberty Denied: Migration, Detention, Deportation” from April 2 – June 1, 2016. Carina del Rosario’s Passport Series is part of this exhibit.
New and recent shows /activities at the Wing include the following – “New Years All Year Round” opens on Sat., Jan. 16. See how the New Year is celebrated in Japanese, Vietnamese, and Hmong cultures in this interactive and kid-friendly exhibit. Opening March 3 from 6 – 8pm is “Seeds of Change, Roots of Power: The Danny Woo Community Garden”, an exhibit that celebarates this neighborhood resource which preserves culture, tradition and identity. Free. Light refreshments provided and speaking program to follow. “Tatau/Tattoo: Embodying Resistance. Explores the practices and cultural significance of tattoos, highlighting the unique perspectives of the South Pacific communities in the Pacific Northwest. “Khmer American: Naga Sheds Its Skin”. War has had a huge impact on Khmer culture and identity. Despite these challenges, the community continues to shape the US and Cambodia. “Tales of Tails: Animals in Children’s Books is a recent show to open at the museum. “CONSTRUCT/S” is a group show that presents a diverse group of six international, national and local female artists who will transform The Wing’s art gallery into a multi-sensory, interactive exploration of identity, subjectivity, history, culture and gender. It is curated by Dr. Stacey Uradomo-Barre. It remains on view through April 17th, 2016. Artists include the following – Terry Acebo Davis from California recreates her mother’s bedroom drawing upon the fact that she is suffering from dementia. This room is a place she yearns to return to and the piece deals with a fragmented narrative of memory, loss, identity, and Filipino American culture. Kaili Chun from Hawai’I has an interactive installation of man-made steel bars that unlock to grapple with issues of subjectivity and community and reflect the continuous socio-political negotiation of Native Hawaiians with the mainstream society. Yong Soon Min from California, after a career exploring Korean American Identity and colonialism now examines her own personal struggle of pain and trauma as she tries to recover from a cerebral hemorrhage that affected her ability to form language and memories. Min has shown previously in Seattle with temporary art installations. Tamiko Thiel (Germany) & Midori Kono Thiel (Seattle) present a mother-daughter collaboration combining traditional calligraphy with mobile technology. Their augmented reality installation virtually links art and culture with physical landmarks significant to the local Japanese American community. Lynne Yamamoto from Massachusetts went to Evergreen College in Olympia as a student. She has shown here previously with an installation at Suyama Space and a show at Greg Kucera Gallery. Her new piece here was inspired by the early 20th century tent houses of Japanese immigrant farmers. This work interweaves family memories and community history, evoking the migratory nature of the Japanese American farming community. She also has a public art commission at the Seattle Public Library planned as well. A catalog for this show is available. “Do You Know Bruce?” is a major new show on the personal, intimate story of martial arts artist and film star Bruce Lee and the significance of Seattle in his life. Opens Oct. 4th with the full support of the Lee Family. The Wing is the only museum in the world, outside of Hong Kong, to present an exhibition about Bruce Lee’s life. The Lee family has plans to eventually open a permanent museum on Bruce Lee’s life and legacy in the Chinatown-ID neighborhood. Year 2 of the exhibition opens Oct. 3rd, 2015 and digs deeper into the significance of Bruce Lee and his impact in media during a time of racial stereotypes and barriers. Includes text panels by national blogger Phil Yu (aka Angry Asian Man) plus Green Hornet toys, personal letters, behind-the-scenes photos from the sets of “Way of the Dragon” and “Enter the Dragon”, hand-written film notes, rare photos inside his early Chinatown studio and much much more. A new set of Bruce Lee’s Chinatown Tours begin Oct. 6th. YouthCAN is a teen arts group at the Wing and their new exhibit entitled “Imprint: Identity through Art” done under the guidance of teaching artist Raj Makker is up for all to see until March 25, 2016. On Thurs., March 3 at 11am brings the book “Red Knit Cap Gril” which follows her and her forest friends on a journey. All activities are free with fun art activity to follow. Save the date of Sat., March 26 for The Wing’s Dinner & Auction at the Westin Seattle. For more information on this annual event, go to wingluke.org/2016auction or call 206-623-5124 ext 105. “The International Dumpling Crawl” is back by popular demand. Try a variety of the neighborhood’s delicious dumplings. Starts Jan. 23 (every last two Saturdays of the month) until March. Go to wingluke.org/tours for details. The museum is offering two week-long Landmarks of American History & Culture workshops that focus on the hidden histories of Asian Pacific pioneers, from the early 1800s to WWII. Session 1 is July 17 – 23. Session 2 is July 31 – August 6. Application deadline is March 1, 2016. These 2016 NEH Workshops are for K – 12 School Teachers. For details, go to [email protected] or try http://wingluke.org/teachers-institute. The Museum is located at 719 South King St. (206) 623-5124 or visit www.wingluke.org. Closed Mondays. Tuesday – Sunday from 10am – 5pm. First Thursday of each month is free from 10am – 8pm. Third Saturday of each month is free from 10am – 8pm.
“Voices of Nisei Veterans – Permanent Exhibition and Collections” is composed of rare collections preserved by the Nisei Veterans Committee and tells the story of Japanese American veterans before, during and after WW II. Access is by pre-arranged tour only. For reservations or information, email [email protected] or [email protected]. Jointly sponsored by the NVC Memorial Hall and The Wing. 1212 South King St.
“Pacific Voices” is an ongoing exhibit that celebrates the language, teachings, art, and cultural ceremonies of seventeen cultures from the Pacific Rim. Burke Museum at the University of Washington. 17th Ave. NE & E 45th Streets. (206) 543-5590 or try Washington.edu/burkemuseum.
Seattle artist Louie Gong spent January in Molokai teaching kids his unique hand-painted designs for sneakers or mockups as he calls them. Products using his design motifs culled from his dual Native American/Chinese American cultural roots include wool blankets, cotton and “Local 12’s” throw blankets, “good medicine” tee-shirts and reflection necklaces. Available through his Eighth Generation Company. For details, email [email protected]. Gong’s art can be seen at ArtXchange Gallery. Go to www.artxchange.org for details.
Currently on view at Seattle Asian Art Museum in Volunteer Park – “Journey to Dunhuang – Buddhist Art of the Silk Road Caves” opens March 5 and stays on view through June 12, 2016 in the Foster Galleries. Discovered in 1943 and now a UNESCO World Heritage site, the caves are a treasure trove of Buddhist sculptures, manuscripts, painted scrolls, and wall paintings. The photographs of James and Lucy Lo, the couple who first discovered the caves will be on view as well as ancient manuscripts and artist renderings. To complement the show, there will be an installation of Buddhist art drawn from the SAM collection. Organized in cooperation with the Princeton University Art Museum and the P.Y. and Kinmay W. Tang Center for East Asian Art. For details on this show, go to visitsam.org/dunhuang. First Free Saturday family activity takes place from 11am – 2pm. Opening April 9 and staying on view through Oct. 9, 2016 in the Tateuchi Galleries is “Mood Indigo: Textiles from Around the World.” The show looks at how the color blue creates so many moods in cloth around the world. Drawn primarily from SAM’s global textile collection, the show illuminates the historic scope of this vibrant pigment. On view will be tapestries from Belgium, a Chinese silk court robe, kimonos from Japan, batiks and ikats from Indonesia and Africa, and ancient fragments from Peru and Egypt. An immersive contemporary installation devoted to indigo by Rowland Ricketts with a soundtrack by sound artist Nobert Herber will also be on view. On April 1 from the “SAM Talks” series, exhibition curator Pam McCluskey speaks about the show. On April 27, there will be an “Art Beyond Sight Tour – Undercover: Textiles from the Past and Present.” May 7 is the “Free First Saturday” event for this show. A related activity for this show on May 20 is “Art Globally: Indigo Workshop” with master dyer Sophena Kwon who will help you create patterns and dye your own cloth and indigo. All materials and refreshments included in the $75 ticket, SAM members, $65. Under the “Asia Talks” series you will find the following events. On Thurs., March 3 at 7pm, Director Adam Sjoberg will screen his documentary film “I Am Sun Mu” which looks at this former North Korean propaganda artist who defected and now works in South Korea under his alias meaning “no boundaries”. He transforms propaganda imagery into satirical political pop art. A discussion follows the film. $10 general and $5 for SAM members. On Thurs., March 17 at 7pm “Buddhist Art Inspiration” lets visitors view a new installation of Buddhist art in discussion with artists and professionals who have adapted Buddhist concepts into their art and other work. Includes retired UW Prof./writer Charles Johnson with David Berger and Dr. Ron Yeh.Tickets for this are $10 general and $5 for SAM members. Somini Sengupta is the author of “The End of Karma: Hope and Fury Among India’s Young”. Upon her return to India as bureau chief for the New York Times, she wrote this book about the world’s largest democracy at this moment of transition. She talks about it on Thurs., March 24 at 7pm. Reserve your free tickets at visitsam.org/tickets. Yuji Yamada, Professor at Mie University Department of Humanities will talk about “Skills of the Ninjas” on Thurs., May 5 at 7pm. You may have seen ninjas invested with superhuman powers and impressive skills in films and animated movies but Yamada cuts to the chase and talks about the real ninjas who actually existed. Attired in personal ninja attire, Yamada will tell you what ninjas were really like based on his research. In Japanese with English interpretation. $10 general and $5 for SAM members. “Yoni Ki Baat: A South Asian Adaptation of the Vagina Monologues” is an annual and always popular performance piece which features vivid monologues by local South Asian Women based on their own personal experiences. The cast changes yearly. Directed by Afrose Fatima Ahmed and presented with Tasveer as part of the full weekend Aaina Festival at the Asian Art Museum. On Fri., April 15 & Sat., April 16 at 7pm and Sun., April 17 from 3 – 5pm. Reserve your free tickets at visitsam.org/tickets. Seattle Asian Art Museum is at 1400 Prospect St. in Volunteer Park. 206-442-8480 or go to seattleartmuseum.org/gardnercenter or [email protected].
Local sculptor Robert Rhee’s past show at Glassbox Gallery entitled “Winter Wheat” was nominated for the City Arts Winter Art Walk Award. He is also part of a group show entitled MDF Blog at Planthouse in New York in March. 55 West 28th St. or go to planthouse.net.
Congratulations to local multi-media artist Jason Hirata who won the Brink Award from Henry Art Gallery in 2015. Established in 2008, the award goes to a younger artist on “the brink” of an outstanding professional career. The winner receives $12,500, a solo exhibition at the Henry and an accompanying publication. The Henry will also buy a piece from the artist for their permanent collection. The award comes from Seattle philanthropists John and Shari Behnke. Hirata’s solo show at the Henry entitled “The Brink: Jason Hirata” explores the dynamics of the corporate state and food industry that shapes contemporary life. On view now through Sept. 11, 2016. 15th Ave. NE & NE 41st St. 206-543-2280 or go to www.henryart.org
Art from the East and West intersect in an exhibition of works by Burmese artist Tun Kyi and Vashon Island artist Ann Leda Shapiro. “East And West: The Art Of Tun Kyi And Ann Leda Shapiro” opens on Wed., March 16 from 4:30 – 6:30pm at Aljoya Thornton Place located at 450 NE 100th St. in Seattle. Kyi was a medic on the Thai Burmese border in a refugee camp. He now paints the struggles of refugees in realistic, detailed and intimate views of people displaced by the internal conflicts within Burma. Ann Leda Shapiro is an acupuncturist who creates a variety of painted explorations of healing both in physical and spiritual realms. 206-306-7920.
Ceramic artist Patti Warashina has been experimenting with lasers and glass in an effort to incorporate new media elements into her fanciful creations. See the fruits of her labors in a show of new work set for Abmeyer + Wood Gallery opening in May, 2016. 1210 2nd Ave. (206) 628-9501 or go to www.abmeyerwood.com
Akio Takamori has been experimenting with larger-than-life ceramic figures, so large that he’ll bake them in the kiln section by section and then re-assemble them in pieces. He’s also interested in adding a more abstract spin to his work. Expect to see his new work Feb./March of 2017 at James Harris Gallery. 604 – 2nd Ave. 206-903-6220.
Oregon Nikkei Legacy Center in Portland has “Oregon Nikkei: Reflections of an American Community” a show that celebrates the lives and contributions of Oregon’s Nikkei community, and evokes memories of shared experiences – from early settlement through the trials and tribulations of WWII and into the 21st century. Current show is “Uprooted: Japanese American Farm Labor Camps During World War II” which looks at the work Japanese Americans in the camps did for farmers in the area. On March 28 in 1942, a 25 -year -old Japanese American attorney deliberately violated the racially discriminatory military curfew to initiate a case to test the constitutionality of the curfew on American citizens. His life-long fight for justice and equality led to his being named the first Oregonian to be awarded the Presidential Medal of Freedom. On Mon., March 28 at 4:30pm, join the Min Yasui Day March for Justice. Starts at the Oregon Nikkei Legacy Center. After the 8 block walk, there will be a programmed reception at Stoll Berne Law Office at SW 2nd Ave. & Oak St. Hours for the Oregon Nikkei Legacy Center are Tu. – Sat. 11am – 3pm and Sundays, noon – 3pm. 121 NW 2nd Ave. (503) 224-1458 or email [email protected].
“Modu Korean Artists Collective of Western Canada Group Exhibition” is on view through March at Covan02 Art Gallery at 148 Alexander St. in Vancouver, BC Canada. 604-999-6439 or go to www.covan02artgallery.com.
Toronto-based artist Omar Badrin was born in Malaysia and then adopted by white parents in New Foundland. His new show “Fabricating Identity” using crocheted fishing twine to make unsettling masks that examines cultural identity through visual tropes. At the New Gallery in Calgary, Alberta, Canada. 208 Center St. S. Through March 28. 1-403-233-2399.
“Meet Me at Higo” permanent exhibit- Part Two” presented and sponsored by the Wing is a multi-media presentation and self-guided tour that tells the origins and history of the store as a Japanese American five and dime. At Kobo at Higo, 604 South Jackson. E-mail [email protected] or call (206) 381-3000.
“New Stories from the Edge of Asia: Tabaimo” marks the first solo museum exhibition of this amazing Japanese artist who uses alluring large-scale surreal animations that combine everyday objects and experiences. Opens Feb. 5, 2016 at the San Jose Museum of Art. 110 South Market St. (408) 271-6840. Not to miss!
The state of Hawai’i does not have many museums or art venues dedicated to contemporary art except for part of the Honolulu Museum of Art. That’s about to change when the first Honolulu Biennial opens in the spring of 2017 in Honolulu and locations throughout the islands. Both local talents as well as national and international contemporary artists will be highlighted, many for the first time in Hawai’i. The curatorial director is Fumio Nanjo, also director of the Mori Art Museum in Tokyo. Social, political and geographic issues of state and colonial cultures will be emphasized. Some of the artists already selected to exhibit include Yayoi Kusama of Japan, MAP Office of Hong Kong, Mohammed Kazem of the United Arab Emirates, Brett Graham, Fiona Pardington and Yuki Kihara of New Zealand as well as local artists such as Les Filter Feeders, sculptor Charlton Kupa’a Hee and Oahu artist Andrew Binkley. Excerpted from ArtsBeat.
The USC Pacific Asia Museum opens their exhibition “Royal Taste: The Art of Princely Courts in 15th Century China” on Feb. 26, 2016. On view through June 26, 2016. Recent archaeological finds, jewelry, devotional statues, textiles and porcelains – many on display in the U.S. for the first time are included. 46 Los Robles Ave. in Pasadena, CA. 626-449-2742 or email [email protected].
Ceramic artist Keiko Fukazawa’s latest show “Made In China” subverts her media to produce playful, tongue-in-cheek jabs at society. Her pieces are made of cast-off pieces of porcelain salvaged from a mass-production factory in China with a working history going back 1,500 years. A row of porcelain spoons with portraits of Mao in various stages of his life appear in the cavity of the spoon where one slurps up the soup. Craft And Folk Art Museum. On view through May 8, 2016. At 5814 Wilshire in Los Angeles. 323-937-4230. Or go to www.cafam.org.
The Japanese American National Museum has the following current and upcoming exhibitions. Ongoing is “Common Ground: The Heart of Community” is a historical group show that incorporates hundreds of objects, documents and photographs collected by the Museum on over 130 years of Japanese American history. Looking further down the road is an important photography show entitled “Making Waves: Japanese American Photography, 1920 – 1940” tentatively set for Feb. 28 – June 26 of 2016 and curated by Southern California photography historian Dennis Reed who has curated a previous excellent show of the Japanese Camera Club of Los Angeles. 100 North Central Ave. (213) 625-0414.
“Asian Art at 100: A History in Photographs” is a survey of the Met’s Asian galleries photographed from 1907 – 19 45. Through May 22, 2016. “Celebrating The Arts of Japan: The Mary Griggs Burke Collection”. Over 300 items from what many consider the best Japanese art collection outside of Japan are on view through July 31, 2016. 1000 – 5th Ave. (212) 535-7710 or go to www.metmuseum.org.
“Reopening Of The Renwick Gallery”. The first building in the nation designed specifically as an art museum officially reopens after a two year renovation with “Wonder” in which nine contemporary artists were invited to create room-size installations inspired by the building itself. Maya Lin is one of them. Opens Nov. 13 and remains on view until July 10, 2016. The Smithsonian American Art Museum and the Renwick Gallery are along the museum mall in Washington, D.C.
Coming in 2016 is “Kamakura: Realism And Spirituality In The Sculpture Of Japan” More than 40 sculptures which show the relationship between realism and sacred use of the objects. The Kamakura era is often regarded as a period similar to the Renaissance in Europe. Feb. 9 through May 8, 2016. Asia Society Museum at 725 Park Ave. in New York City. Go to AsiaSociety.org/museum for details.
In March of 2016, the Metropolitan Museum of Art will take over the building designed by Marcel Breuer that was once the Whitney Museum. A retrospective of the Indian modernist painter Nasreen Mohamedi (1937-1990) will be one of three opening exhibits in this building. The Met’s current artist-in-residence, jazz composter/pianist Vjay Iyer will do a number of appearances as well. The building will now be known as the Met Breuer. Madison Ave. and 75th St. in New York or go to metmuseum.org for details. In the Museum’s efforts to widen its coverage of global art, they have hired Shanay Jhaveri as Assistant Curator of South Asian Art, a newly created position.
“Martin Wong: Human Instamatic” covers the full trajectory of this Chinese American painter from his Bay Area roots to his pivotal role in documenting the multicultural environs of the Lower East Side of New York. The West Coast site for the traveling exhibition of Martin Wong will be Sept. – Dec. 2017 at the Berkeley Art Museum and Pacific Film Archive in their new location on Center St. Wong’s show gets a nice spread in an article entitled “Street Life” by Eleanor Heartney in the February 2016 issue of Art in America.
Korean modern sculptor/installation artist Do Ho Suh (his work is in Seattle Art Museum’s permanent collection) has a show of his translucent “fabric buildings” at the Contemporary Arts Center in Cincinnati, Ohio. Feb. 12 – Sept. 11, 2016.
“Harajuku – Tokyo Street Fashion” looks at Harajuku’s current trends and wide influence around the world. Opens Nov. 19 and remains on view through April 3, 2016. Honolulu Museum of Art at 900 Beretania St. Go to www.honolulumuseum.org for details.
The Smithsonian Institution’s National Portrait Gallery in Washington, D.C. will honor architect/artist Maya Lin for her achievements in the arts at the inaugural American Portrait Gala in November. She has completed her largest commission to date, a campus in Cambridge, Mass., for the pharmaceutical company, Novartis. It opens in December. Its exterior looks like a modern version of a New England stonewall. A new room installation entitled “Folding the Chesapeake” opens at the Renwick Gallery in Washington, D.C. A new book on her art and architecture has just been published by Skira/Rizzoli. Two ongoing projects dealing with the environment that she’s working on are “What is Missing?”, a multisite, multimedia work that focuses on a crisis of biodiversity and “Confluence” which are six outdoor installations that enable viewers to see wildlife from a different perspective.
The Whitney Museum of American Art announced that it has appointed two of their own curators to curate the 2017 Whitney Biennial. Previous editions of the biennial have been met with controversy and criticism. Christopher Y. Lew is an assistant curator at the Whitney. Mia Locks will join Lew in selecting artists. This marks one of the first times that both curators are Asian American.
Part 5 of “The Treasures of Kansong: Preserving National Identity Through Culture” displays HwaHoeYoungMo, Korea’s unique genre of plant and animal paintings. In ancient times, this genre was as popular as landscape and portrait paintings. On view through March 27, 2016. Dongdaemiun Design Plaza in Seoul. Located near Dongdaemiun Culture Park Station at Exit 1.
Rui Sasaki is a Japanese artist and educators working mainly in transparent materials. She works at Toyama City Institute of Glass Art. This summer from July 5 – 22, she will be teaching at Pilchuck a class in glassblowing entitled “Wonder bubbles”. Exploring the infinite possibilities that glass presents, students will find their own paths of expression. For this and other classes, you can apply online at pilchuck.com.
The Smithsonian Museum of American History has an exhibition planned on Japanese American experiences druing WW II, following the passage of Executive Order 9066 in 1942. The museum is seeking possible donations of items for inclusion in the exhibition. For details, contact Noriko Sanefuji at [email protected] or call 202-633-3340. The museum recently held a program on Feb. 19 entitled “Japanese American Incarceration and the Art of Identity that commemorated “The Day of Remembrance”, the day that President Roosevelt signed Executive Order 9066 authorizing the incarceration of Japanese Americans during WW II. Former internee/artist Roger Shimomura spoke with film producer David Ono at a preview of a new documentary film on the artist by Ono. Japan News is also doing a documentary in Japan on the artist.
“The World Is Our Home” is a group show at Para Site, an independent art center based in Hong Kong guest-curated by Cosmin Costinas and Inti Guerrero. It looks at the ways that artists around the world both in East Asia and elsewhere were influenced by the aesthetics of Asian Art. Tomie Ohtake, a Japanese-born artist who lived in Brazil from 1939 until her death is represented by her minimal oil paintings. The late American artist Robert Motherwell, by paintings that used black brush strokes that show the influences of calligraphy. Tang Chong’s drawings show his outrage at the Thai government during the student protests of the 1970’s with typographic abstractions with words like “dictator” or “imprison” scratched onto the canvas. Conceptual American artist Bruce Nauman (the only one still living in the show) is shown moving methodically along a square on his studio floor alluding to a Zen-like disciplined practice of mundane tasks. The show remains up until March 6, 2016. 22/ F – Wing Wah Industrial Bldg., 677 King’s Road. Go to www.para-site.org for details.
Another show that originated from Para-Site is now on view in Mexico City.”Great Crescent – Art And Agitation in the 1960’s – Japan, South Korea and Taiwan”. On view through May 26, 2016. Museo Universitario Arte Contemporaneo, MUAC – National Autonomous University of Mexico.
Asia Society in New York has received a 2 million dollar grant from Minnesota-based Mary Livingston Griggs and Mary Griggs Burke Foundation.
Clara Kim, former senior curator at Walker Art Center, Minneapolis has been appointed senior curator at the Tate Modern in London.
Lebanese artist Mona Hatoum is the winner of the 10th Hiroshima Art Prize, a triennial award established in 1989 by the Japanese city in recognition of artists whose practice promotes world peace.
The Noguchi Museum in New York gave their third annual Isamu Noguchi Awards to Japanese architect Tadao Andao and American artist Elyn Zimmerman. The award is “given to recognize individuals who share Noguchi’s spirit of innovation, global consciousness, and East-West exchange.”
The 22nd annual Wolfgang Hahn Prize went to Chinese-born, Paris-based artist Huang Yong Ping who will be given an exhibition and catalog by the Museum Ludwing in Cologne, Germany.
Japanese “Mono-ha” artist Kishio Suga won the 2016 Mainichi Art Award in Jan. Established in 1959 by the Japanese newspaper Mainichi Shimbun, it recognizes the outstanding contributions of people in the arts.
The artist duo team of Rong Rong (China) and inri (Japan) will receive the Sony World Photography Awards’ “Outstanding Contributor to Photography Prize” to be presented in April, 2016.
The March/April issue of ArtAsiaPacific looks at the labor-intensive works of Hong Kong painter Au Hoi Lam; the work of Turkish video/performance artist Inci Eviner, artist Kwao Young-woo who was part of Korea’s postwar abstract-monochrome Dansaekhwa movement; and contemporary Chinese ink painter Zheng Chongbbin. You can buy a digital issue at iTunes, Google Play, Zinio and Magzter.
Shamsia Hassani, a painter who teaches at Kabul University is a graffiti artist by night. Using the walls of abandoned buildings damaged by bombs, she paints murals of women in traditional garb joyfully playing musical instruments. It’s her way of beautifying a city torn asunder by war. L.A.-based Hammer Museum curator Ali Subotnik gave her a two-month residency at the Hammer. She has crated a national graffiti festival in Afghanistan to share the art with people. Go to http://www.latimes.com/entertainment/arts/museums/la-et-cm-afghan-graffiti-artist-shamsia-hassani-20160301-html-snap-htmistory.html to read more.
The work of photographer Tomoko Sawada has always involved self-examination. Her latest work entitled “Facial Signature” was inspired by a stay in New York where the Japanese artist was often mistaken for Korean, Chinese or other racial groups. Her current show at Rosegallery fills the walls with over 300 self-portraits and examines the question of what exactly does it Asian woman look like. 2525 Michigan Ave. #G-5 in Santa Monica, CA through April 9. Go to www.rosegallery.net for details.
Noted Japanese artist Kikuo Saito died at age 76 in February in New York where he had lived for the past 50 years. He was known for his abstract color field paitnings, Butoh-influenced set designs and wordless performance-plays.
Philharmonia Northwest under the baton of Julia Tai celebrates its 40th Anniversary Concert in a gala event, joined by Kirkland Choral Society and past conductors Frances Walton and Roupen Shakarian. Sat., March 19 at 2pm. Benaroya Hall at 200 University St. in Seattle. Go to http://www.philharmonianw.org/ for details.
United Filipino Club of Seattle University, the Sisterhood of Pi Au lota and Pinoy Words Express: Kultura Arts present “Stories from the Babaylan”, a night of Filipino storytelling on April 1 at 7pm. Hear traditional stories from the Philippines read by storyteller Nancy Calos-Nakano, writer Rebecca Mabanglo Mayor and writer Dr. Diane Rodilli. Takes place at Seattle University’s Wyckoff Auditorium (in the Engineering Building). For more information, email [email protected].
The Twelfth Annual Seattle-Kobe Female Jazz vocalist Audition takes place on March 28 at Jazz Alley at 6pm. The winners in the high school category and adult female jazz vocalist category get to perform at the May 2015 Kobe Shinkaichi Jazz Queen Contest. $15 cover.2033 – 6th Ave. 206-441-9729 or go to jazzalley.com.
ON The Boards has another exciting season of performance art in all genres. Tanya Tagaq is an amazing Inuit throat singer who digs into past, present and future with a flexible, powerful voice that will have you on your feet as she blends native tradition with electronica, industrial and metal influences to tear apart the walls of the silent movie, “Nanook of the North” projected behind her as she sings. One night only on April 6, 2016. 100 Roy St. (206) 217-9888.
Keiko Green stars as Mash in the new comedy “Stupid F—king Bird” by Aaron Posner set to open April 8 and run till May 8 at ACT Allen Theatre at 700 Union St. 206-292-7676 or go to www.acttheatre.com for details.
The Seattle Cherry Blossom & Japanese Cultural Festival takes place at Seattle Center April 22 – 24. This year’s theme is “American and Japanese Milestones in History”. Includes a series of events and performances in the areas of visual art, traditional dance, music and the martial arts.
“Puny Humans” is a new play by Bret Fetzer and Keiko Green that looks at game nerds at Comicon and how their lives and relationships interact. April 22 – May 14 at Annex Theatre at 1100 E. Pike. 206-728-0933 or go to annextheatre.org.
The classic Rogers and Hammerstein musical about love on a south seas island entitled “South Pacific” is on stage April 8 – May 1 at Magnuson Park Theatre. 7110 – 62nd Ave. NE. 206-684-7026.
On March 25, catch China Oriental Song and Dance Troupe performing the dance/poem “National Beauty” at Pantages Theater at 901 Broadway Plaza in Tacoma. 1-800-291-7593 or go to broadwaycenter.org.
Choreographer Sheetal Gandhi presents “Bahu-Beti-Biwi (Daughter-in-law, Daughter, Wife) featuring North Indian music and a series of complicated, funny portraits of family characters. May 19 at Washington Center for the Performing Arts at 512 Washington St. SE in Olympia. 360-753-8586 or go to washingtoncenter.org.
Here’s a sneak peek at some of the programs Seattle Symphony has to offer under the baton of Music Director Ludovic Morlot later this year going into 2016/2017. Want comedy with your music? The duo of Ingudesman & Joo return to Seattle after their success in 2012 at Benaroya with an all new show that mixes laughs with classical music and popular culture on March 3rd at 7:30pm. Seattle Symphony under the baton of guest conductor Emanuel Krivine with George Li on piano perform Tchaikovsy Piano Concerto No. 1 on April 27 and 29. Bass vocalist Jonathan Lemalu is part of the choir performing Beethoven’s Symphony No. 9 with Ludovic Morlot conducting January 5 and 7. Kevin Ahfat is featured pianist during the Symphony’s “Shostakovich Concerto Festival”. He’s perform with Pablo Rus Broseta conducting the following. On Thurs., Januanry 19 – Piano Concerto No. 1, Violin Concerto No. 2 and Cello Concerto No. 1. On Friday, January 20 – Cello Concerto No. 2, Piano Concerto No. 2 and Violin Concerto No. 1. Cellist Yo Yo Ma makes what seems to be one of annual Seattle visits when he performs a program of Bartok, Mozart and Haydn with Seattle Pymphony under the baton of Pablo Rus Broseta on Friday, October 14 at 8pm. On Sunday, March 26 at 4pm, the annual “Celebrate Asia” concert returns featuring movie music by famous Chinese and Indian composers including Grammy and Academy Award winners Tan Dun and A. R. Rahman. Finally on Friday, February 10 at 8pm, catch violinist Leonidas Kavakos & pianist Yuja Wang in a program featuring Medtner’s “Two Canzonas with Dances for Violin and Piano and other works by Schubert, Debussy and Bartok. For details on tickets, go to seattlesymphony.org or call (206) 215-4747.
Tea ceremony demonstrations continue at Seattle Art Museum downtown every Third Thursday at 5:30pm and every Third Sunday at 2:10pm. Free with admission.
The UW World Series season for 2015/2016 has some extraordinary performances booked from around the world at their UW Seattle Meany Hall location. The Chamber Music Society of Lincoln Center consisting of CMS Co-Artistic Director and Pianist Wu Han and violinists Sean lee and Benjamin Bellman take solo turns in music by Mozart, Schubert and Mendelssohn. One night only on March 19th, 2016 at 7:30pm. The Daedalus Quartet plays Friday, April 29th, 2016 at 7:30pm with work by Beethoven and the world premiere of a new work by UW Music composer Huck Hodge. In the “Special Events” category, sitarist Anoushka Shankar makes an appearance. Anoushka Shankar, the daughter of the late virtuoso sitar master, Ravi Shankar brings her own genre-defying mix to the instrument with Indian music, electronica, jazz, flamenco and Western classical music all playing a part. She performs on Sat., April 9th, 2016 at 8pm. (206) 543-4880 or go to uwworldseries.org or get tickets in-Person at 1313 NE 4lst St. Ticket
Vietnamese American singer/songwriter Thao Nguyen and her Get Down Stay Down band play on Sat., March 26. 1303 N. 45th St. Tickets at tickets.com or charge by phone at 1-800-225-2777. Tickets also at Paramount Theater Box Office downtown. Co-produced with True West.
Hawai’i-based guitarist Makana plays his own dynamic slack key guitar style infused with bluegrass, rock and blues in a concert on April 1 at Benaroya Hall in downtown Seattle on April 1. 206-215-4747 or go to benaroyahall.org for details.
The 7th Annual Aha Mele Hawaiian Festival returns to Puyallup on April 2, 2016 from 11am – 7pm. Features live Hawaiian music and dance, Hawaiian culture workshops, plate lunch, and Hawaiian vendors. $3 for ages 6 – 11 and $5 for ages 12 and up. Cash only. 5625 – 52nd St. E. Call 253-282-2230 or go to [email protected] for details.
Shen Yun 2016 brings their new production of Chinese music and dance April 8 – 10 at McCaw Hall at Seattle Center. 321 Mercer St. Tickets at 800-880-0188 or go to ShenYun.com/seattle or try Ticketmaster.
Noted local playwright Maggie Lee has written the third play in her well-received trilogy of steampunk plays entitled “Hand of Talons”. Presented by Pork Filled Productions, it will run from April 29 – May 21 with a multi-racial cast. Directed by Amy Poisson. At the Theatre off Jackson at 409 – 7th Ave. S. For details, go to [email protected]
“The Frye Art Museum Guitar Series” presents Connie Sheu on Sat., April 16, 2016. Sheu teaches at Pasadena Conservatory of Music. She specializes in performing original music for guitar by female composers.
“Caught”, a play by Christopher Chen gets a production by Seattle Public Theater as part of their 2015-16 Mainstage Season. It runs May 20th – June 12th, 2016 with a preview on May 19th. The play is a mind-bending satire about truth, art, and deception. When an art gallery hosts a retrospective of the work of a legendary Chinese dissident artist, the artist himself appears and shares with patrons the details of his ordeal that explores truth, art, social justice and cultural appropriation.7312 W. Green Lake Drive N. Go to www.seattlepublictheater.org for details.
“Ethnomusicology Visiting Artists Concert: Ade Suparman; Sudanese Music of Indonesia” takes place on June 2, 2016 at 7:30pm at Meany Hall on the Seattle UW campus. Go to www.music.washington.edu or call Arts UW Ticket Office at (206) 543-4880.
“The Dream Of The Red Chamber” by Cao Xueqin ranks as one of China’s greatest classical novels that recounts the love triangle between a young nobleman and two very different women: one his spiritual soulmate and the other, a beautiful heiress. As well known in China as “Romeo and Juliet” in the West, this book will have its world premiere as an opera with music by Bright Sheng and a libretto by David Henry Hwang and Sheng. It is commissioned by San Francisco Opera. On stage Sept. 1 – 29. Presently, it is only available as a package to season ticket holders. Individual tickets go on sale on June 27, 2016. 415-864-3330. Go to http://sfopera.com/discover-opera/201617-season/dream-of-the-red-chamber/.
The American Academy of Arts and Letters 2016 Music Awards were recently given out. Liliya Ugay received a Charles Ives Scholarshipwhich goes out to composition students of great promise. The Lakondu Award in Music Composition went to Chia-Yu Hsu. The Goddard Lieberson Fellowship award going out to mid-career composers of exceptional gifts went to Huang Ruo.
Film & Media
March 16 is the last day to catch “Psycho-Pass: The Movie” at the Guild 45th. One of the most popular sci-fi anime series in Japan makes its way to the big screen. 7pm. 2115 N. 45th. 206-547-2127.
“Rise of the Legend” (see related story in this issue) is the title of the latest attempt to make a film on Chinese folk hero and kung fu master Wong Fei Hung. Jackie Chan and Jet Li have portrayed him in previous films. This new version stars Eddie Peng. Directed by Chow Hin Yeung Roy. AMC Pacific Place at 600 Pine St. #400 in downtown Seattle. 206-652-8908.
Coming to the Grand Illusion Cinema May 13 – 19 is “Mad Tiger” by Jonathan Yi and Michael Haertlein. The film follows band mates Yello and Red, the primary creative forces behind Peelander-Z, a New York-based “Japanese Action Comic Punk Band”. 1403 NE 50th in the University District. 206-523-3935.
From the Wm Wenders Film Retropective, co-presented by SIFF and NW Film Forum comes “Notebook on Cities And Clothes” which looks at the similarities between filmmaking and clothing design with a focus on Japanese fashion designer Yohji Yamamoto. Screens March 24 at NWFF. A free screening on May 2nd of “Project Fukushima”, a film documenting an arts festival with festival organizer/musician Otomo Yoshihide. But this was no ordinary arts festival. Organized just five months after the 3/11 earthquake/tsunami/nuclear melt-down that hit northern Japan, it brought together a stellar group of Japanese artists and musicians in Fukushima. The festival was a great success and boasted the morale of devastated residents. May 20 – 26 sees a new restoration of “Belladona of Sadness”, a feature-length animated film never before released in the U.S. by Eichi Yamamoto, considered the grandfather of Japanese Anime. Northwest Film Forum. 1515 – 12th Ave. 206-329-2629.
The 1989 animated feature by Hayao Miyazaki entitled “Kiki’s Delivery Service” about the adventures of a young witch earning her keep with her broomstick has a return engagement at Central Cinema staring March 19. 1411 – 21st Ave. 206-686-6684.
A new 4K restoration of Akira Kurosawa’s epic film “Ran” inspired by King Lear looks at a warlord losing his grip on reality as his kingdom teeters on the brink of disaster. Stars Tatsuya Nakadai. At SIFF Uptown. 511 Queen Anne Ave. N. 206-324-9996. Down the street at Seattle Center screening is French documentary film director Chris Marker’s look at Kurosawa during his filming of “Ran” simply entitled “A.K.” at SIFF Film Center. 305 Harrison St. 206-464-5830. Both March 25 – 31.
Opening April 9 at both the Northwest Film Forum (Wednesdays) and Grand Illusion (Sundays) is a “Seijun Suzuki Retrospective”. A look at the career of this eccentric Japanese filmmaker who turned any genre he filmed on its head with a surreal, quirky vision. The schedule for the NWFF screenings are as follows. April 13 is the 1963 film, “Youth of the Beast” about a disgraced ex-cop pitting to yakuza gangs against each other to extract revenge for a police friend’s murder. April 27 is the 1965 feature “Tattooed Life”. An older brother works for the Japanese mob to put his younger artist brother through school. When a hit goes wrong, they have to flee together and end up working in a mine where the elder brother has an affair with the boss’s wife and the younger brother falls in love with the daughter. “Tokyo Drifter” comes May 4 and is a surreal romp with a reformed a yakuza trying to go straight on the run from his former comrades in a story peppered with musical numbers and over-the-top fight scenes. May 4 also brings the 1966 film “Carmen from Kawachi”, the director’s version of the famous opera, “Carmen” which has our heroine leaving the provinces to try and make it big in the city. On May 11, the 1967 “Branded to Kill” traces the escape of a would-be assassin for the Japanese mob who must flee when he fails in his mission. Northwest Film Forum is at 1515 – 12th Ave. 206-329-2629.
Seattle artist/performer/filmmaker Etsuko Ichikawa screens her latest film that deals with the aftermath of Japan’s massive 2011 earthquake and subsequent nuclear meltdown in “Radiating Echoes – What is Beautiful?” beginning April 29 at Jack Straw New Media Gallery.
“Trans/lations” is the title of the 11th Seattle Transgender Film Festival held May 12 – 15 at Northwest Film Forum. Go to www.translationsfilmfest.org for details.
Get ready for the 42nd annual Seattle International Film Festival which begins on May 19 all over the Puget Sound. More than 450 films from over 90 countries in 25 days.
The Seattle Lesbian & Gay Film Festival, an annual event showcasing the best in Lesbian/Gay cinema world-wide has a name change. Now it is called “TWIST-Seattle Queer Film Festival”. It screens Oct. 13 – 23 later this year.
Other new films with dates not yet set for release but probably due by 2016 are the following – Jia Zhangke of all of China’s directors seems to have his pulse on a China evolving so quickly that its own people can barely keep up. “Mountains May Depart” is a dark portrait of a capitalist-era family through the decades as they struggle to survive in China and abroad. Gus Van Sant’s “The Sea of Trees” opened at Cannes and was picked up by Roadside/Lionsgate for distribution. The film stars Matthew McConaughey and Ken Watanabe who meet on Mr. Fuji bent on suicide. Japanese director Kiyoshi Kurosawa’s newest entitled “Journey to the Shore” has a piano teacher going on a second honeymoon with her missing husband who returns as a ghost. Adapted from the novel by Kazumi Yumoto Stars Eri Fukatsu and Tadanobu Asano. Due out next year is the long-awaited new project by Martin Scorsese in which he adapts Shusaku Endo’s historical novel on Christians in Japan in a period when Christianity was not allowed. A priest played by Andrew Garfield travels to Japan to confront rumors that his mentor has abandoned the church. Shot on location in Taiwan. The director remarked that “The subject matter presented by Endo was in my life since I was very, very young.” Kazuhiro Soda’s 21/2 hour documentary entitled “Oyster Factory” was a Locarno Film Festival Official Selection and takes a close look as globalization comes to a small Japanese village whose sole industry is the harvesting of oysters. July Jung’s “A Girl at My Door” played the Cannes Film Festival and has received numerous awards on the festival circuit. Donna Bae plays a police officer removed from her post in Seoul following a sex-related scandal. She is re-assigned to a remote seaside town until the controversy dies down. The quiet town is struggling economically and run by an exploitive owner of the local fishing industry. When the police officer assists his shy stepdaughter who is being bullied at school and abused at home, things began to erupt. “The Boy and the Beast” is a new animated feature directed by Mamoru Hosoda with Koji Yokusho voicing the main character. The story concerns a young orphan living on the streets who is taken in by a warrior beast. Gradually the two become like father and son but their bond is put to the test when trouble looms. This film will be released in February. A documentary film with the working titled of “Honokaa Hero: The Story of Katsu Goto” is busy trying to raise funds to complete production. Goto was an early Japanese immigrant who came to Hawai’i in 1885. He worked as a laborer along the Hamakua coast of Hawai’i island and then became a successful businessman and labor leader. He was lynched and killed in Honoka’a in 1889 while helping Japanese sugar plantation workers. Project Lead and Executive Producer is Patsy Iwasaki. For a preview of this film, go to http://katsugotomovie.org/2015/05/14/short-six-minute-preview-of-katsu-goto-movie-released/. Go to www.katsugotomovie.org for details.
Although there are a number of Asian American animators working for Pixar studios, “Sanjay’s Superhero”, a new short by Sanjay Patel qualifies as the first film by an Asian American from Pixar. Patel says he grew up hating his parent’s Hindi culture and just wanted to fit in. While his father sat in the living room in meditation to his God, the son sat enthralled by his Gods, the TV cartoon superheroes of his youth. The film is an appreciation of his parent’s culture and his own identity. It will show alongside the Pixar feature length film “The Good Dinosaur”.
Feature-length animation film director Isao Takahata of the famed Ghibli Studios in Tokyo has won the Winsor McCay Award for his career contribution to animation as announced by the International Animated Film Society in Hollywood. Takahata, now 80, is known as the director of such films as “Hotaru no Haka” (Grave of the Fireflies) and Kaguyahime no Monogatari” (The Tale of Princess Kaguya) which was nominated for this year’s Academy Award for Best Animated Feature. An earlier Takahata film that has never been seen in the U.S. is the 1991 production of “Only Yesterday.” The film revolves around a 27 year old woman who while on a trip to the countryside to work, reflects on memories of herself as a schoolgirl. It will be released later this year in a new English dubbed version featuring the voices of Daisy Ridley and Dev Patel. See it soon at SIFF Uptown.
Adi Rukin, subject of the Joshua Oppenheimer’s Oscar-Nominated documentary film “The Look of Silence” has issued his first written statement about the Indonesian genocide of 1965 following meeting in Washington D.C. The statement followed meetings in the Capitol with the Senate Foreign Relations Committee and State Department staff. Rukun and Oppenheimer met to urge the US and the Indonesian government to fully acknowledge their role in the genocide, declassify all documents pertaining to the genocide and urged the Indonesian government to initiate a process of truth, reconciliation and justice. The meetings were set up by Human Rights Watch and Amnesty International and at which State Department and Congressional staff were invited to a screening of the film . Rukun never knew his brother who was murdered at the hands of Indonesian death squads in 1965. Below is his statement – “As an optometrist, I spend my days helping people to see better. I hope to do the same thing through this film. I hope to help many people see more clearly what happened during the 1965 Indonesian genocide – a crime often lied about, or buried in silence. We, the families of the victims, have been stigmatized. We have been called ‘secret communists,’ a ‘latent danger haunting society.’ A spectre to be feared, a pestilence to be exterminated. We are none of those things.
I decided to make this film with Joshua because I knew it would make a difference – not only for my own family, but also, I hope, for millions of other victims’ families across Indonesia. I even hoped it would be meaningful to people around the world.
I wanted my image to be photographed, and my voice recorded, because images and sounds are harder to fabricate than text. Also, it would be impossible for me to meet every possible viewer, one by one, but images of me can reach people wherever they are. Even long after I’m gone.
I knew the risks I might face, and I thought about them deeply. I took these risks not because I am brave, but because I have been living in fear for too long. I do not want my children, or, one day, my grandchildren to inherit this fear from me and my family.
Unlike the perpetrators, I do not ask that my older brother, my parents, or the millions of victims be treated as heroes, even though some deserve to be.
I just want my family to no longer be described as traitors in the school books. We never committed any crime. And yet my relatives and millions of others were tortured, disappeared, or slaughtered in 1965.
When I visited the perpetrators for the film, I had no desire for revenge. I came to listen. I hoped they would look into my eyes, realize that I am a human being, and acknowledge what they did was wrong. It was up to them to take responsibility for what they did to my family. It was up to them to ask forgiveness. If, instead, they choose to justify their crimes, adding to the noisy lies, we as a nation, living together in this same land, will have difficulty living together as neighbors in peace and in harmony.
Through ‘The Look of Silence’, I only wanted to show that we know what the perpetrators did. We know the truth behind their lies. And one day, the lies will be exposed.
Because we are no longer silent.”
The Written Arts
Elliott Bay Book Company presents a series of readings and events. All are at the bookstore unless noted otherwise. Leland Cheuk reads from “The Misadventures of Sulliver Pong” (CCLaP) on Fri. March 18 at 7pm. This satiric novel is a poke at stereotypes of the Asian American male. He shares the bill with novelist Kris Saknussenum. “The Story of Hoa Sen” (BOA) is the latest book of poems translated into English by Bruce Wiegl by Nguyen Phan Que Mai, one of Vietnam’s most beloved poets. Co-presented with Hugo House and the Gardner Center for Asian Art & Ideas on Mon., March 28 at 7pm at Hugo House. Free. 1634 – 11th Ave. On Tues., March 29 at 7pm, Nalini Iyer will talk to local author Bharti Kirchner about her new book entitled “Goddess of Fire: A Historical Novel Set in 17th Century India”. Co-presented with Washington Center For the Book at Seattle Public Library. This reading takes place at Seattle Public Central Library downtown. 206-386-4636 or go to www.spl.org. Noriko Manabe appears on behalf of her book entitled “The Revolution Will Not Be Televised: Protest Music After Fukushima” which looks at social moments that erupted after the Fukushima nuclear accident. April 2 at 7pm. Sonny Liew, comic artist/illustrator reads from “The Art of Charlie Chan Hock Chye” which is simultaneously a graphic novel history of a comic book artist as well as a history of Singapore’s road to independence. April 11 at 7pm. Northwest writer Ruth Ozeki returns to Seattle to talk about her latest book in “The Face” series, a personal exploration of how the author’s face has been shaped by her life. Free on June 5 at 3pm.Elliott Bay Book Company is at 1521 Tenth Ave. in Seattle’s Capitol Hill neighborhood. 206-624-6600.
Those book lovers with burning, seemingly unanswerable questions need not consult Dear Abby any longer – now there’s Hugo House’s program “Ask the Oracle” where a panel of writers will light the proverbial path using passages from their respective books. Beginning in February and continuing monthly, Hugo House, Seattle’s place for writers, will partner with Hotel Sorrento to present this series taking place in the hotel’s cozy Hunt Club fireside room. Participating writers include Imani Sims, Ramon Isao, Sonora Jha, Jane Wong and many others. Dates include April 5, May 10 and June 6 all at 7pm. For details, contact Kristen Steenbeeke at [email protected] In related news, Hugo House has announced its temporary re-location during construction of its new building across from Cal Anderson Park. Beginning in mid-2016, Hugo House’s public programs and offices will be based in a building owned by, and adjacent to, the Frye Art museum at Boren Avenue and Columbia Street on First Hill. Hugo House will operate a full schedule of readings, classes, book launches, workshops, teen programs, and more at the Frye while its new building is being constructed. Events will take place here and in the Frye’s auditorium as well at the nearby Elliott Bay Book Company and Sorrento Hotel. By 2018, Hugo House will return to its original site and occupy a ground-floor space in a new six-story, mixed-use building. In related news, Hugo House has produced “The Writer’s Welcome Kit”, an exclusive e-course that combines guidance on the writing craft and resources to help the writer excel. Go to hugohouse.org for details.
WordsWest presents award-winning poet and PLU Professor Oliver de la Paz and Seattle’s first civic poet Claudia Castro Luna in a reading on March 16 at 7pm. This is an exciting literary series that presents local writers in West Seattle. Readings take place at C & P Coffee Co. located at 5612 California Ave. S.W. For details, email [email protected].
Hugo House’s new Literary Series entitled “All’s Fair In Love And War” features spoken word performer/ poet Roberto Ascalon and others. April 15 at 7:30pm. $25.
In the 20th edition of the Jack Straw Writers, Curator Karen Finneyfrock has made her final 12 selections from over 100 submissions. Ramon Isao, EJ Koh, Shin Yu Pai are some of the writers who form the 2016 Jack Straw writers. Be on the lookout for a series of readings by these fine writers throughout the year. For details, go to [email protected].
Actor Dustin Nguyen of “Descender” fame is just one of the many guest stars at the Emerald City Comicon, the premier comic book and pop culture convention in the Northwest. April 7 – 10 at Washington State Convention Center. Go to emeraldcitycomicon.com for tickets and information.
The Bagley Wright Lecture Series present poet Hoa Nguyen who will explore the idea of ‘teaching poetics’ and consider the meaning of creative writing studies. April 21 at 7pm. Hugo House.
May 18 – 22 is time for the Skagit River Poetry Festival in La Connor. Readings, music, interviews, panel discussions and storytelling are offered. Poet Aimee Nezhukumatathil is among the invited poets and performers included.
Seattle Arts & Lectures has added a talk by Pulitzer Prize-winning medical author Siddhartha Mukherjee (“The Emperor of All Maladies”) on May 23. He will be talking about his new book entitled “The Gene: An Intimate History”. Go to lectures.org for more details.
“Elmer Ogawa: After Hours with Seattle’s Forgotten Photographer” is a new book by journalist Todd Matthews about a man who worked part-time on assignment as the photographer for Pacific Citizen and SCENE Magazine. His photos capture life in the Japanese American community at social events. More information can be found at http://www.wahmee.com/elmer.html.
One finds it hard to keep up with the steady stream of new titles coming out even in the limited categories of works by or about Asian Americans and new titles on Asia but here’s a recent sampling –
Local author Sharon H. Chang is the author of “Raising Mixed Race – Multiracial Asian Children in a Post-Racial World” (Routledge). It is one of the first books to look at the difficulties of raising mixed-race Asian children in a system that neither embraces or welcomes their participation.
“What Lies Between Us” (St. Martin’s) by Nayomi Munaweera looks at the struggles a daughter and mother must go through leaving war-town Sri Lanka for the promise of America. The author’s first novel won the Commonwealth Book Prize in 2013.
In Alexander Chee’s “The Queen of the Night” (Houghton Mifflin Harcourt), a sprawling epic of a novel looks at the career of a true diva – an opera singer that through continual self-reinvention ascends to the role of a lifetime.
“A Girl on the Shore” (Vertical) is a book of yearning and teenage romance by Inio Asano. Asano is the author of “Solanin” and “Nijigahara Holography” and has been nominated for the Eisner Award.
Pulitzer Prize winning author Jhumpa Lahiri sets the bar even higher by writing “In Other Words” (Knopf) in Italian. She bumps up the limitations of a newly acquired language and takes us along in her search for those words that can express what she has to say. Translated into English by Ann Goldstein.
The New York Times bestseller “Without You, There Is No Us – My Time with the Sons of North Korea’s Elite” (Broadway Books) is a memoir by Suki Kim now in a new paperback edition.
“Speak Now, Marriage Equality On Trail – The Story of Hollingsworth v. Perry” (Crown) by Kenji Yoshino details the personal and legal aspects of the struggle for marriage equality and the real meaning of same-sex marriage.
Chinese fiction writer Yan Lianke, winner of the Franz Kafka Prize has a new novel translated by Carlos Rojas. The Four Books (Grove/Atlantic) is a mythical tale that portrays the absurd and grotesque oppression of the Great Leap Forward.
“Midnight in Broad Daylight – A Japanese American Family Caught Between Two Worlds” (Harper) by Pamela Rotner Sakamoto looks at the war-time agony of a family struggling to maintain their American loyalty while simultaneously facing discrimination with one son in the US Army and two other sons in the Japanese Imperial Army.
In “We Too Sing America” (The New Press), journalist Deepa Iyer looks at the effects of post-911 racism and violence on South Asian, Arab and Muslim American communities.
O. Henry Prize-winning author Viet Dinh’s new novel “After Disasters” (Little A) looks at four characters in the aftermath of an earthquake in India and what they do to impose order in a chaotic city.
“Picture Man – The Legacy of Southeast Alaska Photographer Shoki Kayamori” (Snowy Owl Books – University of Alaska Press) by local Olympia writer Margaret Thomas tells the little known tale of this Japanese photographer who made his home amongst a native population in southeast Alaska at the turn of the century. His images document the changes in their lives at a crucial period. But the book also gives us much more, delving into immigration policies, the cannery trade and anti-Japanese hysteria after Pearl Harbor leading to the suicide of Kayamori himself.
The latest book by Jeff Chang (“Can’t Stop Won’t Stop: A History Of The Hip-Hop Generation”) entitled “Who We Be – A Cultural History Of Race In Post Civil Rights America” (Picador) is now out in a new paperback edition.
“The End of Karma – Hope And Fury Among India’s Young” (Norton) by award-winning New York Times reporter Somini Sengupta. Returning to India after thirty years, Sengupta looks at the India of today through the lens of today’s youth from every class and every situation and finds the illusion of possibility blocked by structures of sex and class.
“The Silent Dead” (Minotaur) by Tetsuya Honda pits a young woman detective with a penchant for solving crimes in a Tokyo police department rife with a male structure filled with political and family connections. Overcoming these obstacles and doing her job are a day to day rite of passage. When a dead body wrapped in plastic points to a serial killer, it’s a race to the finish as killer chases detective. The first in a best-selling series in Japan that has spawned a movie and TV mini-series.
Tetsuya Tsutsui’s “Prophecy 03” (Vertical Comics) is the concluding volume of a graphic novel series dealing with cyber crime, social media and revenge.
“Advertsing Diversity – Ad agencies and the Creation of Asian American Consumers” (Duke) by Shalini Shankar explores how racial and ethnic differences are created and commodified through advertisements, marketing and public relations. In other words, Madison Avenue wants your money.
Ji Xianlin’s “The Cowshed – Memories Of The Cultural Revolution” (NYRB) was a bestseller in China that calls attention to the injustices of Mao-era violence during that tumultuous time. Translated by Chenxin Jiang.
“The Wages Of Guilt – Memoirs Of War In Germany And Japan’ (NYRB) is another insightful look at the borders of history by Ian Buruma.
“Shelter” (Picador) by Jung Yun is a debut novel with a story about a dysfunctional mixed-race family caught in the vice-grip of today’s times.
The Jack Straw Memorial Foundation has a steadily growing archive of programs that were aired by the late, great local independent radio station KRAB. Recently donated to the archive are a significant collection of recordings of Northwest and visiting poets and writers reading from their works. Noteworthy in the collection are 22 recordings from the 1976 Pacific Northwest Asian American Writer’s Conference held at the University of Washington. Recorded by Karen Berge who as a student covered many public literary events in the Puget Sound, had her own radio program “Poetry Windows” and co-published a monthly newsletter and calendar of Seattle literary events called “Poetry Exchange”. This conference brought together writers, academics and others in the Asian American literary community, many from outside the Seattle area. Writers included Frank Chin, Lawson Inada, Garrett Hongo, Bienvinido Stoantos, Toshio Mori, Milton Murayama, Momoko Iko, Hisaye Yamamoto, Wakako Yamauchi, N.V. M. Gonzalez, Alan Chong Lau, Laureen Mar, James Mitsui, Jessica Hagedorn, Shawn Wong, and Lonny Kaneko. Panel discussion participants included Conference Organizer Professor Stephen Sumida, Dr. Sam Solberg, Dr. Jesse Hiraoka, Fred Cordova and Ray Tsuchiyama. The collection also features an audio of a live performance of Garrett Hongo’s play “Nisei Bar & Grill,” which premiered during the conference. The tapes are now being cataloged and digitized. Over the next year, these programs will be shared in the online KRAB Archive. For news of when, try going to www.krab.fm.
Seattle fashion designer Luly Yang has been hired by Alaska Airlines to redesign uniforms for their employees. The new design line should debut in 2018.
In late February the Portland JACL’s Day or Remembrance honored Minoru Yasui at Portland State University with a program entitled “Man On A Mission”. The program included en Taiko, brother Homer Yasui, artist/daughter Holly Yasui, actor Heath Houghton and lead attorney Peggy Nagae who worked on his case.
Pilchuk Glass School offers the John H. Hauberg Fellowship to encourage collaboration among a group of outstanding artists. Groups of up to six are invited to submit proposals for utilizing the studios and campus environment for research and development of artwork based on a common theme or a collaborative project. Residency dates are April 27 – May 13, 2016 and applications are due Oct. 26, 2016. Visit Pilchuck.com for application and instructions. If you have further questions, contact the registrar at [email protected] or call 360-445-3111, ext 29.
Friends of Asian Art Association is an all-volunteer organization that connects its members and the community to educations, cultural and social events tied to Asia and its diverse art forms and culture. Enjoy year-round activities and meet new friends who share similar interests by becoming a member. All are welcome to the activities but members get special discounts and perks. Go to [email protected] or call (206) 522-5438. Their latest newsletter is a tasty and informative look at Asian cuisine. Check it out by going to http://friendsofasianart.org. Also the organization’s upcoming fundraiser will be an “Asian And Global Arts Treasures Sale” on Sat., April 9 from 11am – 3pm at Phinney Neighborhood Center’s Community Hall. Find unique treasures of antiques, artifacts and craft items from Asia, Central/South America and Africa. Purchases via cash or check only. 6532 Phinney Ave. N. north of woodland Park Zoo. For details, go to [email protected]. Those who wish to participate in this event as a vendor and have questions can email Vendor Chair Ron Ho at [email protected].
Ken Matsudaira seeks ghost stories but not just any ghost stories. Let me have him tell you. Minidoka Ghost Stories is an oral history of ghost stories from the imprisonment of Japanese Americans during World War II, and is an opportunity to hear and to share a unique aspect of the internment experience. The stories of ghosts, hauntings, and the strange not only provide an alternative inroad to Japanese American history, but also, in the analysis of their telling, provides insights into our culture, our values, and our legacy. Though Minidoka is specified in the project’s title, we are interested in hearing stories associated with ANY of the camps.
We are losing the generation of internees who were adults during the war. With their passing goes our access to a grown-up’s perspective of the internment. Fortunately, projects like Densho have been preserving many of their stories for future generations. What has been missing, however, is a look at how children created meaning out of their experience. For Minidoka Ghost Stories, I am seeking stories from Nikkei who were children during the war and who may have been too young to grasp the complexity of what was going on at the time, but who may easily be able to remember the things that scared them. I see Minidoka Ghost Stories as a unique access point to our history. I hope to give people a novel way of entering into dialogue about the larger Internment Experience through which they can connect with the history in unexpected ways.
I am hoping that inquiries about ghost stories can provide a playful. “less heavy” way for younger Nikkei to begin conversations with camp survivors, providing a way to encourage storytelling in general between generations. This, in fact, is the underlying “secret” goal of the project: fostering inter-generational communication and sharing. I hope that Minidoka ghost Stories will become an undertaking that is adopted by the community at large, inspiring Sansei, Yonsei and Gosei to ask their grandparents, parents, and relatives for stories about the internment in a way that has the possibility of bypassing decades of reluctance. It is my hope that Minidoka Ghost Stories inspires families to share stories and that it will provide a rich, inter-generational site of inquiry providing insights into how, collectively and individually, we have made meaning out of our experiences and storytelling. Any stories can be passed on to me via the project’s Facebook page: https://www.facebook.com/Minidoka-Ghost-Stories-847637862019226/ or the project’s email: [email protected]
The National Endowment for the Arts awarded a $10,000 Art Works award to seattle non-profit, Anindo Chatterjee Institute of Tabla Seattle. The funding will help bring four Indian maestros to Western Washington for a series of workshops and performances.
Actress Lucy Liu of “Kill Bill” and Charlie’s Angels” fame, currently starring in the CBS series “Elementary”was named artist of the year for Intercultural and Race Relations by the Harvard Foundation. Liu is a UNICEF Ambassador and has been a spokesperson for the Human Rights Campaign. Harvard cited her for having “worked tirelessly to raise awareness of the plight of women and children in some of the world’s most impoverished countries.”
The Wing Luke Museum is seeking volunteers to help in various roles for their Annual Dinner an Art Auction set for Sat., March 26, 2016. Auction volunteer orientation takes place on March 24 at 6pm at the Wing. Interested or have questions? Contact Karen Kajiwara at [email protected].